Idiomatic resources of the classical guitar as a vehicle for composition: analysis of selected Brazilian composers

Detalhes bibliográficos
Autor(a) principal: Gonçalves, Pedro Loch
Data de Publicação: 2021
Outros Autores: Pinheiro, Ricardo Futre
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/33509
Resumo: The main objective of this article is to approach the concept of idiomatism in the context of classical guitar (violão) composition, through the analysis of works by guitarist composers who resorted to aspects of the construction and practice of the instrument as a primary vehicle for writing musical pieces. These composers, namely Heitor Villa-Lobos, Dilermando Reis, Garoto and Guinga, departing from the exploration of idiomatic possibilities of the instrument, developed a set of composition techniques that will be identified. The idiomatic elements we considered more significant explained the use of composition strategies based on the particularities of the instrument, and to identify not only musical elements such as scales, harmonic progressions and rhythms, but also other resources related to poetic, cultural, and communicative aspects of musical discourse.
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spelling Idiomatic resources of the classical guitar as a vehicle for composition: analysis of selected Brazilian composers Recursos idiomáticos en la guitarra como vehículo de composición: análisis de compositores brasileños seleccionados Recursos idiomáticos no violão enquanto veículo para a composição: análise de compositores brasileiros seleccionados CompositionIdiomatismBrazilian violãoClassical guitarComposiçãoIdiomatismoViolão brasileiroGuitarra clássicaComposiciónIdiomatismoViolão brasileñoGuitarra clássicaThe main objective of this article is to approach the concept of idiomatism in the context of classical guitar (violão) composition, through the analysis of works by guitarist composers who resorted to aspects of the construction and practice of the instrument as a primary vehicle for writing musical pieces. These composers, namely Heitor Villa-Lobos, Dilermando Reis, Garoto and Guinga, departing from the exploration of idiomatic possibilities of the instrument, developed a set of composition techniques that will be identified. The idiomatic elements we considered more significant explained the use of composition strategies based on the particularities of the instrument, and to identify not only musical elements such as scales, harmonic progressions and rhythms, but also other resources related to poetic, cultural, and communicative aspects of musical discourse.El objetivo principal de este artículo es abordar el concepto de idiomatismo en el contexto de la composición de la guitarra clásica (violão), a través del análisis de obras de compositores guitarristas que recurrieron a aspectos de la construcción y de la práctica del instrumento como vehículo principal para escribir piezas musicales. Estos compositores, a saber, Heitor Villa-Lobos, Dilermando Reis, Garoto y Guinga, partiendo de la exploración de las posibilidades idiomáticas del instrumento, desarrollaron un conjunto de técnicas de composición que serán identificadas. Los elementos idiomáticos que consideramos más significativos explicaron el uso de estrategias de composición basadas en las particularidades del instrumento, y para identificar no sólo elementos musicales como escalas, progresiones armónicas y ritmos, sino también otros recursos relacionados con aspectos poéticos, culturales y comunicativos del discurso musical.Este artigo tem como objectivo principal abordar o conceito de idiomatismo no contexto da composição para violão, através da análise de obras de compositores violonistas que recorreram aos aspectos da construção e prática do instrumento enquanto veículo primordial para a escrita de peças musicais. Estes compositores, nomeadamente Heitor Villa-Lobos, Dilermando Reis, Garoto e Guinga, partindo da exploração das possibilidades idiomáticas do instrumento, desenvolveram um conjunto técnicas de composição que iremos identificar. Os elementos idiomáticos considerados mais significativos serviram para explicar a utilização de estratégias de composição baseadas em particularidades do instrumento, e identificar não só elementos musicais tais como escalas, progressões harmónicas e ritmos, como também outros recursos relacionados com concepções poéticas, culturais, e comunicativas do discurso musical.Universidade Federal de Minas Gerais (UFMG)2021-07-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextTextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/3350910.35699/2317-6377.2021.33509Per Musi; No. 41 (2021): General Topics; 1-23Per Musi; Núm. 41 (2021): General Topics; 1-23Per Musi; n. 41 (2021): General Topics; 1-232317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/33509/37613https://periodicos.ufmg.br/index.php/permusi/article/view/33509/37614https://periodicos.ufmg.br/index.php/permusi/article/view/33509/27635Copyright (c) 2021 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGonçalves, Pedro LochPinheiro, Ricardo Futre2023-05-03T21:00:37Zoai:periodicos.ufmg.br:article/33509Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-05-03T21:00:37Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Idiomatic resources of the classical guitar as a vehicle for composition: analysis of selected Brazilian composers
Recursos idiomáticos en la guitarra como vehículo de composición: análisis de compositores brasileños seleccionados
Recursos idiomáticos no violão enquanto veículo para a composição: análise de compositores brasileiros seleccionados
title Idiomatic resources of the classical guitar as a vehicle for composition: analysis of selected Brazilian composers
spellingShingle Idiomatic resources of the classical guitar as a vehicle for composition: analysis of selected Brazilian composers
Gonçalves, Pedro Loch
Composition
Idiomatism
Brazilian violão
Classical guitar
Composição
Idiomatismo
Violão brasileiro
Guitarra clássica
Composición
Idiomatismo
Violão brasileño
Guitarra clássica
title_short Idiomatic resources of the classical guitar as a vehicle for composition: analysis of selected Brazilian composers
title_full Idiomatic resources of the classical guitar as a vehicle for composition: analysis of selected Brazilian composers
title_fullStr Idiomatic resources of the classical guitar as a vehicle for composition: analysis of selected Brazilian composers
title_full_unstemmed Idiomatic resources of the classical guitar as a vehicle for composition: analysis of selected Brazilian composers
title_sort Idiomatic resources of the classical guitar as a vehicle for composition: analysis of selected Brazilian composers
author Gonçalves, Pedro Loch
author_facet Gonçalves, Pedro Loch
Pinheiro, Ricardo Futre
author_role author
author2 Pinheiro, Ricardo Futre
author2_role author
dc.contributor.author.fl_str_mv Gonçalves, Pedro Loch
Pinheiro, Ricardo Futre
dc.subject.por.fl_str_mv Composition
Idiomatism
Brazilian violão
Classical guitar
Composição
Idiomatismo
Violão brasileiro
Guitarra clássica
Composición
Idiomatismo
Violão brasileño
Guitarra clássica
topic Composition
Idiomatism
Brazilian violão
Classical guitar
Composição
Idiomatismo
Violão brasileiro
Guitarra clássica
Composición
Idiomatismo
Violão brasileño
Guitarra clássica
description The main objective of this article is to approach the concept of idiomatism in the context of classical guitar (violão) composition, through the analysis of works by guitarist composers who resorted to aspects of the construction and practice of the instrument as a primary vehicle for writing musical pieces. These composers, namely Heitor Villa-Lobos, Dilermando Reis, Garoto and Guinga, departing from the exploration of idiomatic possibilities of the instrument, developed a set of composition techniques that will be identified. The idiomatic elements we considered more significant explained the use of composition strategies based on the particularities of the instrument, and to identify not only musical elements such as scales, harmonic progressions and rhythms, but also other resources related to poetic, cultural, and communicative aspects of musical discourse.
publishDate 2021
dc.date.none.fl_str_mv 2021-07-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
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format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/33509
10.35699/2317-6377.2021.33509
url https://periodicos.ufmg.br/index.php/permusi/article/view/33509
identifier_str_mv 10.35699/2317-6377.2021.33509
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/33509/37613
https://periodicos.ufmg.br/index.php/permusi/article/view/33509/37614
https://periodicos.ufmg.br/index.php/permusi/article/view/33509/27635
dc.rights.driver.fl_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/html
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application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 41 (2021): General Topics; 1-23
Per Musi; Núm. 41 (2021): General Topics; 1-23
Per Musi; n. 41 (2021): General Topics; 1-23
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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