A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln
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Data de Publicação: | 2022 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pós (Universidade Federal de Minas Gerais. Online) |
Texto Completo: | https://periodicos.ufmg.br/index.php/revistapos/article/view/39721 |
Resumo: | The article investigates the artwork Celacanto provoca maremoto, produced between 2004-2008, by Adriana Varejão (1964) alongside theoretical questions opened by the notion of Pathosformel, created by Aby Warburg (1866-1929), and its developments thought by Georges Didi- Huberman (1953). In addition to the layers of historical elements, the installation produced by the artist for the gallery dedicated to her artwork at Instituto Inhotim is investigated from three axes: the Pathosformel of the body in accentuated movement; the relationship between ethos and pathos contained in capturing a transitory form through the hardness of a tile; finally, the spectator's experience in front of the image accessed in its empathic dimension. The text confronts this image with other images, according to an associative logic. Keywords: Adriana Varejão. Celacanto provoca maremoto. Pathosformel. Contemporary Art in Brazil. Aby Warburg. |
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A sea in tiles: The waves of Varejão and Warburg’s PathosformelnUne mer en carreaux: Les vagues de Varejão et les Pathosformeln de WarburgUm mar em azulejos: As ondas de Varejão e as Pathosformeln de Warburg Adriana VarejãoCelacanto provoca maremotoPathosformelArte contemporânea no BrasilAby WarburgAdriana VarejãoCelacanto provoca maremotoPathosformelContemporary Art in BrazilAby WarburgAdriana VarejãoCelacanto provoca maremotoPathosformelL'art contemporain au BrésilAby WarburgThe article investigates the artwork Celacanto provoca maremoto, produced between 2004-2008, by Adriana Varejão (1964) alongside theoretical questions opened by the notion of Pathosformel, created by Aby Warburg (1866-1929), and its developments thought by Georges Didi- Huberman (1953). In addition to the layers of historical elements, the installation produced by the artist for the gallery dedicated to her artwork at Instituto Inhotim is investigated from three axes: the Pathosformel of the body in accentuated movement; the relationship between ethos and pathos contained in capturing a transitory form through the hardness of a tile; finally, the spectator's experience in front of the image accessed in its empathic dimension. The text confronts this image with other images, according to an associative logic. Keywords: Adriana Varejão. Celacanto provoca maremoto. Pathosformel. Contemporary Art in Brazil. Aby Warburg.L'article investigue l'œuvre Celacanto provoca maremoto, réalisé entre 2004-2008, par Adriana Varejão (1964) aux côtés des questions théoriques ouvertes par la notion de Pathosformel frappé par Aby Warburg (1866-1929) et ses développements pensés par Georges Didi-Huberman (1953). Au-delà des strates d’élements historiques, l'installation produite par l'artiste pour la galerie dédiée à l'œuvre à l'Instituto Inhotim est explorée à partir de trois axes: le Pathosformel du corps en mouvement acentue; la relation entre ethos et pathos contenue dans la capture d'une forme transitoire à travers de la dureté d'un carreau; enfin, l'expérience du spectateur face à l'image accédée dans sa dimension empathique. Le texte confronte cette image à d'autres images, selon une logique associative.O artigo investiga a obra Celacanto provoca maremoto, realizada entre 2004-2008, por Adriana Varejão (1964) ao lado de questões teóricas abertas pela noção de Pathosformel, cunhada por Aby Warburg (1866-1929), e seus desdobramentos pensados por Georges Didi-Huberman (1953). Para além das camadas de elementos históricos, a instalação produzida pela artista para a galeria dedicada à sua obra no Instituto Inhotim, é investigada a partir de três eixos: a Pathosformel do corpo em movimento acentuado; a relação entre ethos e pathos contida na captação de uma forma transitória pela dureza de um azulejo; por fim, a experiência do espectador diante da imagem acessada em sua dimensão empática. O texto confronta a referida imagem com outras imagens, segundo uma lógica associativa. Universidade Federal de Minas Gerais2022-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/3972110.35699/2237-5864.2022.39721PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 12 No. 26 (2022): Set-Dez; 240-266PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 12 Núm. 26 (2022): Set-Dez; 240-266PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 12 n. 26 (2022): Set-Dez; 240-2662238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/39721/32035Copyright (c) 2022 Adriel Dalmolin Zortéa, Vera Pugliesehttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessZortéa, Adriel DalmolinPugliese, Vera2023-02-13T18:57:40Zoai:periodicos.ufmg.br:article/39721Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2023-02-13T18:57:40Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln Une mer en carreaux: Les vagues de Varejão et les Pathosformeln de Warburg Um mar em azulejos: As ondas de Varejão e as Pathosformeln de Warburg |
title |
A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln |
spellingShingle |
A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln Zortéa, Adriel Dalmolin Adriana Varejão Celacanto provoca maremoto Pathosformel Arte contemporânea no Brasil Aby Warburg Adriana Varejão Celacanto provoca maremoto Pathosformel Contemporary Art in Brazil Aby Warburg Adriana Varejão Celacanto provoca maremoto Pathosformel L'art contemporain au Brésil Aby Warburg |
title_short |
A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln |
title_full |
A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln |
title_fullStr |
A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln |
title_full_unstemmed |
A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln |
title_sort |
A sea in tiles: The waves of Varejão and Warburg’s Pathosformeln |
author |
Zortéa, Adriel Dalmolin |
author_facet |
Zortéa, Adriel Dalmolin Pugliese, Vera |
author_role |
author |
author2 |
Pugliese, Vera |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Zortéa, Adriel Dalmolin Pugliese, Vera |
dc.subject.por.fl_str_mv |
Adriana Varejão Celacanto provoca maremoto Pathosformel Arte contemporânea no Brasil Aby Warburg Adriana Varejão Celacanto provoca maremoto Pathosformel Contemporary Art in Brazil Aby Warburg Adriana Varejão Celacanto provoca maremoto Pathosformel L'art contemporain au Brésil Aby Warburg |
topic |
Adriana Varejão Celacanto provoca maremoto Pathosformel Arte contemporânea no Brasil Aby Warburg Adriana Varejão Celacanto provoca maremoto Pathosformel Contemporary Art in Brazil Aby Warburg Adriana Varejão Celacanto provoca maremoto Pathosformel L'art contemporain au Brésil Aby Warburg |
description |
The article investigates the artwork Celacanto provoca maremoto, produced between 2004-2008, by Adriana Varejão (1964) alongside theoretical questions opened by the notion of Pathosformel, created by Aby Warburg (1866-1929), and its developments thought by Georges Didi- Huberman (1953). In addition to the layers of historical elements, the installation produced by the artist for the gallery dedicated to her artwork at Instituto Inhotim is investigated from three axes: the Pathosformel of the body in accentuated movement; the relationship between ethos and pathos contained in capturing a transitory form through the hardness of a tile; finally, the spectator's experience in front of the image accessed in its empathic dimension. The text confronts this image with other images, according to an associative logic. Keywords: Adriana Varejão. Celacanto provoca maremoto. Pathosformel. Contemporary Art in Brazil. Aby Warburg. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/39721 10.35699/2237-5864.2022.39721 |
url |
https://periodicos.ufmg.br/index.php/revistapos/article/view/39721 |
identifier_str_mv |
10.35699/2237-5864.2022.39721 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/39721/32035 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Adriel Dalmolin Zortéa, Vera Pugliese https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Adriel Dalmolin Zortéa, Vera Pugliese https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
dc.source.none.fl_str_mv |
PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 12 No. 26 (2022): Set-Dez; 240-266 PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 12 Núm. 26 (2022): Set-Dez; 240-266 PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 12 n. 26 (2022): Set-Dez; 240-266 2238-2046 1982-9507 reponame:Pós (Universidade Federal de Minas Gerais. Online) instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Pós (Universidade Federal de Minas Gerais. Online) |
collection |
Pós (Universidade Federal de Minas Gerais. Online) |
repository.name.fl_str_mv |
Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
revistapos.ppga@gmail.com |
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1797049079932387328 |