The singer Hermeto Pascoal: the voice’s instruments
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/42798 |
Resumo: | Article about Brazilian composer Hermeto Pascoal’s utilization of his voice in his music, whether singing, talking, shouting, whispering, praying, coughing, laughing, whistling, producing guttural sounds, alone or simultaneously with wind instruments, keyboards, non-conventional sound objects or even other forms. In considering the use of the voice in the work and life of Hermeto Pascoal, in a comprehensive way, I am seeking to show a lesser known facet of the versatile composer from Northeastern Brazil, as well as revealing that his music and his personality share the same ethics, in which the voice is the instrument. |
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The singer Hermeto Pascoal: the voice’s instrumentsEl cantante Hermeto Pascoal: los instrumentos de la vozO cantor Hermeto Pascoal: os instrumentos da vozEthnomusicologyHermeto PascoalBrazilian popular musicVoiceInstrumental musicEtnomusicologiaHermeto PascoalMúsica popular brasileiraVozMúsica instrumentalEtnomusicologíaHermeto PascoalMúsica popular brasileñaVozMúsica instrumentalArticle about Brazilian composer Hermeto Pascoal’s utilization of his voice in his music, whether singing, talking, shouting, whispering, praying, coughing, laughing, whistling, producing guttural sounds, alone or simultaneously with wind instruments, keyboards, non-conventional sound objects or even other forms. In considering the use of the voice in the work and life of Hermeto Pascoal, in a comprehensive way, I am seeking to show a lesser known facet of the versatile composer from Northeastern Brazil, as well as revealing that his music and his personality share the same ethics, in which the voice is the instrument.Artículo sobre el uso de la voz en la música del compositor Hermeto Pascoal, ya sea cantando, hablando, gritando, susurrando, rezando, tosiendo, riendo, silbando, produciendo sonidos guturales, solos o simultáneamente. con instrumentos de viento, instrumentos de teclado, objetos sonoros no convencionales o, incluso, de otras formas. Por estafa templar la producción vocal en la obra y la vida de Hermeto Pascoal, de manera exhaustiva, pretendo mostrar una faceta poco conocida del polifacético compositor del polifacético compositor de Alagoas, además de revelar que su música y su personalidad comparten el mismo la misma ética, de la que la voz es un instrumento.Artigo sobre a utilização da voz na música do compositor Hermeto Pascoal, seja cantando, falando, gritando, sussurrando, rezando, tossindo, gargalhando, assobiando, produzindo sons guturais, sozinha ou simultaneamente com instrumentos de sopro, de teclas, com objetos sonoros não convencionais ou, ainda, de outras formas. Ao contemplar a produção vocal na obra e na vida de Hermeto Pascoal, de maneira abrangente, pretendo mostrar uma faceta pouco conhecida do versátil compositor alagoano, além de revelar que a sua música e a sua personalidade partilham uma mesma ética, da qual a voz é instrumento.Universidade Federal de Minas Gerais (UFMG)2010-07-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/42798Per Musi; No. 22 (2010): General Topics; 1-19Per Musi; Núm. 22 (2010): General Topics; 1-19Per Musi; n. 22 (2010): General Topics; 1-192317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/42798/32613http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNeto, Luiz Costa-Lima2023-03-10T21:39:46Zoai:periodicos.ufmg.br:article/42798Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-03-10T21:39:46Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
The singer Hermeto Pascoal: the voice’s instruments El cantante Hermeto Pascoal: los instrumentos de la voz O cantor Hermeto Pascoal: os instrumentos da voz |
title |
The singer Hermeto Pascoal: the voice’s instruments |
spellingShingle |
The singer Hermeto Pascoal: the voice’s instruments Neto, Luiz Costa-Lima Ethnomusicology Hermeto Pascoal Brazilian popular music Voice Instrumental music Etnomusicologia Hermeto Pascoal Música popular brasileira Voz Música instrumental Etnomusicología Hermeto Pascoal Música popular brasileña Voz Música instrumental |
title_short |
The singer Hermeto Pascoal: the voice’s instruments |
title_full |
The singer Hermeto Pascoal: the voice’s instruments |
title_fullStr |
The singer Hermeto Pascoal: the voice’s instruments |
title_full_unstemmed |
The singer Hermeto Pascoal: the voice’s instruments |
title_sort |
The singer Hermeto Pascoal: the voice’s instruments |
author |
Neto, Luiz Costa-Lima |
author_facet |
Neto, Luiz Costa-Lima |
author_role |
author |
dc.contributor.author.fl_str_mv |
Neto, Luiz Costa-Lima |
dc.subject.por.fl_str_mv |
Ethnomusicology Hermeto Pascoal Brazilian popular music Voice Instrumental music Etnomusicologia Hermeto Pascoal Música popular brasileira Voz Música instrumental Etnomusicología Hermeto Pascoal Música popular brasileña Voz Música instrumental |
topic |
Ethnomusicology Hermeto Pascoal Brazilian popular music Voice Instrumental music Etnomusicologia Hermeto Pascoal Música popular brasileira Voz Música instrumental Etnomusicología Hermeto Pascoal Música popular brasileña Voz Música instrumental |
description |
Article about Brazilian composer Hermeto Pascoal’s utilization of his voice in his music, whether singing, talking, shouting, whispering, praying, coughing, laughing, whistling, producing guttural sounds, alone or simultaneously with wind instruments, keyboards, non-conventional sound objects or even other forms. In considering the use of the voice in the work and life of Hermeto Pascoal, in a comprehensive way, I am seeking to show a lesser known facet of the versatile composer from Northeastern Brazil, as well as revealing that his music and his personality share the same ethics, in which the voice is the instrument. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-07-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/42798 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/42798 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/42798/32613 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 22 (2010): General Topics; 1-19 Per Musi; Núm. 22 (2010): General Topics; 1-19 Per Musi; n. 22 (2010): General Topics; 1-19 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711237266735104 |