The Infantile and the Salvage in the Philosophy of New Music
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Artefilosofia |
Texto Completo: | https://periodicos.ufop.br/raf/article/view/738 |
Resumo: | The study investigates, based on the Philosophy of New Music, the fi rst phase of the composer Igor Stravinsky. The text is divided in two major parts. The fi rst one specifi cally examines the ballet The Rite of Spring. The second part analyzes the opera Renard. The research also tries to explain the theoretical sources used by the philosopher Theodor Adorno in the elaboration of his mentioned work, in particular: Freud, Kant e Aristotle. I have concluded that Stravinsky’s fi rst phase is formed by wild and infantile elements, because it is in this phase that the composer intercalates between primitive rituals and fairy tales. Adorno, on the other hand, tried to demonstrate, based on Freudian studies, the coincidence between psychological structures of savages, children and neurotics, to unmask the regressive character of Stravinsky’s music. Such movement of modern music toward the stylized barbarity may also be interpreted as a failure of Kant’s project of modernity, which, above all, meant man’s freedom from his infancy. |
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The Infantile and the Salvage in the Philosophy of New MusicO infantil e o selvagem na Filosofia da nova músicaSavageInfantileStravinskyNew Music.SelvagemInfantilStravinskiNova Música.The study investigates, based on the Philosophy of New Music, the fi rst phase of the composer Igor Stravinsky. The text is divided in two major parts. The fi rst one specifi cally examines the ballet The Rite of Spring. The second part analyzes the opera Renard. The research also tries to explain the theoretical sources used by the philosopher Theodor Adorno in the elaboration of his mentioned work, in particular: Freud, Kant e Aristotle. I have concluded that Stravinsky’s fi rst phase is formed by wild and infantile elements, because it is in this phase that the composer intercalates between primitive rituals and fairy tales. Adorno, on the other hand, tried to demonstrate, based on Freudian studies, the coincidence between psychological structures of savages, children and neurotics, to unmask the regressive character of Stravinsky’s music. Such movement of modern music toward the stylized barbarity may also be interpreted as a failure of Kant’s project of modernity, which, above all, meant man’s freedom from his infancy.Analisa-se aqui, com base na Filosofi a da nova música, a primeira fase do compositor Igor Stravinski. O texto está dividido em duas grandes partes. A primeira avalia especifi camente a peça intitulada A sagração da primavera. A segunda analisa a ópera Renard. A pesquisa procura também explicitar as fontes teóricas utilizadas pelo fi lósofo Theodor Adorno na elaboração de sua já referida obra, em especial: Freud, Kant e Aristóteles. Conclui-se que a primeira fase de Stravinski é constituída por elementos selvagens e infantis, porque nela o compositor ora põe em cena rituais primitivos, ora se vale de contos de fadas. Adorno, por sua vez, procurou mostrar, valendo-se dos estudos freudianos, a coincidência entre as estruturas psíquicas dos selvagens, das crianças e dos neuróticos, com objetivo de desmascarar o caráter regressivo da música de Stravinski. Esse descarrilamento da música moderna em direção à barbárie estilizada também pode ser interpretado como o fracasso do projeto da modernidade apresentado por Kant, que, antes de tudo, signifi cava a saída do homem da sua menoridade.Universidade Federal de Ouro Preto2017-04-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/738Artefilosofia; v. 3 n. 4 (2008); 83-94Artefilosofia; Vol. 3 No. 4 (2008); 83-942526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/738/694Copyright (c) 2017 Revista ArteFilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessRocha, Jessé da Costa2022-03-25T11:13:58Zoai:pp.www.periodicos.ufop.br:article/738Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-03-25T11:13:58Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false |
dc.title.none.fl_str_mv |
The Infantile and the Salvage in the Philosophy of New Music O infantil e o selvagem na Filosofia da nova música |
title |
The Infantile and the Salvage in the Philosophy of New Music |
spellingShingle |
The Infantile and the Salvage in the Philosophy of New Music Rocha, Jessé da Costa Savage Infantile Stravinsky New Music. Selvagem Infantil Stravinski Nova Música. |
title_short |
The Infantile and the Salvage in the Philosophy of New Music |
title_full |
The Infantile and the Salvage in the Philosophy of New Music |
title_fullStr |
The Infantile and the Salvage in the Philosophy of New Music |
title_full_unstemmed |
The Infantile and the Salvage in the Philosophy of New Music |
title_sort |
The Infantile and the Salvage in the Philosophy of New Music |
author |
Rocha, Jessé da Costa |
author_facet |
Rocha, Jessé da Costa |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rocha, Jessé da Costa |
dc.subject.por.fl_str_mv |
Savage Infantile Stravinsky New Music. Selvagem Infantil Stravinski Nova Música. |
topic |
Savage Infantile Stravinsky New Music. Selvagem Infantil Stravinski Nova Música. |
description |
The study investigates, based on the Philosophy of New Music, the fi rst phase of the composer Igor Stravinsky. The text is divided in two major parts. The fi rst one specifi cally examines the ballet The Rite of Spring. The second part analyzes the opera Renard. The research also tries to explain the theoretical sources used by the philosopher Theodor Adorno in the elaboration of his mentioned work, in particular: Freud, Kant e Aristotle. I have concluded that Stravinsky’s fi rst phase is formed by wild and infantile elements, because it is in this phase that the composer intercalates between primitive rituals and fairy tales. Adorno, on the other hand, tried to demonstrate, based on Freudian studies, the coincidence between psychological structures of savages, children and neurotics, to unmask the regressive character of Stravinsky’s music. Such movement of modern music toward the stylized barbarity may also be interpreted as a failure of Kant’s project of modernity, which, above all, meant man’s freedom from his infancy. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-04-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/738 |
url |
https://periodicos.ufop.br/raf/article/view/738 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/738/694 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Revista ArteFilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Revista ArteFilosofia https://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
dc.source.none.fl_str_mv |
Artefilosofia; v. 3 n. 4 (2008); 83-94 Artefilosofia; Vol. 3 No. 4 (2008); 83-94 2526-7892 1809-8274 reponame:Artefilosofia instname:Universidade Federal de Ouro Preto (UFOP) instacron:UFOP |
instname_str |
Universidade Federal de Ouro Preto (UFOP) |
instacron_str |
UFOP |
institution |
UFOP |
reponame_str |
Artefilosofia |
collection |
Artefilosofia |
repository.name.fl_str_mv |
Artefilosofia - Universidade Federal de Ouro Preto (UFOP) |
repository.mail.fl_str_mv |
artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br |
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1798313558039068672 |