Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista odisséia |
Texto Completo: | https://periodicos.ufrn.br/odisseia/article/view/23037 |
Resumo: | One of the premises of non-creative writing provides that the procedure (copy and paste it) is as or more important than the final result of the work, leaving the audience with the understanding that best suits them (GOLDSMITH, 2015). We want to discuss forms of this “understanding”, considering some concepts of neuroscience, in particular those that focus on the relationship between mind, body and aesthetics - neuro-aesthetics. With the development of the cognitive sciences, the discussion of artistic processes began, in which terms such as “emotion”, “aesthetic feeling”, “empathy” etc., were seen as objects that function according to identifiable rules in the naturalization of the spectator-work-author relationship (COUCHOT, 2018). We will expose the “non-original” to this, risking comment on works such as Traffic (2007), Trânsito (2016) and HILLARY: The Hillary Clinton emails (2019), by Kenneth Goldsmith, Statement of facts, by Vanessa Place (apud Goldsmith, 2015), and the installation One and three chairs (1965), by Joseph Kosuth |
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Non-creative and neuro-aesthetic writing: concepts, aspects, possibilitiesEscrita não criativa e neuro-estética: conceitos, aspectos, possibilidadesReading the non-original. Neuro-aesthetic. Kenneth Goldsmith. Vanessa Place.Escrita não criativa. Neuro-estética. Kenneth Goldsmith. Vanessa Place.One of the premises of non-creative writing provides that the procedure (copy and paste it) is as or more important than the final result of the work, leaving the audience with the understanding that best suits them (GOLDSMITH, 2015). We want to discuss forms of this “understanding”, considering some concepts of neuroscience, in particular those that focus on the relationship between mind, body and aesthetics - neuro-aesthetics. With the development of the cognitive sciences, the discussion of artistic processes began, in which terms such as “emotion”, “aesthetic feeling”, “empathy” etc., were seen as objects that function according to identifiable rules in the naturalization of the spectator-work-author relationship (COUCHOT, 2018). We will expose the “non-original” to this, risking comment on works such as Traffic (2007), Trânsito (2016) and HILLARY: The Hillary Clinton emails (2019), by Kenneth Goldsmith, Statement of facts, by Vanessa Place (apud Goldsmith, 2015), and the installation One and three chairs (1965), by Joseph KosuthUma das premissas da escrita não criativa prevê que o procedimento (o copie e cole) seja tão ou mais importante que o resultado final da obra, legando à audiência o entendimento que melhor lhe aprouver (GOLDSMITH, 2015). Queremos discutir formas desse “entendimento”, considerando alguns conceitos da neurociência, em particular os que se detêm sobre a relação mente, corpo e estética – a neuro-estética. Com o desenvolvimento das ciências cognitivas, passou-se à discussão dos processos artísticos, na qual termos como “emoção”, “sentimento estético”, “empatia” etc., foram vistos como objetos que funcionam segundo regras identificáveis na naturalização da relação espectador-obra-autor (COUCHOT, 2018). Exporemos o “não original” a isso, arriscando comentar obras como Traffic (2007), Trânsito (2016) e Hillary: The Hillary Clinton emails (2019), de Kenneth Goldsmith, Statement of facts, de Vanessa Place (apud Goldsmith, 2015), e a instalação Uma e três cadeiras (1965), de Joseph Kosuth.UFRN2020-12-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufrn.br/odisseia/article/view/2303710.21680/1983-2435.2020v5nEspecialID23037Odisseia; Vol. 5 No. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 196-213Revue Odisseia; Vol. 5 No. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 196-213Revista Odisseia; v. 5 n. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 196-2131983-243510.21680/1983-2435.2020v5nEspecialreponame:Revista odisséiainstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNporhttps://periodicos.ufrn.br/odisseia/article/view/23037/13578Copyright (c) 2020 Revista Odisseiainfo:eu-repo/semantics/openAccessSantos, Sergio Marcone2020-12-28T20:36:28Zoai:periodicos.ufrn.br:article/23037Revistahttps://periodicos.ufrn.br/odisseia/indexPUBhttps://periodicos.ufrn.br/odisseia/oai||revistaodisseia2016@gmail.com1983-24351983-2435opendoar:2020-12-28T20:36:28Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN)false |
dc.title.none.fl_str_mv |
Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities Escrita não criativa e neuro-estética: conceitos, aspectos, possibilidades |
title |
Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities |
spellingShingle |
Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities Santos, Sergio Marcone Reading the non-original. Neuro-aesthetic. Kenneth Goldsmith. Vanessa Place. Escrita não criativa. Neuro-estética. Kenneth Goldsmith. Vanessa Place. |
title_short |
Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities |
title_full |
Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities |
title_fullStr |
Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities |
title_full_unstemmed |
Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities |
title_sort |
Non-creative and neuro-aesthetic writing: concepts, aspects, possibilities |
author |
Santos, Sergio Marcone |
author_facet |
Santos, Sergio Marcone |
author_role |
author |
dc.contributor.author.fl_str_mv |
Santos, Sergio Marcone |
dc.subject.por.fl_str_mv |
Reading the non-original. Neuro-aesthetic. Kenneth Goldsmith. Vanessa Place. Escrita não criativa. Neuro-estética. Kenneth Goldsmith. Vanessa Place. |
topic |
Reading the non-original. Neuro-aesthetic. Kenneth Goldsmith. Vanessa Place. Escrita não criativa. Neuro-estética. Kenneth Goldsmith. Vanessa Place. |
description |
One of the premises of non-creative writing provides that the procedure (copy and paste it) is as or more important than the final result of the work, leaving the audience with the understanding that best suits them (GOLDSMITH, 2015). We want to discuss forms of this “understanding”, considering some concepts of neuroscience, in particular those that focus on the relationship between mind, body and aesthetics - neuro-aesthetics. With the development of the cognitive sciences, the discussion of artistic processes began, in which terms such as “emotion”, “aesthetic feeling”, “empathy” etc., were seen as objects that function according to identifiable rules in the naturalization of the spectator-work-author relationship (COUCHOT, 2018). We will expose the “non-original” to this, risking comment on works such as Traffic (2007), Trânsito (2016) and HILLARY: The Hillary Clinton emails (2019), by Kenneth Goldsmith, Statement of facts, by Vanessa Place (apud Goldsmith, 2015), and the installation One and three chairs (1965), by Joseph Kosuth |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-20 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufrn.br/odisseia/article/view/23037 10.21680/1983-2435.2020v5nEspecialID23037 |
url |
https://periodicos.ufrn.br/odisseia/article/view/23037 |
identifier_str_mv |
10.21680/1983-2435.2020v5nEspecialID23037 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufrn.br/odisseia/article/view/23037/13578 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Revista Odisseia info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Revista Odisseia |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFRN |
publisher.none.fl_str_mv |
UFRN |
dc.source.none.fl_str_mv |
Odisseia; Vol. 5 No. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 196-213 Revue Odisseia; Vol. 5 No. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 196-213 Revista Odisseia; v. 5 n. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 196-213 1983-2435 10.21680/1983-2435.2020v5nEspecial reponame:Revista odisséia instname:Universidade Federal do Rio Grande do Norte (UFRN) instacron:UFRN |
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Universidade Federal do Rio Grande do Norte (UFRN) |
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UFRN |
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UFRN |
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Revista odisséia |
collection |
Revista odisséia |
repository.name.fl_str_mv |
Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN) |
repository.mail.fl_str_mv |
||revistaodisseia2016@gmail.com |
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