Bodies that Danced their Voices

Detalhes bibliográficos
Autor(a) principal: Biancalana (Universidade Federal de Santa Maria – UFSM, Santa Maria/RS, Brasil), Gisela Reis
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/55206
Resumo: The article makes a reflection about the relevance of the voice perceived as body in movement. This understanding is first discussed under the light of the assumptions of authors from performing arts, theater and dance. Next, it was made a proposal for a creative process in dance which considered the collaboration of performers on their path. Dance work was developed with actors and it had the voice as the main driving element. This artwork aimed to discuss a possible move towards a vocal pedagogy for the scene performers.
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spelling Bodies that Danced their VoicesLes Corps qui ont Dansé leurs VoixOs Corpos que Dançaram suas VozesCorpoDançaVozCriaçãoColaboraçãoBodyDanceVoiceCreationCollaborationCorpsDanseVoixCréationCollaborationThe article makes a reflection about the relevance of the voice perceived as body in movement. This understanding is first discussed under the light of the assumptions of authors from performing arts, theater and dance. Next, it was made a proposal for a creative process in dance which considered the collaboration of performers on their path. Dance work was developed with actors and it had the voice as the main driving element. This artwork aimed to discuss a possible move towards a vocal pedagogy for the scene performers.L’article se penche sur la pertinence de la voix considérée comme corps en mouvement. Cette compréhension est d’abord éclairée par les contributions d’auteurs des arts de la scène, théâtre et danse. Ensuite, un processus de création en danse a été proposé, prenant en compte la collaboration des artistes dans son parcours. Le travail de danse a été développé avec des acteurs et a eu la voix comme élément moteur principal. Cette proposition cherche à poser les jalons d’une pédagogie vocale pour les artistes de la scène.O artigo faz uma reflexão sobre a relevância da voz entendida como corpo em movimento. Este entendimento é, primeiramente, pensado à luz dos pressupostos de autores das artes cênicas, teatro e dança. Em seguida, foi lançada uma proposta de processo criador em dança que considerou a colaboração dos performers em seu percurso. A obra de dança foi desenvolvida com atores e teve a voz como principal elemento propulsor. Este trabalho buscou discutir um possível encaminhamento voltado para a pedagogia vocal de performers da cena.Universidade Federal do Rio Grande do Sul2022-10-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/55206Brazilian Journal on Presence Studies; Vol. 6 No. 1 (2016): jan./abr. 2016; 30-46Révue Brésilienne d'Études de la Présence; Vol. 6 No. 1 (2016): jan./abr. 2016; 30-46Révue Brésilienne d'Études de la Présence; Vol. 6 No 1 (2016): jan./ abr. 2016; 30-46Revista Brasileira de Estudos da Presença; v. 6 n. 1 (2016): jan./abr. 2016; 30-462237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/55206/50468Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessBiancalana (Universidade Federal de Santa Maria – UFSM, Santa Maria/RS, Brasil), Gisela Reis2022-10-12T19:27:54Zoai:seer.ufrgs.br:article/55206Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-12T19:27:54Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Bodies that Danced their Voices
Les Corps qui ont Dansé leurs Voix
Os Corpos que Dançaram suas Vozes
title Bodies that Danced their Voices
spellingShingle Bodies that Danced their Voices
Biancalana (Universidade Federal de Santa Maria – UFSM, Santa Maria/RS, Brasil), Gisela Reis
Corpo
Dança
Voz
Criação
Colaboração
Body
Dance
Voice
Creation
Collaboration
Corps
Danse
Voix
Création
Collaboration
title_short Bodies that Danced their Voices
title_full Bodies that Danced their Voices
title_fullStr Bodies that Danced their Voices
title_full_unstemmed Bodies that Danced their Voices
title_sort Bodies that Danced their Voices
author Biancalana (Universidade Federal de Santa Maria – UFSM, Santa Maria/RS, Brasil), Gisela Reis
author_facet Biancalana (Universidade Federal de Santa Maria – UFSM, Santa Maria/RS, Brasil), Gisela Reis
author_role author
dc.contributor.author.fl_str_mv Biancalana (Universidade Federal de Santa Maria – UFSM, Santa Maria/RS, Brasil), Gisela Reis
dc.subject.por.fl_str_mv Corpo
Dança
Voz
Criação
Colaboração
Body
Dance
Voice
Creation
Collaboration
Corps
Danse
Voix
Création
Collaboration
topic Corpo
Dança
Voz
Criação
Colaboração
Body
Dance
Voice
Creation
Collaboration
Corps
Danse
Voix
Création
Collaboration
description The article makes a reflection about the relevance of the voice perceived as body in movement. This understanding is first discussed under the light of the assumptions of authors from performing arts, theater and dance. Next, it was made a proposal for a creative process in dance which considered the collaboration of performers on their path. Dance work was developed with actors and it had the voice as the main driving element. This artwork aimed to discuss a possible move towards a vocal pedagogy for the scene performers.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/55206
url https://seer.ufrgs.br/index.php/presenca/article/view/55206
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/55206/50468
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 6 No. 1 (2016): jan./abr. 2016; 30-46
Révue Brésilienne d'Études de la Présence; Vol. 6 No. 1 (2016): jan./abr. 2016; 30-46
Révue Brésilienne d'Études de la Présence; Vol. 6 No 1 (2016): jan./ abr. 2016; 30-46
Revista Brasileira de Estudos da Presença; v. 6 n. 1 (2016): jan./abr. 2016; 30-46
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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