The Roda de Choro musical and social analysis based on John Blacking ́s concept of musical order

Detalhes bibliográficos
Autor(a) principal: Lara Filho, Ivaldo Gadelha de
Data de Publicação: 2011
Outros Autores: Silva, Gabriela Tunes da, Freire, Ricardo Dourado
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/42652
Resumo: The Roda de Choro offers a rich environment in order to analyze the musical context of performance and the social context which nourishes the musical relations. This article aims at analyzing the relationship of both musical and social contexts according to the concept of musical order established by John Blacking (1995), who argues that “music cannot exist without the perception of order that organizes sound”.
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spelling The Roda de Choro musical and social analysis based on John Blacking ́s concept of musical orderAnálisis del contexto de Roda de Choro basado en el concepto de orden musical por John BlackingAnálise do contexto da Roda de Choro com base no conceito de ordem musical de John BlackingBrazilian choroRoda de choroEthnomusicologyJohn BlackingChoroRoda de choroEtnomusicologiaJohn BlackingChoroCirculo de choroEtnomusicologíaJohn BlackingThe Roda de Choro offers a rich environment in order to analyze the musical context of performance and the social context which nourishes the musical relations. This article aims at analyzing the relationship of both musical and social contexts according to the concept of musical order established by John Blacking (1995), who argues that “music cannot exist without the perception of order that organizes sound”.a Roda de Choro ofrece un entorno rico para el análisis tanto del contexto musical de la actuación como del contexto social que nutre las relaciones musicales. En el presente artículo, esta especificidad se analiza a partir del concepto de orden musical establecido por John Blacking (1995). Los datos de la investigación se recogieron a partir de observaciones etnográficas y entrevistas con músicos que participan en el universo del Choro.A Roda de Choro oferece um rico ambiente para análise tanto do contexto musical da performance quanto do contexto social que nutre as relações musicais. No presente artigo, essa especificidade é analisada a partir do conceito de ordem musical estabelecido por John Blacking (1995). A coleta de dados da pesquisa foi realizada a partir de observações etnográficas e entrevistas com os músicos participantes do universo do Choro.Universidade Federal de Minas Gerais (UFMG)2011-01-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/42652Per Musi; No. 23 (2011): General Topics; 1-14Per Musi; Núm. 23 (2011): General Topics; 1-14Per Musi; n. 23 (2011): General Topics; 1-142317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/42652/32535http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLara Filho, Ivaldo Gadelha deSilva, Gabriela Tunes daFreire, Ricardo Dourado2023-01-25T11:56:04Zoai:periodicos.ufmg.br:article/42652Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-01-25T11:56:04Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The Roda de Choro musical and social analysis based on John Blacking ́s concept of musical order
Análisis del contexto de Roda de Choro basado en el concepto de orden musical por John Blacking
Análise do contexto da Roda de Choro com base no conceito de ordem musical de John Blacking
title The Roda de Choro musical and social analysis based on John Blacking ́s concept of musical order
spellingShingle The Roda de Choro musical and social analysis based on John Blacking ́s concept of musical order
Lara Filho, Ivaldo Gadelha de
Brazilian choro
Roda de choro
Ethnomusicology
John Blacking
Choro
Roda de choro
Etnomusicologia
John Blacking
Choro
Circulo de choro
Etnomusicología
John Blacking
title_short The Roda de Choro musical and social analysis based on John Blacking ́s concept of musical order
title_full The Roda de Choro musical and social analysis based on John Blacking ́s concept of musical order
title_fullStr The Roda de Choro musical and social analysis based on John Blacking ́s concept of musical order
title_full_unstemmed The Roda de Choro musical and social analysis based on John Blacking ́s concept of musical order
title_sort The Roda de Choro musical and social analysis based on John Blacking ́s concept of musical order
author Lara Filho, Ivaldo Gadelha de
author_facet Lara Filho, Ivaldo Gadelha de
Silva, Gabriela Tunes da
Freire, Ricardo Dourado
author_role author
author2 Silva, Gabriela Tunes da
Freire, Ricardo Dourado
author2_role author
author
dc.contributor.author.fl_str_mv Lara Filho, Ivaldo Gadelha de
Silva, Gabriela Tunes da
Freire, Ricardo Dourado
dc.subject.por.fl_str_mv Brazilian choro
Roda de choro
Ethnomusicology
John Blacking
Choro
Roda de choro
Etnomusicologia
John Blacking
Choro
Circulo de choro
Etnomusicología
John Blacking
topic Brazilian choro
Roda de choro
Ethnomusicology
John Blacking
Choro
Roda de choro
Etnomusicologia
John Blacking
Choro
Circulo de choro
Etnomusicología
John Blacking
description The Roda de Choro offers a rich environment in order to analyze the musical context of performance and the social context which nourishes the musical relations. This article aims at analyzing the relationship of both musical and social contexts according to the concept of musical order established by John Blacking (1995), who argues that “music cannot exist without the perception of order that organizes sound”.
publishDate 2011
dc.date.none.fl_str_mv 2011-01-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/42652
url https://periodicos.ufmg.br/index.php/permusi/article/view/42652
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/42652/32535
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 23 (2011): General Topics; 1-14
Per Musi; Núm. 23 (2011): General Topics; 1-14
Per Musi; n. 23 (2011): General Topics; 1-14
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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