The Infantile and the Salvage in the Philosophy of New Music

Detalhes bibliográficos
Autor(a) principal: Rocha, Jessé da Costa
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Artefilosofia
Texto Completo: https://periodicos.ufop.br/raf/article/view/738
Resumo: The study investigates, based on the Philosophy of New Music, the fi rst phase of the composer Igor Stravinsky. The text is divided in two major parts. The fi rst one specifi cally examines the ballet The Rite of Spring. The second part analyzes the opera Renard. The research also tries to explain the theoretical sources used by the philosopher Theodor Adorno in the elaboration of his mentioned work, in particular: Freud, Kant e Aristotle. I have concluded that Stravinsky’s fi rst phase is formed by wild and infantile elements, because it is in this phase that the composer intercalates between primitive rituals and fairy tales. Adorno, on the other hand, tried to demonstrate, based on Freudian studies, the coincidence between psychological structures of savages, children and neurotics, to unmask the regressive character of Stravinsky’s music. Such movement of modern music toward the stylized barbarity may also be interpreted as a failure of Kant’s project of modernity, which, above all, meant man’s freedom from his infancy.
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spelling The Infantile and the Salvage in the Philosophy of New MusicO infantil e o selvagem na Filosofia da nova músicaSavageInfantileStravinskyNew Music.SelvagemInfantilStravinskiNova Música.The study investigates, based on the Philosophy of New Music, the fi rst phase of the composer Igor Stravinsky. The text is divided in two major parts. The fi rst one specifi cally examines the ballet The Rite of Spring. The second part analyzes the opera Renard. The research also tries to explain the theoretical sources used by the philosopher Theodor Adorno in the elaboration of his mentioned work, in particular: Freud, Kant e Aristotle. I have concluded that Stravinsky’s fi rst phase is formed by wild and infantile elements, because it is in this phase that the composer intercalates between primitive rituals and fairy tales. Adorno, on the other hand, tried to demonstrate, based on Freudian studies, the coincidence between psychological structures of savages, children and neurotics, to unmask the regressive character of Stravinsky’s music. Such movement of modern music toward the stylized barbarity may also be interpreted as a failure of Kant’s project of modernity, which, above all, meant man’s freedom from his infancy.Analisa-se aqui, com base na Filosofi a da nova música, a primeira fase do compositor Igor Stravinski. O texto está dividido em duas grandes partes. A primeira avalia especifi camente a peça intitulada A sagração da primavera. A segunda analisa a ópera Renard. A pesquisa procura também explicitar as fontes teóricas utilizadas pelo fi lósofo Theodor Adorno na elaboração de sua já referida obra, em especial: Freud, Kant e Aristóteles. Conclui-se que a primeira fase de Stravinski é constituída por elementos selvagens e infantis, porque nela o compositor ora põe em cena rituais primitivos, ora se vale de contos de fadas. Adorno, por sua vez, procurou mostrar, valendo-se dos estudos freudianos, a coincidência entre as estruturas psíquicas dos selvagens, das crianças e dos neuróticos, com objetivo de desmascarar o caráter regressivo da música de Stravinski. Esse descarrilamento da música moderna em direção à barbárie estilizada também pode ser interpretado como o fracasso do projeto da modernidade apresentado por Kant, que, antes de tudo, signifi cava a saída do homem da sua menoridade.Universidade Federal de Ouro Preto2017-04-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufop.br/raf/article/view/738Artefilosofia; v. 3 n. 4 (2008); 83-94Artefilosofia; Vol. 3 No. 4 (2008); 83-942526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/738/694Copyright (c) 2017 Revista ArteFilosofiahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessRocha, Jessé da Costa2022-03-25T11:13:58Zoai:pp.www.periodicos.ufop.br:article/738Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-03-25T11:13:58Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv The Infantile and the Salvage in the Philosophy of New Music
O infantil e o selvagem na Filosofia da nova música
title The Infantile and the Salvage in the Philosophy of New Music
spellingShingle The Infantile and the Salvage in the Philosophy of New Music
Rocha, Jessé da Costa
Savage
Infantile
Stravinsky
New Music.
Selvagem
Infantil
Stravinski
Nova Música.
title_short The Infantile and the Salvage in the Philosophy of New Music
title_full The Infantile and the Salvage in the Philosophy of New Music
title_fullStr The Infantile and the Salvage in the Philosophy of New Music
title_full_unstemmed The Infantile and the Salvage in the Philosophy of New Music
title_sort The Infantile and the Salvage in the Philosophy of New Music
author Rocha, Jessé da Costa
author_facet Rocha, Jessé da Costa
author_role author
dc.contributor.author.fl_str_mv Rocha, Jessé da Costa
dc.subject.por.fl_str_mv Savage
Infantile
Stravinsky
New Music.
Selvagem
Infantil
Stravinski
Nova Música.
topic Savage
Infantile
Stravinsky
New Music.
Selvagem
Infantil
Stravinski
Nova Música.
description The study investigates, based on the Philosophy of New Music, the fi rst phase of the composer Igor Stravinsky. The text is divided in two major parts. The fi rst one specifi cally examines the ballet The Rite of Spring. The second part analyzes the opera Renard. The research also tries to explain the theoretical sources used by the philosopher Theodor Adorno in the elaboration of his mentioned work, in particular: Freud, Kant e Aristotle. I have concluded that Stravinsky’s fi rst phase is formed by wild and infantile elements, because it is in this phase that the composer intercalates between primitive rituals and fairy tales. Adorno, on the other hand, tried to demonstrate, based on Freudian studies, the coincidence between psychological structures of savages, children and neurotics, to unmask the regressive character of Stravinsky’s music. Such movement of modern music toward the stylized barbarity may also be interpreted as a failure of Kant’s project of modernity, which, above all, meant man’s freedom from his infancy.
publishDate 2017
dc.date.none.fl_str_mv 2017-04-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufop.br/raf/article/view/738
url https://periodicos.ufop.br/raf/article/view/738
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufop.br/raf/article/view/738/694
dc.rights.driver.fl_str_mv Copyright (c) 2017 Revista ArteFilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Revista ArteFilosofia
https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Ouro Preto
publisher.none.fl_str_mv Universidade Federal de Ouro Preto
dc.source.none.fl_str_mv Artefilosofia; v. 3 n. 4 (2008); 83-94
Artefilosofia; Vol. 3 No. 4 (2008); 83-94
2526-7892
1809-8274
reponame:Artefilosofia
instname:Universidade Federal de Ouro Preto (UFOP)
instacron:UFOP
instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
institution UFOP
reponame_str Artefilosofia
collection Artefilosofia
repository.name.fl_str_mv Artefilosofia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br
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