Carmelo Bene, a Stuttering War Machine

Detalhes bibliográficos
Autor(a) principal: Balestreri (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre, Brazil), Silvia
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/78091
Resumo: This article presents one of the topics raised by the research in progress on the work of the Italian artist Carmelo Bene. The author resumes a relation already made at the beginning of the research between the Benean actorial machine and the Deleuzean-Guattarian war machine, adding elements from an approach of stuttering in Gilles Deleuze, as well as from materials and experiences collected in the field research developed in Italy and France along the last three years. The initial goal of the research was to study the concepts that Carmelo Bene created in scene, seeking a closeness to what was original in his work. From the observation of the multiplicity of Bene’s theoretical and artistic alliances, it became necessary to interrogate and contaminate the research and writing modes themselves, establishing a production by means of fragments and closeness, being this text one of them.
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spelling Carmelo Bene, a Stuttering War MachineCarmelo Bene, une Machine de Guerre BégayanteCarmelo Bene, a Stuttering War MachineCarmelo BeneActorial MachineWar MachineStuttering MachineDeleuze-GuattariCarmelo BeneActorial MachineWar MachineStuttering MachineDeleuze-GuattariCarmelo BeneMachine ActorielleMachine de GuerreMachine BégayanteDeleuze-GuattariThis article presents one of the topics raised by the research in progress on the work of the Italian artist Carmelo Bene. The author resumes a relation already made at the beginning of the research between the Benean actorial machine and the Deleuzean-Guattarian war machine, adding elements from an approach of stuttering in Gilles Deleuze, as well as from materials and experiences collected in the field research developed in Italy and France along the last three years. The initial goal of the research was to study the concepts that Carmelo Bene created in scene, seeking a closeness to what was original in his work. From the observation of the multiplicity of Bene’s theoretical and artistic alliances, it became necessary to interrogate and contaminate the research and writing modes themselves, establishing a production by means of fragments and closeness, being this text one of them.Cet article presente l’un des sujets soulevés par la recherche de l’oeuvre de l’artiste italien Carmelo Bene, toujours en cours. L’auteur reprend une relation qu’elle avait faite au début de sa recherche entre la machine actorielle bénéenne et la machine de guerre deleuze-guattarienne, en les ajoutant un abordage du bégayage chez Deleuze et par le biais de matériels et d’expériences recueillis lors de recherches de terrain menées en Italie et en France depuis 2014. La recherche avait comme objectif initial une étude des concepts que Carmelo Bene avait créés sur la scene, en cherchant ce qui était original dans son travail. La connaissance de la multiplicité des aliances théoriques et artistiques de Bene imposait la necessite d’interroger et de contaminer les propres modes de recherche et d’écrite, établissant une production par fragments et approximations dont le présent texte en est une tentative.This article presents one of the topics raised by the research in progress on the work of the Italian artist Carmelo Bene. The author resumes a relation already made at the beginning of the research between the Benean actorial machine and the Deleuzean-Guattarian war machine, adding elements from an approach of stuttering in Gilles Deleuze, as well as from materials and experiences collected in the field research developed in Italy and France along the last three years. The initial goal of the research was to study the concepts that Carmelo Bene created in scene, seeking a closeness to what was original in his work. From the observation of the multiplicity of Bene’s theoretical and artistic alliances, it became necessary to interrogate and contaminate the research and writing modes themselves, establishing a production by means of fragments and closeness, being this text one of them.Universidade Federal do Rio Grande do Sul2022-10-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/78091Brazilian Journal on Presence Studies; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 82-98Révue Brésilienne d'Études de la Présence; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 82-98Révue Brésilienne d'Études de la Présence; Vol. 8 No 1 (2018): Jan./Mar. 2018; 82-98Revista Brasileira de Estudos da Presença; v. 8 n. 1 (2018): Jan./Mar. 2018; 82-982237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/78091/50300Copyright (c) 2017 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessBalestreri (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre, Brazil), Silvia2022-10-04T18:07:49Zoai:seer.ufrgs.br:article/78091Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-04T18:07:49Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Carmelo Bene, a Stuttering War Machine
Carmelo Bene, une Machine de Guerre Bégayante
Carmelo Bene, a Stuttering War Machine
title Carmelo Bene, a Stuttering War Machine
spellingShingle Carmelo Bene, a Stuttering War Machine
Balestreri (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre, Brazil), Silvia
Carmelo Bene
Actorial Machine
War Machine
Stuttering Machine
Deleuze-Guattari
Carmelo Bene
Actorial Machine
War Machine
Stuttering Machine
Deleuze-Guattari
Carmelo Bene
Machine Actorielle
Machine de Guerre
Machine Bégayante
Deleuze-Guattari
title_short Carmelo Bene, a Stuttering War Machine
title_full Carmelo Bene, a Stuttering War Machine
title_fullStr Carmelo Bene, a Stuttering War Machine
title_full_unstemmed Carmelo Bene, a Stuttering War Machine
title_sort Carmelo Bene, a Stuttering War Machine
author Balestreri (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre, Brazil), Silvia
author_facet Balestreri (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre, Brazil), Silvia
author_role author
dc.contributor.author.fl_str_mv Balestreri (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre, Brazil), Silvia
dc.subject.por.fl_str_mv Carmelo Bene
Actorial Machine
War Machine
Stuttering Machine
Deleuze-Guattari
Carmelo Bene
Actorial Machine
War Machine
Stuttering Machine
Deleuze-Guattari
Carmelo Bene
Machine Actorielle
Machine de Guerre
Machine Bégayante
Deleuze-Guattari
topic Carmelo Bene
Actorial Machine
War Machine
Stuttering Machine
Deleuze-Guattari
Carmelo Bene
Actorial Machine
War Machine
Stuttering Machine
Deleuze-Guattari
Carmelo Bene
Machine Actorielle
Machine de Guerre
Machine Bégayante
Deleuze-Guattari
description This article presents one of the topics raised by the research in progress on the work of the Italian artist Carmelo Bene. The author resumes a relation already made at the beginning of the research between the Benean actorial machine and the Deleuzean-Guattarian war machine, adding elements from an approach of stuttering in Gilles Deleuze, as well as from materials and experiences collected in the field research developed in Italy and France along the last three years. The initial goal of the research was to study the concepts that Carmelo Bene created in scene, seeking a closeness to what was original in his work. From the observation of the multiplicity of Bene’s theoretical and artistic alliances, it became necessary to interrogate and contaminate the research and writing modes themselves, establishing a production by means of fragments and closeness, being this text one of them.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/78091
url https://seer.ufrgs.br/index.php/presenca/article/view/78091
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/78091/50300
dc.rights.driver.fl_str_mv Copyright (c) 2017 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 82-98
Révue Brésilienne d'Études de la Présence; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 82-98
Révue Brésilienne d'Études de la Présence; Vol. 8 No 1 (2018): Jan./Mar. 2018; 82-98
Revista Brasileira de Estudos da Presença; v. 8 n. 1 (2018): Jan./Mar. 2018; 82-98
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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