COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up

Detalhes bibliográficos
Autor(a) principal: Vasconcelos, Gisele Soares de
Data de Publicação: 2022
Outros Autores: Machado, Nicolle
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/123084
Resumo: This article evokes The Tower tarot card as an allegory to discuss collapse tactics within a specific performing arts project: the research staging process of the play The Vagabond, a One-Woman Music-Hall Show, developed during the Covid-19 global pandemic and produced by the Xama Teatro group (Maranhão state, Brazil). It reveals possible alternatives for a combined writing process of both script and staging, based on experiences of vulnerability and drawing on collapse as a tactic to provoke a process that constantly feeds back into itself. The procedures that stand out in the process are: improvising in an atelier environment; choosing references and mapping thematic fields; exploring problems; and experimenting with performative programs as a means to insist on surviving the Covid 19 global pandemic.
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spelling COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing upCollapse tactics in performing arts: : on the urgency of surviving and standing upartivismatelierCreation Processperformative programsstagingThis article evokes The Tower tarot card as an allegory to discuss collapse tactics within a specific performing arts project: the research staging process of the play The Vagabond, a One-Woman Music-Hall Show, developed during the Covid-19 global pandemic and produced by the Xama Teatro group (Maranhão state, Brazil). It reveals possible alternatives for a combined writing process of both script and staging, based on experiences of vulnerability and drawing on collapse as a tactic to provoke a process that constantly feeds back into itself. The procedures that stand out in the process are: improvising in an atelier environment; choosing references and mapping thematic fields; exploring problems; and experimenting with performative programs as a means to insist on surviving the Covid 19 global pandemic.This article evokes The Tower tarot card as an allegory to discuss collapse tactics within a specific performing arts project: the research staging process of the play The Vagabond, a One-Woman Music-Hall Show, developed during the Covid-19 global pandemic and produced by the Xama Teatro group (Maranhão state, Brazil). It reveals possible alternatives for a combined writing process of both script and staging, based on experiences of vulnerability and drawing on collapse as a tactic to provoke a process that constantly feeds back into itself. The procedures that stand out in the process are: improvising in an atelier environment; choosing references and mapping thematic fields; exploring problems; and experimenting with performative programs as a means to insist on surviving the Covid 19 global pandemic. Keywords:Universidade Federal do Rio Grande do Sul2022-06-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/123084Brazilian Journal on Presence Studies; Vol. 12 No. 2 (2022): Abr./Jun. 2022; 1-33Révue Brésilienne d'Études de la Présence; Vol. 12 No. 2 (2022): Abr./Jun. 2022; 1-33Révue Brésilienne d'Études de la Présence; Vol. 12 No 2 (2022): Abr./Jun. 2022; 1-33Revista Brasileira de Estudos da Presença; v. 12 n. 2 (2022): Abr./Jun. 2022; 1-332237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/123084/85154Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessVasconcelos, Gisele Soares deMachado, Nicolle2022-06-28T13:21:17Zoai:seer.ufrgs.br:article/123084Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-06-28T13:21:17Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up
Collapse tactics in performing arts: : on the urgency of surviving and standing up
title COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up
spellingShingle COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up
Vasconcelos, Gisele Soares de
artivism
atelier
Creation Process
performative programs
staging
title_short COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up
title_full COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up
title_fullStr COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up
title_full_unstemmed COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up
title_sort COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up
author Vasconcelos, Gisele Soares de
author_facet Vasconcelos, Gisele Soares de
Machado, Nicolle
author_role author
author2 Machado, Nicolle
author2_role author
dc.contributor.author.fl_str_mv Vasconcelos, Gisele Soares de
Machado, Nicolle
dc.subject.por.fl_str_mv artivism
atelier
Creation Process
performative programs
staging
topic artivism
atelier
Creation Process
performative programs
staging
description This article evokes The Tower tarot card as an allegory to discuss collapse tactics within a specific performing arts project: the research staging process of the play The Vagabond, a One-Woman Music-Hall Show, developed during the Covid-19 global pandemic and produced by the Xama Teatro group (Maranhão state, Brazil). It reveals possible alternatives for a combined writing process of both script and staging, based on experiences of vulnerability and drawing on collapse as a tactic to provoke a process that constantly feeds back into itself. The procedures that stand out in the process are: improvising in an atelier environment; choosing references and mapping thematic fields; exploring problems; and experimenting with performative programs as a means to insist on surviving the Covid 19 global pandemic.
publishDate 2022
dc.date.none.fl_str_mv 2022-06-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/123084
url https://seer.ufrgs.br/index.php/presenca/article/view/123084
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/123084/85154
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 12 No. 2 (2022): Abr./Jun. 2022; 1-33
Révue Brésilienne d'Études de la Présence; Vol. 12 No. 2 (2022): Abr./Jun. 2022; 1-33
Révue Brésilienne d'Études de la Présence; Vol. 12 No 2 (2022): Abr./Jun. 2022; 1-33
Revista Brasileira de Estudos da Presença; v. 12 n. 2 (2022): Abr./Jun. 2022; 1-33
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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