Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities

Detalhes bibliográficos
Autor(a) principal: Santos, Sergio Marcone
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista odisséia
Texto Completo: https://periodicos.ufrn.br/odisseia/article/view/23037
Resumo: One of the premises of non-creative writing provides that the procedure (copy and paste it) is as or more important than the final result of the work, leaving the audience with the understanding that best suits them (GOLDSMITH, 2015). We want to discuss forms of this “understanding”, considering some concepts of neuroscience, in particular those that focus on the relationship between mind, body and aesthetics - neuro-aesthetics. With the development of the cognitive sciences, the discussion of artistic processes began, in which terms such as “emotion”, “aesthetic feeling”, “empathy” etc., were seen as objects that function according to identifiable rules in the naturalization of the spectator-work-author relationship (COUCHOT, 2018). We will expose the “non-original” to this, risking comment on works such as Traffic (2007), Trânsito (2016) and HILLARY: The Hillary Clinton emails (2019), by Kenneth Goldsmith, Statement of facts, by Vanessa Place (apud Goldsmith, 2015), and the installation One and three chairs (1965), by Joseph Kosuth
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spelling Non-creative and neuro-aesthetic writing: concepts, aspects, possibilitiesEscrita não criativa e neuro-estética: conceitos, aspectos, possibilidadesReading the non-original. Neuro-aesthetic. Kenneth Goldsmith. Vanessa Place.Escrita não criativa. Neuro-estética. Kenneth Goldsmith. Vanessa Place.One of the premises of non-creative writing provides that the procedure (copy and paste it) is as or more important than the final result of the work, leaving the audience with the understanding that best suits them (GOLDSMITH, 2015). We want to discuss forms of this “understanding”, considering some concepts of neuroscience, in particular those that focus on the relationship between mind, body and aesthetics - neuro-aesthetics. With the development of the cognitive sciences, the discussion of artistic processes began, in which terms such as “emotion”, “aesthetic feeling”, “empathy” etc., were seen as objects that function according to identifiable rules in the naturalization of the spectator-work-author relationship (COUCHOT, 2018). We will expose the “non-original” to this, risking comment on works such as Traffic (2007), Trânsito (2016) and HILLARY: The Hillary Clinton emails (2019), by Kenneth Goldsmith, Statement of facts, by Vanessa Place (apud Goldsmith, 2015), and the installation One and three chairs (1965), by Joseph KosuthUma das premissas da escrita não criativa prevê que o procedimento (o copie e cole) seja tão ou mais importante que o resultado final da obra, legando à audiência o entendimento que melhor lhe aprouver (GOLDSMITH, 2015). Queremos discutir formas desse “entendimento”, considerando alguns conceitos da neurociência, em particular os que se detêm sobre a relação mente, corpo e estética – a neuro-estética. Com o desenvolvimento das ciências cognitivas, passou-se à discussão dos processos artísticos, na qual termos como “emoção”, “sentimento estético”, “empatia” etc., foram vistos como objetos que funcionam segundo regras identificáveis na naturalização da relação espectador-obra-autor (COUCHOT, 2018). Exporemos o “não original” a isso, arriscando comentar obras como Traffic (2007), Trânsito (2016) e Hillary: The Hillary Clinton emails (2019), de Kenneth Goldsmith, Statement of facts, de Vanessa Place (apud Goldsmith, 2015), e a instalação Uma e três cadeiras (1965), de Joseph Kosuth.UFRN2020-12-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufrn.br/odisseia/article/view/2303710.21680/1983-2435.2020v5nEspecialID23037Odisseia; Vol. 5 No. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 196-213Revue Odisseia; Vol. 5 No. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 196-213Revista Odisseia; v. 5 n. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 196-2131983-243510.21680/1983-2435.2020v5nEspecialreponame:Revista odisséiainstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNporhttps://periodicos.ufrn.br/odisseia/article/view/23037/13578Copyright (c) 2020 Revista Odisseiainfo:eu-repo/semantics/openAccessSantos, Sergio Marcone2020-12-28T20:36:28Zoai:periodicos.ufrn.br:article/23037Revistahttps://periodicos.ufrn.br/odisseia/indexPUBhttps://periodicos.ufrn.br/odisseia/oai||revistaodisseia2016@gmail.com1983-24351983-2435opendoar:2020-12-28T20:36:28Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN)false
dc.title.none.fl_str_mv Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities
Escrita não criativa e neuro-estética: conceitos, aspectos, possibilidades
title Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities
spellingShingle Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities
Santos, Sergio Marcone
Reading the non-original. Neuro-aesthetic. Kenneth Goldsmith. Vanessa Place.
Escrita não criativa. Neuro-estética. Kenneth Goldsmith. Vanessa Place.
title_short Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities
title_full Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities
title_fullStr Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities
title_full_unstemmed Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities
title_sort Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities
author Santos, Sergio Marcone
author_facet Santos, Sergio Marcone
author_role author
dc.contributor.author.fl_str_mv Santos, Sergio Marcone
dc.subject.por.fl_str_mv Reading the non-original. Neuro-aesthetic. Kenneth Goldsmith. Vanessa Place.
Escrita não criativa. Neuro-estética. Kenneth Goldsmith. Vanessa Place.
topic Reading the non-original. Neuro-aesthetic. Kenneth Goldsmith. Vanessa Place.
Escrita não criativa. Neuro-estética. Kenneth Goldsmith. Vanessa Place.
description One of the premises of non-creative writing provides that the procedure (copy and paste it) is as or more important than the final result of the work, leaving the audience with the understanding that best suits them (GOLDSMITH, 2015). We want to discuss forms of this “understanding”, considering some concepts of neuroscience, in particular those that focus on the relationship between mind, body and aesthetics - neuro-aesthetics. With the development of the cognitive sciences, the discussion of artistic processes began, in which terms such as “emotion”, “aesthetic feeling”, “empathy” etc., were seen as objects that function according to identifiable rules in the naturalization of the spectator-work-author relationship (COUCHOT, 2018). We will expose the “non-original” to this, risking comment on works such as Traffic (2007), Trânsito (2016) and HILLARY: The Hillary Clinton emails (2019), by Kenneth Goldsmith, Statement of facts, by Vanessa Place (apud Goldsmith, 2015), and the installation One and three chairs (1965), by Joseph Kosuth
publishDate 2020
dc.date.none.fl_str_mv 2020-12-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufrn.br/odisseia/article/view/23037
10.21680/1983-2435.2020v5nEspecialID23037
url https://periodicos.ufrn.br/odisseia/article/view/23037
identifier_str_mv 10.21680/1983-2435.2020v5nEspecialID23037
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufrn.br/odisseia/article/view/23037/13578
dc.rights.driver.fl_str_mv Copyright (c) 2020 Revista Odisseia
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Revista Odisseia
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFRN
publisher.none.fl_str_mv UFRN
dc.source.none.fl_str_mv Odisseia; Vol. 5 No. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 196-213
Revue Odisseia; Vol. 5 No. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 196-213
Revista Odisseia; v. 5 n. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 196-213
1983-2435
10.21680/1983-2435.2020v5nEspecial
reponame:Revista odisséia
instname:Universidade Federal do Rio Grande do Norte (UFRN)
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instname_str Universidade Federal do Rio Grande do Norte (UFRN)
instacron_str UFRN
institution UFRN
reponame_str Revista odisséia
collection Revista odisséia
repository.name.fl_str_mv Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN)
repository.mail.fl_str_mv ||revistaodisseia2016@gmail.com
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