Beyond Technology, there Stands Magic
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/36896 |
Resumo: | This article shows evidence that despite the prominent influences of the technological revolution and the spectacular panoramas on the contemporary world, magic seems to stand beyond technology. To support this hypothesis, the author investigates the images on the cinema, pointing out that to discover magic in a film, for instance, it is necessary to recognize its subjective structures disguised in the objectivity of the screen. Finally, the author indicates that in the field of image production, dance films that are created out of a cross-disciplinary effort are another byproduct of the fusion between art and video, born out of technological advancements. |
id |
UFRGS-17_c2fa31a32fb2a02916e932b041b0a97f |
---|---|
oai_identifier_str |
oai:seer.ufrgs.br:article/36896 |
network_acronym_str |
UFRGS-17 |
network_name_str |
Revista Brasileira de Estudos da Presença |
repository_id_str |
|
spelling |
Beyond Technology, there Stands MagicAu-delà de la Technologie, la MagiePara Além da Tecnologia, a MagiaTecnologiaMagiaTransdisciplinaridadeDançaVídeoTechnologyMagicCross-DisciplinarityDanceVideoTechnologieMagieTransdisciplinaritéDanseVidéoThis article shows evidence that despite the prominent influences of the technological revolution and the spectacular panoramas on the contemporary world, magic seems to stand beyond technology. To support this hypothesis, the author investigates the images on the cinema, pointing out that to discover magic in a film, for instance, it is necessary to recognize its subjective structures disguised in the objectivity of the screen. Finally, the author indicates that in the field of image production, dance films that are created out of a cross-disciplinary effort are another byproduct of the fusion between art and video, born out of technological advancements.Malgré la révolution technologique et le caractère spectaculaire du monde contemporain, l’auteur de cet article soutient que la magie du spectacle demeure, au-delà de la technologie. Se concentrant sur l’image filmique, il affirme que dévoiler la magie du cinéma revient à reconnaître ses structures subjectives masquées dans l’objectivité de l’écran. Il signale, enfin, que dans le domaine actuel de la production d’images, la vidéodanse devient un troisième élément, fruit de la fusion entre l’art et la vidéo, né du progrès technologique. O artigo constata que apesar da revolução tecnológica e da espetacularidade do mundo contemporâneo, a magia está para além da tecnologia. A autora se detém na imagem fílmica e argumenta que, desvendar a magia do cinema, significa reconhecer suas estruturas subjetivas disfarçadas na objetividade da tela. Finalmente aponta, no campo atual da produção de imagens, a videodança, fruto da transdisciplinaridade, como um terceiro elemento que aconteceu da fusão da arte com o vídeo, um aparato nascido do avanço tecnológico.Universidade Federal do Rio Grande do Sul2022-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/36896Brazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 583-593Révue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 583-593Révue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 583-593Revista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 583-5932237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/36896/50977Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessLobato (Universidade Federal da Bahia – Salvador, Brasil), Lúcia Fernandes2022-10-16T21:37:11Zoai:seer.ufrgs.br:article/36896Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-16T21:37:11Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Beyond Technology, there Stands Magic Au-delà de la Technologie, la Magie Para Além da Tecnologia, a Magia |
title |
Beyond Technology, there Stands Magic |
spellingShingle |
Beyond Technology, there Stands Magic Lobato (Universidade Federal da Bahia – Salvador, Brasil), Lúcia Fernandes Tecnologia Magia Transdisciplinaridade Dança Vídeo Technology Magic Cross-Disciplinarity Dance Video Technologie Magie Transdisciplinarité Danse Vidéo |
title_short |
Beyond Technology, there Stands Magic |
title_full |
Beyond Technology, there Stands Magic |
title_fullStr |
Beyond Technology, there Stands Magic |
title_full_unstemmed |
Beyond Technology, there Stands Magic |
title_sort |
Beyond Technology, there Stands Magic |
author |
Lobato (Universidade Federal da Bahia – Salvador, Brasil), Lúcia Fernandes |
author_facet |
Lobato (Universidade Federal da Bahia – Salvador, Brasil), Lúcia Fernandes |
author_role |
author |
dc.contributor.author.fl_str_mv |
Lobato (Universidade Federal da Bahia – Salvador, Brasil), Lúcia Fernandes |
dc.subject.por.fl_str_mv |
Tecnologia Magia Transdisciplinaridade Dança Vídeo Technology Magic Cross-Disciplinarity Dance Video Technologie Magie Transdisciplinarité Danse Vidéo |
topic |
Tecnologia Magia Transdisciplinaridade Dança Vídeo Technology Magic Cross-Disciplinarity Dance Video Technologie Magie Transdisciplinarité Danse Vidéo |
description |
This article shows evidence that despite the prominent influences of the technological revolution and the spectacular panoramas on the contemporary world, magic seems to stand beyond technology. To support this hypothesis, the author investigates the images on the cinema, pointing out that to discover magic in a film, for instance, it is necessary to recognize its subjective structures disguised in the objectivity of the screen. Finally, the author indicates that in the field of image production, dance films that are created out of a cross-disciplinary effort are another byproduct of the fusion between art and video, born out of technological advancements. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/36896 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/36896 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/36896/50977 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 583-593 Révue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 583-593 Révue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 583-593 Revista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 583-593 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
_version_ |
1799766307139223552 |