The aesthetics of existence and Brazilian youth movements in 1968 and 2013

Detalhes bibliográficos
Autor(a) principal: Cavalcante Júnior, Idelmar Gomes
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Anos 90 (Online)
Texto Completo: https://seer.ufrgs.br/index.php/anos90/article/view/120450
Resumo: In this article, we analyze the behavior of student activists who in 1968 took to the streets to protest against the military dictatorship and that of the youth that protested in June 2013, taking into account, in particular, the ability to articulate life, politics and art. To what extent were these two generations able to promote this articulation and to what extent have they rejected this possibility? In 1968, Caetano Veloso sought to take politics to the stage, but was harshly reprimanded for not following the previous prescriptions of the Popular Centers of Culture, Une; who advocated a popular and didactically revolutionary art. Caetano after all wanted to express politics in his own body. Taking this premise into account, the text argues that June 2013 breaks with the “seriousness” of the students of 1968 and establishes new parameters of activism, based on an openness to the aesthetics of existence.
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spelling The aesthetics of existence and Brazilian youth movements in 1968 and 2013A estética da existência e os movimentos juvenis brasileiros em 1968 e 2013Juventude1968Junho de 2013Estética da ExistênciaCuidado de Si.História do Brasil RepúblicaIn this article, we analyze the behavior of student activists who in 1968 took to the streets to protest against the military dictatorship and that of the youth that protested in June 2013, taking into account, in particular, the ability to articulate life, politics and art. To what extent were these two generations able to promote this articulation and to what extent have they rejected this possibility? In 1968, Caetano Veloso sought to take politics to the stage, but was harshly reprimanded for not following the previous prescriptions of the Popular Centers of Culture, Une; who advocated a popular and didactically revolutionary art. Caetano after all wanted to express politics in his own body. Taking this premise into account, the text argues that June 2013 breaks with the “seriousness” of the students of 1968 and establishes new parameters of activism, based on an openness to the aesthetics of existence.Neste artigo, analisamos o comportamento dos militantes estudantis que em 1968 foram às ruas protestar contra a Ditadura Militar e o da juventude que protestou no Junho de 2013, levando-se em conta, particularmente, a capacidade de articulação entre vida, política e arte. Em que medida essas duas gerações foram capazes de promover essa articulação e em que medida elas rechaçaram essa possibilidade? Em 1968, Caetano Veloso procurou levar a política para o palco, mas foi duramente repreendido porque não seguiu as anteriores prescrições dos Centros Populares de Cultura, da Une, que defendiam uma arte popular e didaticamente revolucionária. Caetano, afinal, queria expressar a política no seu próprio corpo. Levando em consideração essa premissa, o texto defende que Junho de 2013 rompe com a “seriedade” dos estudantes de 1968 e estabelece novos parâmetros de ativismo, pautados numa abertura para a estética da existência.UFRGS2022-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/anos90/article/view/12045010.22456/1983-201X.120450Anos 90; Vol. 29 (2022); 1-19Anos 90; v. 29 (2022); 1-191983-201X0104-236Xreponame:Anos 90 (Online)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGS-30porhttps://seer.ufrgs.br/index.php/anos90/article/view/120450/88064Copyright (c) 2022 Anos 90info:eu-repo/semantics/openAccessCavalcante Júnior, Idelmar Gomes2023-08-14T23:18:28Zoai:seer.ufrgs.br:article/120450Revistahttps://seer.ufrgs.br/anos90PUBhttps://seer.ufrgs.br/anos90/oaianos90@ufrgs.br||1983-201X0104-236Xopendoar:2023-08-14T23:18:28Anos 90 (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The aesthetics of existence and Brazilian youth movements in 1968 and 2013
A estética da existência e os movimentos juvenis brasileiros em 1968 e 2013
title The aesthetics of existence and Brazilian youth movements in 1968 and 2013
spellingShingle The aesthetics of existence and Brazilian youth movements in 1968 and 2013
Cavalcante Júnior, Idelmar Gomes
Juventude
1968
Junho de 2013
Estética da Existência
Cuidado de Si.
História do Brasil República
title_short The aesthetics of existence and Brazilian youth movements in 1968 and 2013
title_full The aesthetics of existence and Brazilian youth movements in 1968 and 2013
title_fullStr The aesthetics of existence and Brazilian youth movements in 1968 and 2013
title_full_unstemmed The aesthetics of existence and Brazilian youth movements in 1968 and 2013
title_sort The aesthetics of existence and Brazilian youth movements in 1968 and 2013
author Cavalcante Júnior, Idelmar Gomes
author_facet Cavalcante Júnior, Idelmar Gomes
author_role author
dc.contributor.author.fl_str_mv Cavalcante Júnior, Idelmar Gomes
dc.subject.por.fl_str_mv Juventude
1968
Junho de 2013
Estética da Existência
Cuidado de Si.
História do Brasil República
topic Juventude
1968
Junho de 2013
Estética da Existência
Cuidado de Si.
História do Brasil República
description In this article, we analyze the behavior of student activists who in 1968 took to the streets to protest against the military dictatorship and that of the youth that protested in June 2013, taking into account, in particular, the ability to articulate life, politics and art. To what extent were these two generations able to promote this articulation and to what extent have they rejected this possibility? In 1968, Caetano Veloso sought to take politics to the stage, but was harshly reprimanded for not following the previous prescriptions of the Popular Centers of Culture, Une; who advocated a popular and didactically revolutionary art. Caetano after all wanted to express politics in his own body. Taking this premise into account, the text argues that June 2013 breaks with the “seriousness” of the students of 1968 and establishes new parameters of activism, based on an openness to the aesthetics of existence.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/anos90/article/view/120450
10.22456/1983-201X.120450
url https://seer.ufrgs.br/index.php/anos90/article/view/120450
identifier_str_mv 10.22456/1983-201X.120450
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/anos90/article/view/120450/88064
dc.rights.driver.fl_str_mv Copyright (c) 2022 Anos 90
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Anos 90
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFRGS
publisher.none.fl_str_mv UFRGS
dc.source.none.fl_str_mv Anos 90; Vol. 29 (2022); 1-19
Anos 90; v. 29 (2022); 1-19
1983-201X
0104-236X
reponame:Anos 90 (Online)
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS-30
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS-30
institution UFRGS-30
reponame_str Anos 90 (Online)
collection Anos 90 (Online)
repository.name.fl_str_mv Anos 90 (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv anos90@ufrgs.br||
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