To do without Thinking? To Think without Doing? Two old prejudices in the new postdramatic scene

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Autor(a) principal: Trastoy (Universidad de Buenos Aires - Buenos Aires, Argentina), Beatriz Alicia
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/39204
Resumo: In order to deal with the definitive overcoming of two theatrical prejudices still in force – the self-proclaimed rejection of producers against theoretical reflection and lack of artistic experience, which allegedly devaluate critical discourse – we will analyze the self-reflection that gives the foundations to postdramatic staging modalities not only from a productive viewpoint (theatrical practice), but also froma receptive one (new theoretical inquiries of theater experts).
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spelling To do without Thinking? To Think without Doing? Two old prejudices in the new postdramatic sceneAgir sans Réfléchir? Réfléchir sans Agir? Deux vieux préjugés dans la nouvelle scène postdramatique¿Hacer sin Pensar? ¿Pensar sin Hacer? Dos viejos prejuicios en la nueva escena posdramáticaPostdramaticTheoryPracticeWacquantSelf-reflectionPosdramáticoTeoríaPrácticaWacquantAuto-reflexiónPostdramatiqueThéoriePratiqueWacquantAutoréflexionIn order to deal with the definitive overcoming of two theatrical prejudices still in force – the self-proclaimed rejection of producers against theoretical reflection and lack of artistic experience, which allegedly devaluate critical discourse – we will analyze the self-reflection that gives the foundations to postdramatic staging modalities not only from a productive viewpoint (theatrical practice), but also froma receptive one (new theoretical inquiries of theater experts).Dans la tentative de dépasser définitivement les deux préjugés théâtraux encore en vigueur – le mépris autoproclamé des metteurs en scène envers la réflexion théorique et le manque d’expérience artistique qui dévalorise le discours critique – nous analyserons l’autoréflexion, méthode sur laquelle se fonde les modalités scéniques postdramatiques, aussi bien du point de vue productif (la praxis théâtrale) que réceptif (les nouvelles recherches théoriques des spécialistes du théâtre).Para aportar a la definitiva superación de dos prejuicios teatrales aún vigentes – el autoproclamado desprecio de los realizadores por la reflexión teórica y el de la falta de experiencia artística, que devaluaría el discurso de críticos y teóricos – analizaremos la auto-reflexión que funda las modalidades escénicas posdramáticas, tanto desde el punto de vista productivo (la praxis escénica), como del receptivo (las nuevas búsquedas teóricas de los especialistas del teatro).Universidade Federal do Rio Grande do Sul2022-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/39204Brazilian Journal on Presence Studies; Vol. 3 No. 3 (2013): set./dez. 2013; 825-843Révue Brésilienne d'Études de la Présence; Vol. 3 No. 3 (2013): set./dez. 2013; 825-843Révue Brésilienne d'Études de la Présence; Vol. 3 No 3 (2013): set./dez. 2013; 825-843Revista Brasileira de Estudos da Presença; v. 3 n. 3 (2013): set./dez. 2013; 825-8432237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSspahttps://seer.ufrgs.br/index.php/presenca/article/view/39204/50872Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessTrastoy (Universidad de Buenos Aires - Buenos Aires, Argentina), Beatriz Alicia2022-10-16T21:15:58Zoai:seer.ufrgs.br:article/39204Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-16T21:15:58Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv To do without Thinking? To Think without Doing? Two old prejudices in the new postdramatic scene
Agir sans Réfléchir? Réfléchir sans Agir? Deux vieux préjugés dans la nouvelle scène postdramatique
¿Hacer sin Pensar? ¿Pensar sin Hacer? Dos viejos prejuicios en la nueva escena posdramática
title To do without Thinking? To Think without Doing? Two old prejudices in the new postdramatic scene
spellingShingle To do without Thinking? To Think without Doing? Two old prejudices in the new postdramatic scene
Trastoy (Universidad de Buenos Aires - Buenos Aires, Argentina), Beatriz Alicia
Postdramatic
Theory
Practice
Wacquant
Self-reflection
Posdramático
Teoría
Práctica
Wacquant
Auto-reflexión
Postdramatique
Théorie
Pratique
Wacquant
Autoréflexion
title_short To do without Thinking? To Think without Doing? Two old prejudices in the new postdramatic scene
title_full To do without Thinking? To Think without Doing? Two old prejudices in the new postdramatic scene
title_fullStr To do without Thinking? To Think without Doing? Two old prejudices in the new postdramatic scene
title_full_unstemmed To do without Thinking? To Think without Doing? Two old prejudices in the new postdramatic scene
title_sort To do without Thinking? To Think without Doing? Two old prejudices in the new postdramatic scene
author Trastoy (Universidad de Buenos Aires - Buenos Aires, Argentina), Beatriz Alicia
author_facet Trastoy (Universidad de Buenos Aires - Buenos Aires, Argentina), Beatriz Alicia
author_role author
dc.contributor.author.fl_str_mv Trastoy (Universidad de Buenos Aires - Buenos Aires, Argentina), Beatriz Alicia
dc.subject.por.fl_str_mv Postdramatic
Theory
Practice
Wacquant
Self-reflection
Posdramático
Teoría
Práctica
Wacquant
Auto-reflexión
Postdramatique
Théorie
Pratique
Wacquant
Autoréflexion
topic Postdramatic
Theory
Practice
Wacquant
Self-reflection
Posdramático
Teoría
Práctica
Wacquant
Auto-reflexión
Postdramatique
Théorie
Pratique
Wacquant
Autoréflexion
description In order to deal with the definitive overcoming of two theatrical prejudices still in force – the self-proclaimed rejection of producers against theoretical reflection and lack of artistic experience, which allegedly devaluate critical discourse – we will analyze the self-reflection that gives the foundations to postdramatic staging modalities not only from a productive viewpoint (theatrical practice), but also froma receptive one (new theoretical inquiries of theater experts).
publishDate 2022
dc.date.none.fl_str_mv 2022-10-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/39204
url https://seer.ufrgs.br/index.php/presenca/article/view/39204
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/39204/50872
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 3 No. 3 (2013): set./dez. 2013; 825-843
Révue Brésilienne d'Études de la Présence; Vol. 3 No. 3 (2013): set./dez. 2013; 825-843
Révue Brésilienne d'Études de la Présence; Vol. 3 No 3 (2013): set./dez. 2013; 825-843
Revista Brasileira de Estudos da Presença; v. 3 n. 3 (2013): set./dez. 2013; 825-843
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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