Extra-musical elements in the work of K-Ximbinho: questions about musical iconography in their record covers between 1950s and 1960s

Detalhes bibliográficos
Autor(a) principal: Costa, Pablo Garcia da
Data de Publicação: 2011
Outros Autores: Castro, Beatriz Magalhães
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/42549
Resumo: K-Ximbinho participated along with other musicians from the 1950s and 1960s in a process aimed at modernizing the samba and choro in the introduction of various jazz.elements into Brazilian traditional styles. This blending of different musical genres, known at the time as “samba-jazz” or “choro jazz” was not limited to mixing rhythmic, harmonic and melodic elements, but also in the negotiation of present expressions, images and ways from North-American culture in Rio de Janeiro in a pre Bossa Nova era.
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spelling Extra-musical elements in the work of K-Ximbinho: questions about musical iconography in their record covers between 1950s and 1960sElementos extramusicales en la obra de K-ximbinho: cuestiones sobre la iconografía musical en las portadas de sus álbumes entre 1950 y 1960Elementos extra-musicais na obra de K-ximbinho: questões sobre iconografia musical em suas capas de disco entre 1950 e 1960K-ximbinhoJazzChoroMusical iconographyK-ximbinhoJazzChoroIconografia musicalK-ximbinhoJazzChoroIconografía musicalK-Ximbinho participated along with other musicians from the 1950s and 1960s in a process aimed at modernizing the samba and choro in the introduction of various jazz.elements into Brazilian traditional styles. This blending of different musical genres, known at the time as “samba-jazz” or “choro jazz” was not limited to mixing rhythmic, harmonic and melodic elements, but also in the negotiation of present expressions, images and ways from North-American culture in Rio de Janeiro in a pre Bossa Nova era.K-ximbinho participó junto a otros músicos entre los años 50 y 60 en un proceso modernizar la samba y el choro introduciendo elementos de jazz. Este proceso de mezcla entre géneros musicales distintos, entendido entre los músicos de la época como "samba-jazz" o "jazz choro", no se limitaba a mezclar elementos rítmicos armónicos y melódicos, sino que también negociaba la presencia de términos imágenes y vestimenta de la cultura americana en el Río de Janeiro pre-Bossa Nova.K-ximbinho participou juntamente com outros músicos entre as décadas de 1950 e 1960 de um processo que visava modernizar o samba e o choro pela introdução dos elementos diversos do jazz. Esse processo de mistura entre gêneros musicais distintos, compreendido entre os músicos da época como “samba-jazz” ou “choro jazzístico”, não se limitava em misturar elementos rítmicos harmônicos e melódicos, mas também negociar a presença de termos, imagens e vestimentas da cultura estadunidense no Rio de Janeiro pré Bossa Nova.Universidade Federal de Minas Gerais (UFMG)2011-01-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/42549Per Musi; No. 23 (2011): General Topics; 1-14Per Musi; Núm. 23 (2011): General Topics; 1-14Per Musi; n. 23 (2011): General Topics; 1-142317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/42549/32392http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCosta, Pablo Garcia daCastro, Beatriz Magalhães2023-01-25T11:56:04Zoai:periodicos.ufmg.br:article/42549Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-01-25T11:56:04Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Extra-musical elements in the work of K-Ximbinho: questions about musical iconography in their record covers between 1950s and 1960s
Elementos extramusicales en la obra de K-ximbinho: cuestiones sobre la iconografía musical en las portadas de sus álbumes entre 1950 y 1960
Elementos extra-musicais na obra de K-ximbinho: questões sobre iconografia musical em suas capas de disco entre 1950 e 1960
title Extra-musical elements in the work of K-Ximbinho: questions about musical iconography in their record covers between 1950s and 1960s
spellingShingle Extra-musical elements in the work of K-Ximbinho: questions about musical iconography in their record covers between 1950s and 1960s
Costa, Pablo Garcia da
K-ximbinho
Jazz
Choro
Musical iconography
K-ximbinho
Jazz
Choro
Iconografia musical
K-ximbinho
Jazz
Choro
Iconografía musical
title_short Extra-musical elements in the work of K-Ximbinho: questions about musical iconography in their record covers between 1950s and 1960s
title_full Extra-musical elements in the work of K-Ximbinho: questions about musical iconography in their record covers between 1950s and 1960s
title_fullStr Extra-musical elements in the work of K-Ximbinho: questions about musical iconography in their record covers between 1950s and 1960s
title_full_unstemmed Extra-musical elements in the work of K-Ximbinho: questions about musical iconography in their record covers between 1950s and 1960s
title_sort Extra-musical elements in the work of K-Ximbinho: questions about musical iconography in their record covers between 1950s and 1960s
author Costa, Pablo Garcia da
author_facet Costa, Pablo Garcia da
Castro, Beatriz Magalhães
author_role author
author2 Castro, Beatriz Magalhães
author2_role author
dc.contributor.author.fl_str_mv Costa, Pablo Garcia da
Castro, Beatriz Magalhães
dc.subject.por.fl_str_mv K-ximbinho
Jazz
Choro
Musical iconography
K-ximbinho
Jazz
Choro
Iconografia musical
K-ximbinho
Jazz
Choro
Iconografía musical
topic K-ximbinho
Jazz
Choro
Musical iconography
K-ximbinho
Jazz
Choro
Iconografia musical
K-ximbinho
Jazz
Choro
Iconografía musical
description K-Ximbinho participated along with other musicians from the 1950s and 1960s in a process aimed at modernizing the samba and choro in the introduction of various jazz.elements into Brazilian traditional styles. This blending of different musical genres, known at the time as “samba-jazz” or “choro jazz” was not limited to mixing rhythmic, harmonic and melodic elements, but also in the negotiation of present expressions, images and ways from North-American culture in Rio de Janeiro in a pre Bossa Nova era.
publishDate 2011
dc.date.none.fl_str_mv 2011-01-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/42549
url https://periodicos.ufmg.br/index.php/permusi/article/view/42549
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/42549/32392
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 23 (2011): General Topics; 1-14
Per Musi; Núm. 23 (2011): General Topics; 1-14
Per Musi; n. 23 (2011): General Topics; 1-14
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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