Music as applied physiology: considerations from the late Nietzsche
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/5154 |
Resumo: | The purpose of this study consists on presenting an interdependent relation between music and physiology in later Nietzsche. The productivity of such pretension lies on investigating the statute of physiology as a founding philosophical category of the art experience, in the specific case of music. We will focus on the reconstruction of the interpretation of some problems presented by Nietzsche against Wagner. After a hermeneutic effort, we will point the resulting philosophical outcome, capable of contributing to the core thesis in this essay: music is physiology applied to later Nietzsche, and this rule is established as a category for the criticism against Wagner’s music, integrating the broadest logic of criticism into modernity and traditional metaphysics. |
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Music as applied physiology: considerations from the late NietzscheMúsica como fisiologia aplicada: considerações a partir do Nietzsche tardiomusic and physiologyNietzsche and Wagnermúsica e fisiologiaNietzsche e WagnerThe purpose of this study consists on presenting an interdependent relation between music and physiology in later Nietzsche. The productivity of such pretension lies on investigating the statute of physiology as a founding philosophical category of the art experience, in the specific case of music. We will focus on the reconstruction of the interpretation of some problems presented by Nietzsche against Wagner. After a hermeneutic effort, we will point the resulting philosophical outcome, capable of contributing to the core thesis in this essay: music is physiology applied to later Nietzsche, and this rule is established as a category for the criticism against Wagner’s music, integrating the broadest logic of criticism into modernity and traditional metaphysics.O trabalho tem como objetivo apresentar a interdependente relação entre música e fisiologia no Nietzsche tardio. A produtividade de tal pretensão reside em investigar o estatuto da fisiologia enquanto categoria filosófica fundante da experiência da arte e, em nosso caso específico, da música. Nos deteremos na reconstrução interpretativa de alguns problemas apresentados em Nietzsche contra Wagner e, a partir de um esforço hermenêutico, apontaremos para os desdobramentos filosóficos daí resultantes, capazes de contribuir com a tese central que perpassa este ensaio: a de que música é fisiologia aplicada no Nietzsche tardio, e que tal primado se estabelece como categoria para a crítica à música de Wagner, e integra a lógica mais ampla da crítica à modernidade e metafísica tradicional Universidade Federal de Minas Gerais (UFMG)2017-01-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextotextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/515410.1590/permusi20163503Per Musi; No. 35 (2016): Aesthetics and Philosophy of MusicPer Musi; Núm. 35 (2016): Aesthetics and Philosophy of MusicPer Musi; n. 35 (2016): Estética e Filosofia da Música2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5154/3198Rajobac, Raimundoinfo:eu-repo/semantics/openAccess2020-01-23T17:08:52Zoai:periodicos.ufmg.br:article/5154Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-01-23T17:08:52Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Music as applied physiology: considerations from the late Nietzsche Música como fisiologia aplicada: considerações a partir do Nietzsche tardio |
title |
Music as applied physiology: considerations from the late Nietzsche |
spellingShingle |
Music as applied physiology: considerations from the late Nietzsche Rajobac, Raimundo music and physiology Nietzsche and Wagner música e fisiologia Nietzsche e Wagner |
title_short |
Music as applied physiology: considerations from the late Nietzsche |
title_full |
Music as applied physiology: considerations from the late Nietzsche |
title_fullStr |
Music as applied physiology: considerations from the late Nietzsche |
title_full_unstemmed |
Music as applied physiology: considerations from the late Nietzsche |
title_sort |
Music as applied physiology: considerations from the late Nietzsche |
author |
Rajobac, Raimundo |
author_facet |
Rajobac, Raimundo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rajobac, Raimundo |
dc.subject.por.fl_str_mv |
music and physiology Nietzsche and Wagner música e fisiologia Nietzsche e Wagner |
topic |
music and physiology Nietzsche and Wagner música e fisiologia Nietzsche e Wagner |
description |
The purpose of this study consists on presenting an interdependent relation between music and physiology in later Nietzsche. The productivity of such pretension lies on investigating the statute of physiology as a founding philosophical category of the art experience, in the specific case of music. We will focus on the reconstruction of the interpretation of some problems presented by Nietzsche against Wagner. After a hermeneutic effort, we will point the resulting philosophical outcome, capable of contributing to the core thesis in this essay: music is physiology applied to later Nietzsche, and this rule is established as a category for the criticism against Wagner’s music, integrating the broadest logic of criticism into modernity and traditional metaphysics. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-01-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion texto texto info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/5154 10.1590/permusi20163503 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/5154 |
identifier_str_mv |
10.1590/permusi20163503 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/5154/3198 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 35 (2016): Aesthetics and Philosophy of Music Per Musi; Núm. 35 (2016): Aesthetics and Philosophy of Music Per Musi; n. 35 (2016): Estética e Filosofia da Música 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711235552313344 |