Cinema, migration and identities: cinematographic representations of Brazilian identities in between contemporaries

Detalhes bibliográficos
Autor(a) principal: Teixeira, Rafael Tassi
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/51099
Resumo: The following article aims to think about the construction of diasporic film narratives in two Brazilian films made in the period of recovery (1995) and post- recovery (2006), analyzing them in relations between the processes of mobility and perception of subjectivity in starting and reception contexts of collective Brazilians in between. The main issue is the perception of migratory individuals in traffic situation (departure expectations, integration, return) and their emergence in recent cinematic reviews, having as the focus group the two films: Terra Estrangeira (Walter Salles e Daniela Thomas, 1995) and Jean Charles (Henrique Goldman, 2009). In parallel, the biggest goal of this paper is to put on a thinking about the contemporary issues of the migration flow and cinematic representations of human movements, these comprehended on film images, and also the interpretation of the phenomenon focusing on Latin American to reason it along with the social perception of the mobility phenomenon nowadays.
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spelling Cinema, migration and identities: cinematographic representations of Brazilian identities in between contemporariesCinema, migração e identidades: representações cinematográficas das identidades brasileiras in between contemporâneasCinema e migração. Identidades diaspóricas. Narrativas cinematográficas in between.Cinema and migration. Diasporic identities. Cinematic narratives in between.The following article aims to think about the construction of diasporic film narratives in two Brazilian films made in the period of recovery (1995) and post- recovery (2006), analyzing them in relations between the processes of mobility and perception of subjectivity in starting and reception contexts of collective Brazilians in between. The main issue is the perception of migratory individuals in traffic situation (departure expectations, integration, return) and their emergence in recent cinematic reviews, having as the focus group the two films: Terra Estrangeira (Walter Salles e Daniela Thomas, 1995) and Jean Charles (Henrique Goldman, 2009). In parallel, the biggest goal of this paper is to put on a thinking about the contemporary issues of the migration flow and cinematic representations of human movements, these comprehended on film images, and also the interpretation of the phenomenon focusing on Latin American to reason it along with the social perception of the mobility phenomenon nowadays.O presente artigo propõe-se a pensar a construção das narrativas cinematográficas diaspóricas a partir de dois filmes nacionais realizados no período da retomada (1995) e pós-retomada (2006). Tal análise se dá no âmbito das relações entre os processos de mobilidade e a percepção da subjetividade em contextos de partida e recepção dos coletivos de brasileiros estabelecidos em trânsitos de partida e retorno (in between) como problemática central as interpretações dos sujeitos migratórios em situação de trânsito (expectativas de partida, integração, retorno) e seus desenvolvimentos em duas leituras cinematográficas recentes filmes Terra Estrangeira (Walter Salles e Daniela Thomas, 1995) e Jean Charles (Henrique Goldman, 2009). Paralelamente, o trabalho tem como objetivo maior tentar problematizar a questão contemporânea dos fluxos migratórios e suas representações no cinema, bem como a própria interpretação do fenômeno. Para tanto, enfoca-se na produção cinematográfica brasileira atual pensada junto à mobilidade latino-americana na atualidade.Universidade Federal do Rio Grande do Sul2016-04-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionanálise fílmicaapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/5109910.19132/1807-8583201635.76-96Intexto; n. 35, jan./abr. 2016; 76-96Intexto; n. 35, jan./abr. 2016; 76-96Intexto; n. 35, jan./abr. 2016; 76-96Intexto; n. 35, jan./abr. 2016; 76-96Intexto; n. 35, jan./abr. 2016; 76-961807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/51099/37153Copyright (c) 2016 Rafael Tassi Teixeirahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessTeixeira, Rafael Tassi2023-11-24T14:32:35Zoai:seer.ufrgs.br:article/51099Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-11-24T14:32:35Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Cinema, migration and identities: cinematographic representations of Brazilian identities in between contemporaries
Cinema, migração e identidades: representações cinematográficas das identidades brasileiras in between contemporâneas
title Cinema, migration and identities: cinematographic representations of Brazilian identities in between contemporaries
spellingShingle Cinema, migration and identities: cinematographic representations of Brazilian identities in between contemporaries
Teixeira, Rafael Tassi
Cinema e migração. Identidades diaspóricas. Narrativas cinematográficas in between.
Cinema and migration. Diasporic identities. Cinematic narratives in between.
title_short Cinema, migration and identities: cinematographic representations of Brazilian identities in between contemporaries
title_full Cinema, migration and identities: cinematographic representations of Brazilian identities in between contemporaries
title_fullStr Cinema, migration and identities: cinematographic representations of Brazilian identities in between contemporaries
title_full_unstemmed Cinema, migration and identities: cinematographic representations of Brazilian identities in between contemporaries
title_sort Cinema, migration and identities: cinematographic representations of Brazilian identities in between contemporaries
author Teixeira, Rafael Tassi
author_facet Teixeira, Rafael Tassi
author_role author
dc.contributor.author.fl_str_mv Teixeira, Rafael Tassi
dc.subject.por.fl_str_mv Cinema e migração. Identidades diaspóricas. Narrativas cinematográficas in between.
Cinema and migration. Diasporic identities. Cinematic narratives in between.
topic Cinema e migração. Identidades diaspóricas. Narrativas cinematográficas in between.
Cinema and migration. Diasporic identities. Cinematic narratives in between.
description The following article aims to think about the construction of diasporic film narratives in two Brazilian films made in the period of recovery (1995) and post- recovery (2006), analyzing them in relations between the processes of mobility and perception of subjectivity in starting and reception contexts of collective Brazilians in between. The main issue is the perception of migratory individuals in traffic situation (departure expectations, integration, return) and their emergence in recent cinematic reviews, having as the focus group the two films: Terra Estrangeira (Walter Salles e Daniela Thomas, 1995) and Jean Charles (Henrique Goldman, 2009). In parallel, the biggest goal of this paper is to put on a thinking about the contemporary issues of the migration flow and cinematic representations of human movements, these comprehended on film images, and also the interpretation of the phenomenon focusing on Latin American to reason it along with the social perception of the mobility phenomenon nowadays.
publishDate 2016
dc.date.none.fl_str_mv 2016-04-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
análise fílmica
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/51099
10.19132/1807-8583201635.76-96
url https://seer.ufrgs.br/index.php/intexto/article/view/51099
identifier_str_mv 10.19132/1807-8583201635.76-96
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/51099/37153
dc.rights.driver.fl_str_mv Copyright (c) 2016 Rafael Tassi Teixeira
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Rafael Tassi Teixeira
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; n. 35, jan./abr. 2016; 76-96
Intexto; n. 35, jan./abr. 2016; 76-96
Intexto; n. 35, jan./abr. 2016; 76-96
Intexto; n. 35, jan./abr. 2016; 76-96
Intexto; n. 35, jan./abr. 2016; 76-96
1807-8583
reponame:Intexto (Porto Alegre)
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
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instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
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reponame_str Intexto (Porto Alegre)
collection Intexto (Porto Alegre)
repository.name.fl_str_mv Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)
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