Docile Object and Proposing Object: : a study on the qualities of the object and its possibilities in the creative process in Performing Arts
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/124237 |
Resumo: | ABSTRACT – Docile Object and Proposing Object: a study on the qualities of the object and its possibilities in the creative process in Performing Arts – This article develops, identifies and presents two qualities to think about the objects used in creation processes in Performing Arts, in which we investigate body-object relations. We present the objects as docile or proposing and discuss their respective characteristics. Our methodology involved the selection and analysis of contemporary works in which we could examine principles relating to the physical characteristics of materials as well as the approaches adopted by the body in its relation to the object. This article is inspired by the Foucauldian notion of displacement applied to the consideration of other ways of thinking about the object beyond the so-called theater of objects or the understanding of the object as a scenic prop. In conclusion, we argue that recognizing these qualities of the object can contribute to expand the uses of the object in creation processes, including the production of specific objects for the Performing Arts. Keywords: Michel Foucault. Object. Creative Process. Animation Theater. Performing Arts. |
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Docile Object and Proposing Object: : a study on the qualities of the object and its possibilities in the creative process in Performing ArtsMichel FoucaultObjectCreative ProcessAnimation TheaterPerforming ArtsABSTRACT – Docile Object and Proposing Object: a study on the qualities of the object and its possibilities in the creative process in Performing Arts – This article develops, identifies and presents two qualities to think about the objects used in creation processes in Performing Arts, in which we investigate body-object relations. We present the objects as docile or proposing and discuss their respective characteristics. Our methodology involved the selection and analysis of contemporary works in which we could examine principles relating to the physical characteristics of materials as well as the approaches adopted by the body in its relation to the object. This article is inspired by the Foucauldian notion of displacement applied to the consideration of other ways of thinking about the object beyond the so-called theater of objects or the understanding of the object as a scenic prop. In conclusion, we argue that recognizing these qualities of the object can contribute to expand the uses of the object in creation processes, including the production of specific objects for the Performing Arts. Keywords: Michel Foucault. Object. Creative Process. Animation Theater. Performing Arts.RÉSUMÉ – Objet Docile et Objet de Proposition: une étude sur les qualités de l’objet et ses possibilités dans le processus de création en Arts du Spectacle – Cet article élabore, identifie et énonce deux qualités pour penser les objets utilisés dans les processus de création en arts scéniques dans lesquels les relations corps-objet sont étudiées. Les objets sont présentés comme dociles ou proposants et leurs caractéristiques respectives sont expliquées. La méthodologie a utilisé l’analyse et la sélection d’œuvres contemporaines dans lesquelles les principes relatifs aux caractéristiques physiques des matériaux ainsi que les approches effectuées par le corps lorsqu’il est mis en relation avec l’objet sont vérifiables. Ce texte s’inspire de la notion foucaldienne de déplacement au sens d’envisager d’autres manières de penser l’objet au-delà du théâtre dit d’objets ou de l’appréhension de l’objet comme accessoire scénique. Il est conclu que la reconnaissance des qualités mentionnées peut collaborer aux choix liés aux utilisations de l’objet dans les processus de création, y compris la production d’objets spécifiques pour les arts de la scène. Mots-clés: Michel Foucault. Objet. Processus Créatif. Arts de la Marionnette. Arts Performants.This article develops, identifies and presents two qualities to think about the objects used in creation processes in Performing Arts, in which we investigate body-object relations. We present the objects as docile or proposing and discuss their respective characteristics. Our methodology involved the selection and analysis of contemporary works in which we could examine principles relating to the physical characteristics of materials as well as the approaches adopted by the body in its relation to the object. This article is inspired by the Foucauldian notion of displacement applied to the consideration of other ways of thinking about the object beyond the so-called theater of objects or the understanding of the object as a scenic prop. In conclusion, we argue that recognizing these qualities of the object can contribute to expand the uses of the object in creation processes, including the production of specific objects for the Performing Arts.Universidade Federal do Rio Grande do Sul2022-07-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/124237Brazilian Journal on Presence Studies; Vol. 12 No. 3 (2022): Jul./Set.2022; 1-26Révue Brésilienne d'Études de la Présence; Vol. 12 No. 3 (2022): Jul./Set.2022; 1-26Révue Brésilienne d'Études de la Présence; Vol. 12 No 3 (2022): Jul./Set.2022; 1-26Revista Brasileira de Estudos da Presença; v. 12 n. 3 (2022): Jul./Set.2022; 1-262237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/124237/85589Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessDella Costa, RossanaRossini, Élcio2022-10-21T01:10:26Zoai:seer.ufrgs.br:article/124237Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-21T01:10:26Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Docile Object and Proposing Object: : a study on the qualities of the object and its possibilities in the creative process in Performing Arts |
title |
Docile Object and Proposing Object: : a study on the qualities of the object and its possibilities in the creative process in Performing Arts |
spellingShingle |
Docile Object and Proposing Object: : a study on the qualities of the object and its possibilities in the creative process in Performing Arts Della Costa, Rossana Michel Foucault Object Creative Process Animation Theater Performing Arts |
title_short |
Docile Object and Proposing Object: : a study on the qualities of the object and its possibilities in the creative process in Performing Arts |
title_full |
Docile Object and Proposing Object: : a study on the qualities of the object and its possibilities in the creative process in Performing Arts |
title_fullStr |
Docile Object and Proposing Object: : a study on the qualities of the object and its possibilities in the creative process in Performing Arts |
title_full_unstemmed |
Docile Object and Proposing Object: : a study on the qualities of the object and its possibilities in the creative process in Performing Arts |
title_sort |
Docile Object and Proposing Object: : a study on the qualities of the object and its possibilities in the creative process in Performing Arts |
author |
Della Costa, Rossana |
author_facet |
Della Costa, Rossana Rossini, Élcio |
author_role |
author |
author2 |
Rossini, Élcio |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Della Costa, Rossana Rossini, Élcio |
dc.subject.por.fl_str_mv |
Michel Foucault Object Creative Process Animation Theater Performing Arts |
topic |
Michel Foucault Object Creative Process Animation Theater Performing Arts |
description |
ABSTRACT – Docile Object and Proposing Object: a study on the qualities of the object and its possibilities in the creative process in Performing Arts – This article develops, identifies and presents two qualities to think about the objects used in creation processes in Performing Arts, in which we investigate body-object relations. We present the objects as docile or proposing and discuss their respective characteristics. Our methodology involved the selection and analysis of contemporary works in which we could examine principles relating to the physical characteristics of materials as well as the approaches adopted by the body in its relation to the object. This article is inspired by the Foucauldian notion of displacement applied to the consideration of other ways of thinking about the object beyond the so-called theater of objects or the understanding of the object as a scenic prop. In conclusion, we argue that recognizing these qualities of the object can contribute to expand the uses of the object in creation processes, including the production of specific objects for the Performing Arts. Keywords: Michel Foucault. Object. Creative Process. Animation Theater. Performing Arts. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-07-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/124237 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/124237 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/124237/85589 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 12 No. 3 (2022): Jul./Set.2022; 1-26 Révue Brésilienne d'Études de la Présence; Vol. 12 No. 3 (2022): Jul./Set.2022; 1-26 Révue Brésilienne d'Études de la Présence; Vol. 12 No 3 (2022): Jul./Set.2022; 1-26 Revista Brasileira de Estudos da Presença; v. 12 n. 3 (2022): Jul./Set.2022; 1-26 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
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