A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln

Detalhes bibliográficos
Autor(a) principal: Zortéa, Adriel Dalmolin
Data de Publicação: 2022
Outros Autores: Pugliese, Vera
Tipo de documento: Artigo
Idioma: por
Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/39721
Resumo: The article investigates the artwork Celacanto provoca maremoto, produced between 2004-2008, by Adriana Varejão (1964) alongside theoretical questions opened by the notion of Pathosformel, created by Aby Warburg (1866-1929), and its developments thought by Georges Didi- Huberman (1953). In addition to the layers of historical elements, the installation produced by the artist for the gallery dedicated to her artwork at Instituto Inhotim is investigated from three axes: the Pathosformel of the body in accentuated movement; the relationship between ethos and pathos contained in capturing a transitory form through the hardness of a tile; finally, the spectator's experience in front of the image accessed in its empathic dimension. The text confronts this image with other images, according to an associative logic. Keywords: Adriana Varejão. Celacanto provoca maremoto. Pathosformel. Contemporary Art in Brazil. Aby Warburg.
id UFMG-12_63082d34edd7a95ddc91284d5185554b
oai_identifier_str oai:periodicos.ufmg.br:article/39721
network_acronym_str UFMG-12
network_name_str Pós (Universidade Federal de Minas Gerais. Online)
repository_id_str
spelling A sea in tiles: The waves of Varejão and Warburg’s PathosformelnUne mer en carreaux: Les vagues de Varejão et les Pathosformeln de WarburgUm mar em azulejos: As ondas de Varejão e as Pathosformeln de Warburg Adriana VarejãoCelacanto provoca maremotoPathosformelArte contemporânea no BrasilAby WarburgAdriana VarejãoCelacanto provoca maremotoPathosformelContemporary Art in BrazilAby WarburgAdriana VarejãoCelacanto provoca maremotoPathosformelL'art contemporain au BrésilAby WarburgThe article investigates the artwork Celacanto provoca maremoto, produced between 2004-2008, by Adriana Varejão (1964) alongside theoretical questions opened by the notion of Pathosformel, created by Aby Warburg (1866-1929), and its developments thought by Georges Didi- Huberman (1953). In addition to the layers of historical elements, the installation produced by the artist for the gallery dedicated to her artwork at Instituto Inhotim is investigated from three axes: the Pathosformel of the body in accentuated movement; the relationship between ethos and pathos contained in capturing a transitory form through the hardness of a tile; finally, the spectator's experience in front of the image accessed in its empathic dimension. The text confronts this image with other images, according to an associative logic. Keywords: Adriana Varejão. Celacanto provoca maremoto. Pathosformel. Contemporary Art in Brazil. Aby Warburg.L'article investigue l'œuvre Celacanto provoca maremoto, réalisé entre 2004-2008, par Adriana Varejão (1964) aux côtés des questions théoriques ouvertes par la notion de Pathosformel frappé par Aby Warburg (1866-1929) et ses développements pensés par Georges Didi-Huberman (1953). Au-delà des strates d’élements historiques, l'installation produite par l'artiste pour la galerie dédiée à l'œuvre à l'Instituto Inhotim est explorée à partir de trois axes: le Pathosformel du corps en mouvement acentue; la relation entre ethos et pathos contenue dans la capture d'une forme transitoire à travers de la dureté d'un carreau; enfin, l'expérience du spectateur face à l'image accédée dans sa dimension empathique. Le texte confronte cette image à d'autres images, selon une logique associative.O artigo investiga a obra Celacanto provoca maremoto, realizada entre 2004-2008, por Adriana Varejão (1964) ao lado de questões teóricas abertas pela noção de Pathosformel, cunhada por Aby Warburg (1866-1929), e seus desdobramentos pensados por Georges Didi-Huberman (1953). Para além das camadas de elementos históricos, a instalação produzida pela artista para a galeria dedicada à sua obra no Instituto Inhotim, é investigada a partir de três eixos: a Pathosformel do corpo em movimento acentuado; a relação entre ethos e pathos contida na captação de uma forma transitória pela dureza de um azulejo; por fim, a experiência do espectador diante da imagem acessada em sua dimensão empática. O texto confronta a referida imagem com outras imagens, segundo uma lógica associativa.  Universidade Federal de Minas Gerais2022-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/3972110.35699/2237-5864.2022.39721PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 12 No. 26 (2022): Set-Dez; 240-266PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 12 Núm. 26 (2022): Set-Dez; 240-266PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 12 n. 26 (2022): Set-Dez; 240-2662238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/39721/32035Copyright (c) 2022 Adriel Dalmolin Zortéa, Vera Pugliesehttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessZortéa, Adriel DalmolinPugliese, Vera2023-02-13T18:57:40Zoai:periodicos.ufmg.br:article/39721Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2023-02-13T18:57:40Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln
Une mer en carreaux: Les vagues de Varejão et les Pathosformeln de Warburg
Um mar em azulejos: As ondas de Varejão e as Pathosformeln de Warburg
title A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln
spellingShingle A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln
Zortéa, Adriel Dalmolin
Adriana Varejão
Celacanto provoca maremoto
Pathosformel
Arte contemporânea no Brasil
Aby Warburg
Adriana Varejão
Celacanto provoca maremoto
Pathosformel
Contemporary Art in Brazil
Aby Warburg
Adriana Varejão
Celacanto provoca maremoto
Pathosformel
L'art contemporain au Brésil
Aby Warburg
title_short A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln
title_full A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln
title_fullStr A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln
title_full_unstemmed A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln
title_sort A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln
author Zortéa, Adriel Dalmolin
author_facet Zortéa, Adriel Dalmolin
Pugliese, Vera
author_role author
author2 Pugliese, Vera
author2_role author
dc.contributor.author.fl_str_mv Zortéa, Adriel Dalmolin
Pugliese, Vera
dc.subject.por.fl_str_mv Adriana Varejão
Celacanto provoca maremoto
Pathosformel
Arte contemporânea no Brasil
Aby Warburg
Adriana Varejão
Celacanto provoca maremoto
Pathosformel
Contemporary Art in Brazil
Aby Warburg
Adriana Varejão
Celacanto provoca maremoto
Pathosformel
L'art contemporain au Brésil
Aby Warburg
topic Adriana Varejão
Celacanto provoca maremoto
Pathosformel
Arte contemporânea no Brasil
Aby Warburg
Adriana Varejão
Celacanto provoca maremoto
Pathosformel
Contemporary Art in Brazil
Aby Warburg
Adriana Varejão
Celacanto provoca maremoto
Pathosformel
L'art contemporain au Brésil
Aby Warburg
description The article investigates the artwork Celacanto provoca maremoto, produced between 2004-2008, by Adriana Varejão (1964) alongside theoretical questions opened by the notion of Pathosformel, created by Aby Warburg (1866-1929), and its developments thought by Georges Didi- Huberman (1953). In addition to the layers of historical elements, the installation produced by the artist for the gallery dedicated to her artwork at Instituto Inhotim is investigated from three axes: the Pathosformel of the body in accentuated movement; the relationship between ethos and pathos contained in capturing a transitory form through the hardness of a tile; finally, the spectator's experience in front of the image accessed in its empathic dimension. The text confronts this image with other images, according to an associative logic. Keywords: Adriana Varejão. Celacanto provoca maremoto. Pathosformel. Contemporary Art in Brazil. Aby Warburg.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/39721
10.35699/2237-5864.2022.39721
url https://periodicos.ufmg.br/index.php/revistapos/article/view/39721
identifier_str_mv 10.35699/2237-5864.2022.39721
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/39721/32035
dc.rights.driver.fl_str_mv Copyright (c) 2022 Adriel Dalmolin Zortéa, Vera Pugliese
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Adriel Dalmolin Zortéa, Vera Pugliese
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 12 No. 26 (2022): Set-Dez; 240-266
PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 12 Núm. 26 (2022): Set-Dez; 240-266
PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 12 n. 26 (2022): Set-Dez; 240-266
2238-2046
1982-9507
reponame:Pós (Universidade Federal de Minas Gerais. Online)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Pós (Universidade Federal de Minas Gerais. Online)
collection Pós (Universidade Federal de Minas Gerais. Online)
repository.name.fl_str_mv Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv revistapos.ppga@gmail.com
_version_ 1797049079932387328

Registros relacionados