COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/123084 |
Resumo: | This article evokes The Tower tarot card as an allegory to discuss collapse tactics within a specific performing arts project: the research staging process of the play The Vagabond, a One-Woman Music-Hall Show, developed during the Covid-19 global pandemic and produced by the Xama Teatro group (Maranhão state, Brazil). It reveals possible alternatives for a combined writing process of both script and staging, based on experiences of vulnerability and drawing on collapse as a tactic to provoke a process that constantly feeds back into itself. The procedures that stand out in the process are: improvising in an atelier environment; choosing references and mapping thematic fields; exploring problems; and experimenting with performative programs as a means to insist on surviving the Covid 19 global pandemic. |
id |
UFRGS-17_2dde0b4f8955679eaaa68fe6d623c6ee |
---|---|
oai_identifier_str |
oai:seer.ufrgs.br:article/123084 |
network_acronym_str |
UFRGS-17 |
network_name_str |
Revista Brasileira de Estudos da Presença |
repository_id_str |
|
spelling |
COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing upCollapse tactics in performing arts: : on the urgency of surviving and standing upartivismatelierCreation Processperformative programsstagingThis article evokes The Tower tarot card as an allegory to discuss collapse tactics within a specific performing arts project: the research staging process of the play The Vagabond, a One-Woman Music-Hall Show, developed during the Covid-19 global pandemic and produced by the Xama Teatro group (Maranhão state, Brazil). It reveals possible alternatives for a combined writing process of both script and staging, based on experiences of vulnerability and drawing on collapse as a tactic to provoke a process that constantly feeds back into itself. The procedures that stand out in the process are: improvising in an atelier environment; choosing references and mapping thematic fields; exploring problems; and experimenting with performative programs as a means to insist on surviving the Covid 19 global pandemic.This article evokes The Tower tarot card as an allegory to discuss collapse tactics within a specific performing arts project: the research staging process of the play The Vagabond, a One-Woman Music-Hall Show, developed during the Covid-19 global pandemic and produced by the Xama Teatro group (Maranhão state, Brazil). It reveals possible alternatives for a combined writing process of both script and staging, based on experiences of vulnerability and drawing on collapse as a tactic to provoke a process that constantly feeds back into itself. The procedures that stand out in the process are: improvising in an atelier environment; choosing references and mapping thematic fields; exploring problems; and experimenting with performative programs as a means to insist on surviving the Covid 19 global pandemic. Keywords:Universidade Federal do Rio Grande do Sul2022-06-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/123084Brazilian Journal on Presence Studies; Vol. 12 No. 2 (2022): Abr./Jun. 2022; 1-33Révue Brésilienne d'Études de la Présence; Vol. 12 No. 2 (2022): Abr./Jun. 2022; 1-33Révue Brésilienne d'Études de la Présence; Vol. 12 No 2 (2022): Abr./Jun. 2022; 1-33Revista Brasileira de Estudos da Presença; v. 12 n. 2 (2022): Abr./Jun. 2022; 1-332237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/123084/85154Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessVasconcelos, Gisele Soares deMachado, Nicolle2022-06-28T13:21:17Zoai:seer.ufrgs.br:article/123084Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-06-28T13:21:17Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up Collapse tactics in performing arts: : on the urgency of surviving and standing up |
title |
COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up |
spellingShingle |
COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up Vasconcelos, Gisele Soares de artivism atelier Creation Process performative programs staging |
title_short |
COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up |
title_full |
COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up |
title_fullStr |
COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up |
title_full_unstemmed |
COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up |
title_sort |
COLLAPSE TACTICS IN PERFORMING ARTS:: on the urgency of surviving and standing up |
author |
Vasconcelos, Gisele Soares de |
author_facet |
Vasconcelos, Gisele Soares de Machado, Nicolle |
author_role |
author |
author2 |
Machado, Nicolle |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Vasconcelos, Gisele Soares de Machado, Nicolle |
dc.subject.por.fl_str_mv |
artivism atelier Creation Process performative programs staging |
topic |
artivism atelier Creation Process performative programs staging |
description |
This article evokes The Tower tarot card as an allegory to discuss collapse tactics within a specific performing arts project: the research staging process of the play The Vagabond, a One-Woman Music-Hall Show, developed during the Covid-19 global pandemic and produced by the Xama Teatro group (Maranhão state, Brazil). It reveals possible alternatives for a combined writing process of both script and staging, based on experiences of vulnerability and drawing on collapse as a tactic to provoke a process that constantly feeds back into itself. The procedures that stand out in the process are: improvising in an atelier environment; choosing references and mapping thematic fields; exploring problems; and experimenting with performative programs as a means to insist on surviving the Covid 19 global pandemic. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-06-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/123084 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/123084 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/123084/85154 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 12 No. 2 (2022): Abr./Jun. 2022; 1-33 Révue Brésilienne d'Études de la Présence; Vol. 12 No. 2 (2022): Abr./Jun. 2022; 1-33 Révue Brésilienne d'Études de la Présence; Vol. 12 No 2 (2022): Abr./Jun. 2022; 1-33 Revista Brasileira de Estudos da Presença; v. 12 n. 2 (2022): Abr./Jun. 2022; 1-33 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
_version_ |
1799766310593232896 |