The Parque Lage's Mermaid: The Politics of Photographing One's Own Body in Social Media Networks

Detalhes bibliográficos
Autor(a) principal: Oliveira, Bernardo
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Artefilosofia
Texto Completo: https://periodicos.ufop.br/raf/article/view/4699
Resumo: Analysis of the relationship between the current forms of the photographic portrait of the human face and body, as practiced for display on social networks, and the forms of presentation assumed by current political personalities. The guiding thread of the article is a return of Walter Benjamin’s sketch of the history of photography in the early 1930’s. There we look for elements to situate the new practices through similarities and differences of these with what is proposed in terms of phases and attitudes towards the act of photographing the human face, in the essay “Little History of Photography”. Themes from the essay “The work of art at the time of its technical reproducibility”, by the same author, and from observations on the relationships between everyday life and digital communication technologies, by authors like Jonathan Crary, will be brought up for discussion.
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spelling The Parque Lage's Mermaid: The Politics of Photographing One's Own Body in Social Media NetworksA sereia do parque lage: a política da fotografia do próprio corpo nas redes de sociabilidade eletrônicaAestheticsphotographypoliticsEstetizaçãofotografiapolíticaAnalysis of the relationship between the current forms of the photographic portrait of the human face and body, as practiced for display on social networks, and the forms of presentation assumed by current political personalities. The guiding thread of the article is a return of Walter Benjamin’s sketch of the history of photography in the early 1930’s. There we look for elements to situate the new practices through similarities and differences of these with what is proposed in terms of phases and attitudes towards the act of photographing the human face, in the essay “Little History of Photography”. Themes from the essay “The work of art at the time of its technical reproducibility”, by the same author, and from observations on the relationships between everyday life and digital communication technologies, by authors like Jonathan Crary, will be brought up for discussion.Análise da relação entre as formas atuais do retrato fotográfico do rosto e do corpo humanos, tal como praticado para exibição nas chamadas redes sociais, e as formas de apresentação assumidas pelas personalidades política atuais. O fio condutor do artigo é a retomada do esboço de história da fotografia realizado por Walter Benjamin no início dos anos 1930. Procuramos ali elementos para situar as novas práticas através de suas semelhanças e diferenças em relação ao que é proposto, em termos de fases e atitudes, para com o ato de fotografar o rosto humano, no ensaio Pequena história da fotografia. Temas oriundos do ensaio “A obra de arte na época de sua reprodutibilidade técnica”, do mesmo autor, e de observações sobre as relações entre vida cotidiana e tecnologias de comunicação digital, de autores como Jonathan Crary, serão trazidos para a discussão.Universidade Federal de Ouro Preto2020-12-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo de convidadoapplication/pdfhttps://periodicos.ufop.br/raf/article/view/4699Artefilosofia; v. 15 (2020): Edição Especial ; 133-143Artefilosofia; Vol. 15 (2020): Edição Especial ; 133-1432526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/4699/3575Copyright (c) 2020 Bernardo Oliveirahttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessOliveira, Bernardo2022-01-07T16:27:36Zoai:pp.www.periodicos.ufop.br:article/4699Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-01-07T16:27:36Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv The Parque Lage's Mermaid: The Politics of Photographing One's Own Body in Social Media Networks
A sereia do parque lage: a política da fotografia do próprio corpo nas redes de sociabilidade eletrônica
title The Parque Lage's Mermaid: The Politics of Photographing One's Own Body in Social Media Networks
spellingShingle The Parque Lage's Mermaid: The Politics of Photographing One's Own Body in Social Media Networks
Oliveira, Bernardo
Aesthetics
photography
politics
Estetização
fotografia
política
title_short The Parque Lage's Mermaid: The Politics of Photographing One's Own Body in Social Media Networks
title_full The Parque Lage's Mermaid: The Politics of Photographing One's Own Body in Social Media Networks
title_fullStr The Parque Lage's Mermaid: The Politics of Photographing One's Own Body in Social Media Networks
title_full_unstemmed The Parque Lage's Mermaid: The Politics of Photographing One's Own Body in Social Media Networks
title_sort The Parque Lage's Mermaid: The Politics of Photographing One's Own Body in Social Media Networks
author Oliveira, Bernardo
author_facet Oliveira, Bernardo
author_role author
dc.contributor.author.fl_str_mv Oliveira, Bernardo
dc.subject.por.fl_str_mv Aesthetics
photography
politics
Estetização
fotografia
política
topic Aesthetics
photography
politics
Estetização
fotografia
política
description Analysis of the relationship between the current forms of the photographic portrait of the human face and body, as practiced for display on social networks, and the forms of presentation assumed by current political personalities. The guiding thread of the article is a return of Walter Benjamin’s sketch of the history of photography in the early 1930’s. There we look for elements to situate the new practices through similarities and differences of these with what is proposed in terms of phases and attitudes towards the act of photographing the human face, in the essay “Little History of Photography”. Themes from the essay “The work of art at the time of its technical reproducibility”, by the same author, and from observations on the relationships between everyday life and digital communication technologies, by authors like Jonathan Crary, will be brought up for discussion.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo de convidado
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufop.br/raf/article/view/4699
url https://periodicos.ufop.br/raf/article/view/4699
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufop.br/raf/article/view/4699/3575
dc.rights.driver.fl_str_mv Copyright (c) 2020 Bernardo Oliveira
http://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Bernardo Oliveira
http://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Ouro Preto
publisher.none.fl_str_mv Universidade Federal de Ouro Preto
dc.source.none.fl_str_mv Artefilosofia; v. 15 (2020): Edição Especial ; 133-143
Artefilosofia; Vol. 15 (2020): Edição Especial ; 133-143
2526-7892
1809-8274
reponame:Artefilosofia
instname:Universidade Federal de Ouro Preto (UFOP)
instacron:UFOP
instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
institution UFOP
reponame_str Artefilosofia
collection Artefilosofia
repository.name.fl_str_mv Artefilosofia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br
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