From poetry to testament: some aspects of Jean Cocteau's cinema

Detalhes bibliográficos
Autor(a) principal: Costa, Wellington Júnio
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/36059
Resumo: The poetry of Jean Cocteau (1889-1963) expresses itself also in his films, which constitute a true artistic legacy for world cinema history, reverberating in productions by other directors, from his contemporaries to present-day films, from Roberto Rossellini to Pedro Almodóvar, from Jacques Demy to Xavier Dolan. Aiming at identifying some aspects that would allow us to establish a certain unity of style in such diverse oeuvre, this article exposes a three-pronged analysis of Cocteau’s film production: poetry and editing techniques; genres and adaptations; and first-person cinema – contributing, thus, to understanding the longevity of this powerful poetics, created over half a century ago.
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spelling From poetry to testament: some aspects of Jean Cocteau's cinemaDe la poésie au testament : quelques aspects du cinéma de Jean CocteauDa poesia ao testamento: alguns aspectos do cinema de Jean CocteauJean CocteauCinemaAnálise cinematográficaPoesia de CinemaAutorretrato cinematográficoJean CocteauCinemaFilm AnalysisPoetry filmCinematic Self-portraitJean CocteauCinémaAnalyse cinématographiquePoésie de CinémaAutoportrait cinématographiqueThe poetry of Jean Cocteau (1889-1963) expresses itself also in his films, which constitute a true artistic legacy for world cinema history, reverberating in productions by other directors, from his contemporaries to present-day films, from Roberto Rossellini to Pedro Almodóvar, from Jacques Demy to Xavier Dolan. Aiming at identifying some aspects that would allow us to establish a certain unity of style in such diverse oeuvre, this article exposes a three-pronged analysis of Cocteau’s film production: poetry and editing techniques; genres and adaptations; and first-person cinema – contributing, thus, to understanding the longevity of this powerful poetics, created over half a century ago.La poésie de Jean Cocteau (1889-1963) s’exprime aussi à travers ses films, qui constituent un véritable legs artistique pour l’histoire du cinéma mondial, en inspirant des productions d’autrui, à son époque et jusqu’à aujourd’hui, de Roberto Rossellini à Pedro Almodóvar, de Jacques Demy à Xavier Dolan. Dans le but d’identifier certains aspects qui permettent d’établir une unité de style dans une si diverse œuvre, cet article propose trois axes d’analyse de la production cinématographique de Jean Cocteau: poésie et trucages; genres et adaptations; et le cinéma à la première personne. Contribuant, ainsi, à la compréhension de la longévité de la puissance poétique d’une œuvre conçue il y a plus d’un demi-siècle.A poesia de Jean Cocteau (1889-1963) se expressa também pelos seus filmes, que constituem um verdadeiro legado artístico para a história do cinema mundial, o que a faz reverberar em produções alheias, à sua época e até os dias atuais, de Roberto Rossellini a Pedro Almodóvar, de Jacques Demy a Xavier Dolan. Com o intuito de identificar alguns aspectos que permitam estabelecer certa unidade de estilo em obra tão diversa, este artigo propõe três eixos de análise da produção cinematográfica de Jean Cocteau: poesia e trucagens; gêneros e adaptações; e o cinema na primeira pessoa. Contribuindo, assim, para a compreensão da longevidade da potência poética de uma obra concebida há mais de meio século.Universidade Federal de Minas Gerais2022-04-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/3605910.35699/2237-5864.2022.36059PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 12 No. 24 (2022): Film Analysis; 56-74PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 12 Núm. 24 (2022): Análisis de películas; 56-74PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 12 n. 24 (2022): Jan-Abril - Análise Fílmica; 56-742238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/36059/30340Copyright (c) 2022 Wellington Júnio Costahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessCosta, Wellington Júnio2022-07-19T21:06:09Zoai:periodicos.ufmg.br:article/36059Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2022-07-19T21:06:09Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv From poetry to testament: some aspects of Jean Cocteau's cinema
De la poésie au testament : quelques aspects du cinéma de Jean Cocteau
Da poesia ao testamento: alguns aspectos do cinema de Jean Cocteau
title From poetry to testament: some aspects of Jean Cocteau's cinema
spellingShingle From poetry to testament: some aspects of Jean Cocteau's cinema
Costa, Wellington Júnio
Jean Cocteau
Cinema
Análise cinematográfica
Poesia de Cinema
Autorretrato cinematográfico
Jean Cocteau
Cinema
Film Analysis
Poetry film
Cinematic Self-portrait
Jean Cocteau
Cinéma
Analyse cinématographique
Poésie de Cinéma
Autoportrait cinématographique
title_short From poetry to testament: some aspects of Jean Cocteau's cinema
title_full From poetry to testament: some aspects of Jean Cocteau's cinema
title_fullStr From poetry to testament: some aspects of Jean Cocteau's cinema
title_full_unstemmed From poetry to testament: some aspects of Jean Cocteau's cinema
title_sort From poetry to testament: some aspects of Jean Cocteau's cinema
author Costa, Wellington Júnio
author_facet Costa, Wellington Júnio
author_role author
dc.contributor.author.fl_str_mv Costa, Wellington Júnio
dc.subject.por.fl_str_mv Jean Cocteau
Cinema
Análise cinematográfica
Poesia de Cinema
Autorretrato cinematográfico
Jean Cocteau
Cinema
Film Analysis
Poetry film
Cinematic Self-portrait
Jean Cocteau
Cinéma
Analyse cinématographique
Poésie de Cinéma
Autoportrait cinématographique
topic Jean Cocteau
Cinema
Análise cinematográfica
Poesia de Cinema
Autorretrato cinematográfico
Jean Cocteau
Cinema
Film Analysis
Poetry film
Cinematic Self-portrait
Jean Cocteau
Cinéma
Analyse cinématographique
Poésie de Cinéma
Autoportrait cinématographique
description The poetry of Jean Cocteau (1889-1963) expresses itself also in his films, which constitute a true artistic legacy for world cinema history, reverberating in productions by other directors, from his contemporaries to present-day films, from Roberto Rossellini to Pedro Almodóvar, from Jacques Demy to Xavier Dolan. Aiming at identifying some aspects that would allow us to establish a certain unity of style in such diverse oeuvre, this article exposes a three-pronged analysis of Cocteau’s film production: poetry and editing techniques; genres and adaptations; and first-person cinema – contributing, thus, to understanding the longevity of this powerful poetics, created over half a century ago.
publishDate 2022
dc.date.none.fl_str_mv 2022-04-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/36059
10.35699/2237-5864.2022.36059
url https://periodicos.ufmg.br/index.php/revistapos/article/view/36059
identifier_str_mv 10.35699/2237-5864.2022.36059
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/36059/30340
dc.rights.driver.fl_str_mv Copyright (c) 2022 Wellington Júnio Costa
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Wellington Júnio Costa
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 12 No. 24 (2022): Film Analysis; 56-74
PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 12 Núm. 24 (2022): Análisis de películas; 56-74
PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 12 n. 24 (2022): Jan-Abril - Análise Fílmica; 56-74
2238-2046
1982-9507
reponame:Pós (Universidade Federal de Minas Gerais. Online)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Pós (Universidade Federal de Minas Gerais. Online)
collection Pós (Universidade Federal de Minas Gerais. Online)
repository.name.fl_str_mv Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv revistapos.ppga@gmail.com
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