Beyond Technology, there Stands Magic

Detalhes bibliográficos
Autor(a) principal: Lobato (Universidade Federal da Bahia – Salvador, Brasil), Lúcia Fernandes
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/36896
Resumo: This article shows evidence that despite the prominent influences of the technological revolution and the spectacular panoramas on the contemporary world, magic seems to stand beyond technology. To support this hypothesis, the author investigates the images on the cinema, pointing out that to discover magic in a film, for instance, it is necessary to recognize its subjective structures disguised in the objectivity of the screen. Finally, the author indicates that in the field of image production, dance films that are created out of a cross-disciplinary effort are another byproduct of the fusion between art and video, born out of technological advancements.
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spelling Beyond Technology, there Stands MagicAu-delà de la Technologie, la MagiePara Além da Tecnologia, a MagiaTecnologiaMagiaTransdisciplinaridadeDançaVídeoTechnologyMagicCross-DisciplinarityDanceVideoTechnologieMagieTransdisciplinaritéDanseVidéoThis article shows evidence that despite the prominent influences of the technological revolution and the spectacular panoramas on the contemporary world, magic seems to stand beyond technology. To support this hypothesis, the author investigates the images on the cinema, pointing out that to discover magic in a film, for instance, it is necessary to recognize its subjective structures disguised in the objectivity of the screen. Finally, the author indicates that in the field of image production, dance films that are created out of a cross-disciplinary effort are another byproduct of the fusion between art and video, born out of technological advancements.Malgré la révolution technologique et le caractère spectaculaire du monde contemporain, l’auteur de cet article soutient que la magie du spectacle demeure, au-delà de la technologie. Se concentrant sur l’image filmique, il affirme que dévoiler la magie du cinéma revient à reconnaître ses structures subjectives masquées dans l’objectivité de l’écran. Il signale, enfin, que dans le domaine actuel de la production d’images, la vidéodanse devient un troisième élément, fruit de la fusion entre l’art et la vidéo, né du progrès technologique. O artigo constata que apesar da revolução tecnológica e da espetacularidade do mundo contemporâneo, a magia está para além da tecnologia. A autora se detém na imagem fílmica e argumenta que, desvendar a magia do cinema, significa reconhecer suas estruturas subjetivas disfarçadas na objetividade da tela. Finalmente aponta, no campo atual da produção de imagens, a videodança, fruto da transdisciplinaridade, como um terceiro elemento que aconteceu da fusão da arte com o vídeo, um aparato nascido do avanço tecnológico.Universidade Federal do Rio Grande do Sul2022-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/36896Brazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 583-593Révue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 583-593Révue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 583-593Revista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 583-5932237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/36896/50977Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessLobato (Universidade Federal da Bahia – Salvador, Brasil), Lúcia Fernandes2022-10-16T21:37:11Zoai:seer.ufrgs.br:article/36896Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-16T21:37:11Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Beyond Technology, there Stands Magic
Au-delà de la Technologie, la Magie
Para Além da Tecnologia, a Magia
title Beyond Technology, there Stands Magic
spellingShingle Beyond Technology, there Stands Magic
Lobato (Universidade Federal da Bahia – Salvador, Brasil), Lúcia Fernandes
Tecnologia
Magia
Transdisciplinaridade
Dança
Vídeo
Technology
Magic
Cross-Disciplinarity
Dance
Video
Technologie
Magie
Transdisciplinarité
Danse
Vidéo
title_short Beyond Technology, there Stands Magic
title_full Beyond Technology, there Stands Magic
title_fullStr Beyond Technology, there Stands Magic
title_full_unstemmed Beyond Technology, there Stands Magic
title_sort Beyond Technology, there Stands Magic
author Lobato (Universidade Federal da Bahia – Salvador, Brasil), Lúcia Fernandes
author_facet Lobato (Universidade Federal da Bahia – Salvador, Brasil), Lúcia Fernandes
author_role author
dc.contributor.author.fl_str_mv Lobato (Universidade Federal da Bahia – Salvador, Brasil), Lúcia Fernandes
dc.subject.por.fl_str_mv Tecnologia
Magia
Transdisciplinaridade
Dança
Vídeo
Technology
Magic
Cross-Disciplinarity
Dance
Video
Technologie
Magie
Transdisciplinarité
Danse
Vidéo
topic Tecnologia
Magia
Transdisciplinaridade
Dança
Vídeo
Technology
Magic
Cross-Disciplinarity
Dance
Video
Technologie
Magie
Transdisciplinarité
Danse
Vidéo
description This article shows evidence that despite the prominent influences of the technological revolution and the spectacular panoramas on the contemporary world, magic seems to stand beyond technology. To support this hypothesis, the author investigates the images on the cinema, pointing out that to discover magic in a film, for instance, it is necessary to recognize its subjective structures disguised in the objectivity of the screen. Finally, the author indicates that in the field of image production, dance films that are created out of a cross-disciplinary effort are another byproduct of the fusion between art and video, born out of technological advancements.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/36896
url https://seer.ufrgs.br/index.php/presenca/article/view/36896
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/36896/50977
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 583-593
Révue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 583-593
Révue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 583-593
Revista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 583-593
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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