O GTT e os desafios da tradução teatral

• Autor(a) principal: Anna Palma
• Data de Publicação: 2016
• Outros Autores: Tereza Virgínia Ribeiro Barbosa
• Tipo de documento: Artigo de conferência
• Idioma: por
• Título da fonte: Repositório Institucional da UFMG
• Texto Completo: http://hdl.handle.net/1843/65893; https://orcid.org/0000-0001-9425-1721; https://orcid.org/0000-0001-8449-0411
• topic: Kanashimi; El Borde; Tradução; Performance; Tradução para o teatro; Tradução e interpretação; Teatro (Literatura)

The Kanashimi’s translation, by Jéssica Tamietti, was discussed at the GTT meeting on September 11. The actress, who presented the monologue last SevFale, read the first translation version, explained some changes that she wanted to make on the text and the other group members commented her translation and suggested some modifications. These modifications were motivated by many factors, but intended, as main goal, to make the text more appropriated to the performance. The group reproduced the process on October 16, in another meeting, when was read and collectively worked out the translation of El Borde, also staged in the SevFale by the actress and translator Anita Mosca. This paper, beyond the testimony of the two translators about their experiences as directresses and actresses of those monologues, describes the GTT translation manner, its dynamics and main questions that justifies it.