NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Kriterion (Online) |
Texto Completo: | https://periodicos.ufmg.br/index.php/kriterion/article/view/38452 |
Resumo: | The article intends to present the origin of the opera, in the thought of the young Nietzsche, parallel in the birth of the ancient Greek tragedy with whose comparison we intend to show how the formation of the first takes place under the insignia of an instinctual restriction. The idea is to present the origin of opera, as Nietzsche understood it from the reading of Zur Tonkunst by Ernst Lindner, as a critique of the western rationalization process that imprisoned the productive force of Nature as of the superposition of consciousness to the unconscious force of art. Even in the case of a dramatic genre that uses music, a form of expression that in theory expresses the very Idea of the world. |
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NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRITNIETZSCHE E O NASCIMENTO DA ÓPERA A PARTIR DO ESPÍRITO ALEXANDRINONietzscheLindnerÓperaTragédiaAlexandrinoNietzscheLindnerOperaTragedyAlexandrianThe article intends to present the origin of the opera, in the thought of the young Nietzsche, parallel in the birth of the ancient Greek tragedy with whose comparison we intend to show how the formation of the first takes place under the insignia of an instinctual restriction. The idea is to present the origin of opera, as Nietzsche understood it from the reading of Zur Tonkunst by Ernst Lindner, as a critique of the western rationalization process that imprisoned the productive force of Nature as of the superposition of consciousness to the unconscious force of art. Even in the case of a dramatic genre that uses music, a form of expression that in theory expresses the very Idea of the world.O artigo pretende apresentar a origem da ópera moderna, no pensamento do jovem Nietzsche, em paralelo ao nascimento da tragédia grega antiga com cuja comparação pretendemos mostrar como se dá a formação da primeira sob a insígnia de uma restrição pulsional. A ideia é apresentar a origem da ópera, como Nietzsche a entendia a partir da leitura de Zur Tonkunst de Ernst Lindner, como uma crítica ao processo de racionalização ocidental que aprisionou a força produtora da Natureza a partir da sobreposição da consciência à força inconsciente produtora da arte autêntica. Mesmo no caso de um gênero dramático que se utiliza da música, a forma de expressão que em tese exprime a própria Ideia do mundo.Revista KriterionRevista KriterionKriterion: Revista de FilosofiaKriterion: Revista de FilosofiaRevista Kriterion2023-05-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/kriterion/article/view/38452Revista Kriterion; Vol. 64 No. 154 (2023)Revista Kriterion; Vol. 64 Núm. 154 (2023)Kriterion: Revista de Filosofia; Vol. 64 No 154 (2023)Kriterion: Revista de Filosofia; V. 64 N. 154 (2023)Revista Kriterion; v. 64 n. 154 (2023)1981-53360100-512Xreponame:Kriterion (Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/kriterion/article/view/38452/37546Copyright (c) 2023 Revista Kriterionhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccess Moraes, Rodrigo Juventino Bastos de2023-05-29T19:43:03Zoai:periodicos.ufmg.br:article/38452Revistahttps://periodicos.ufmg.br/index.php/kriterionPUBhttps://periodicos.ufmg.br/index.php/kriterion/oairevistakriterion@gmail.com1981-53360100-512Xopendoar:2024-01-24T12:41:31.284560Kriterion (Online) - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT NIETZSCHE E O NASCIMENTO DA ÓPERA A PARTIR DO ESPÍRITO ALEXANDRINO |
title |
NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT |
spellingShingle |
NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT Moraes, Rodrigo Juventino Bastos de Nietzsche Lindner Ópera Tragédia Alexandrino Nietzsche Lindner Opera Tragedy Alexandrian |
title_short |
NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT |
title_full |
NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT |
title_fullStr |
NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT |
title_full_unstemmed |
NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT |
title_sort |
NIETZSCHE AND THE BIRTH OF THE OPERA FROM THE ALEXANDRINE SPIRIT |
author |
Moraes, Rodrigo Juventino Bastos de |
author_facet |
Moraes, Rodrigo Juventino Bastos de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Moraes, Rodrigo Juventino Bastos de |
dc.subject.por.fl_str_mv |
Nietzsche Lindner Ópera Tragédia Alexandrino Nietzsche Lindner Opera Tragedy Alexandrian |
topic |
Nietzsche Lindner Ópera Tragédia Alexandrino Nietzsche Lindner Opera Tragedy Alexandrian |
description |
The article intends to present the origin of the opera, in the thought of the young Nietzsche, parallel in the birth of the ancient Greek tragedy with whose comparison we intend to show how the formation of the first takes place under the insignia of an instinctual restriction. The idea is to present the origin of opera, as Nietzsche understood it from the reading of Zur Tonkunst by Ernst Lindner, as a critique of the western rationalization process that imprisoned the productive force of Nature as of the superposition of consciousness to the unconscious force of art. Even in the case of a dramatic genre that uses music, a form of expression that in theory expresses the very Idea of the world. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-05-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/kriterion/article/view/38452 |
url |
https://periodicos.ufmg.br/index.php/kriterion/article/view/38452 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/kriterion/article/view/38452/37546 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Revista Kriterion https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Revista Kriterion https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Revista Kriterion Revista Kriterion Kriterion: Revista de Filosofia Kriterion: Revista de Filosofia Revista Kriterion |
publisher.none.fl_str_mv |
Revista Kriterion Revista Kriterion Kriterion: Revista de Filosofia Kriterion: Revista de Filosofia Revista Kriterion |
dc.source.none.fl_str_mv |
Revista Kriterion; Vol. 64 No. 154 (2023) Revista Kriterion; Vol. 64 Núm. 154 (2023) Kriterion: Revista de Filosofia; Vol. 64 No 154 (2023) Kriterion: Revista de Filosofia; V. 64 N. 154 (2023) Revista Kriterion; v. 64 n. 154 (2023) 1981-5336 0100-512X reponame:Kriterion (Online) instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Kriterion (Online) |
collection |
Kriterion (Online) |
repository.name.fl_str_mv |
Kriterion (Online) - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
revistakriterion@gmail.com |
_version_ |
1799711183421308928 |