Gender in ceramic artifacts: masculinities and femininities

Detalhes bibliográficos
Autor(a) principal: Matos, Sônia Missagia de
Data de Publicação: 2001
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Estudos Feministas
Texto Completo: https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2001000100004
Resumo: This is a gender study on the artistic production of ceramic in some communities of Jequitinhonha Valley, Minas Gerais, Brazil. Traditionally only women, who were called ‘potters’, produced this kind of craft in that region and it used to be taught from mothers to daughters. As ceramic artifacts became an alternative source of income, men decided to produce them. The entrance of men in the craft caused some re-elaboration of gender relations in those communities, and allowed us to detect gender not as a set of fixed corporifications, but as something under constant construction. A very important point here is that, although transmitted by women and a result of feminine activity, the production of ceramic incorporated male values. When men gained access to a traditionally defined feminine activity, they were able to draw from the craft symbolic resources for the representation of masculinity.
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spelling Gender in ceramic artifacts: masculinities and femininitiesArtefatos de gênero na arte do barro: masculinidades e femininidadesThis is a gender study on the artistic production of ceramic in some communities of Jequitinhonha Valley, Minas Gerais, Brazil. Traditionally only women, who were called ‘potters’, produced this kind of craft in that region and it used to be taught from mothers to daughters. As ceramic artifacts became an alternative source of income, men decided to produce them. The entrance of men in the craft caused some re-elaboration of gender relations in those communities, and allowed us to detect gender not as a set of fixed corporifications, but as something under constant construction. A very important point here is that, although transmitted by women and a result of feminine activity, the production of ceramic incorporated male values. When men gained access to a traditionally defined feminine activity, they were able to draw from the craft symbolic resources for the representation of masculinity.Este é um estudo sobre gênero na produção artística de peças de cerâmica em algumas comunidades de artesãos do Vale do Jequitinhonha, Minas Gerais, onde tradicionalmente apenas as mulheres chamadas “paneleiras” praticavam esse ofício, que era transmitido de mãe para filha. Naquela região, assim que a arte do barro se tornou uma fonte alternativa de renda, vários homens decidiram entrar para o ofício. A entrada de homens na arte do barro provocou reconfigurações nas relações de gênero. Um ponto muito importante a ser observado aqui é que apesar de tradicionalmente transmitida por mulheres e pela ação feminina, a arte do barro tem incorporado valores de masculinidade: ao se aproximarem de um ofício tradicionalmente feminino, os homens passaram a retirar dele recursos simbólicos de representação de masculinidade.Universidade Federal de Santa Catarina2001-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X200100010000410.1590/S0104-026X2001000100004Revista Estudos Feministas; Vol. 9 No. 1 (2001); 56Revista Estudos Feministas; Vol. 9 Núm. 1 (2001); 56Revista Estudos Feministas; v. 9 n. 1 (2001); 561806-95840104-026Xreponame:Revista Estudos Feministasinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2001000100004/8893Copyright (c) 2018 Revista Estudos Feministasinfo:eu-repo/semantics/openAccessMatos, Sônia Missagia de2019-09-30T08:43:26Zoai:periodicos.ufsc.br:article/9672Revistahttps://periodicos.ufsc.br/index.php/ref/indexPUBhttps://periodicos.ufsc.br/index.php/ref/oai||ref@cfh.ufsc.br1806-95840104-026Xopendoar:2022-11-21T11:37:37.577975Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)true
dc.title.none.fl_str_mv Gender in ceramic artifacts: masculinities and femininities
Artefatos de gênero na arte do barro: masculinidades e femininidades
title Gender in ceramic artifacts: masculinities and femininities
spellingShingle Gender in ceramic artifacts: masculinities and femininities
Matos, Sônia Missagia de
title_short Gender in ceramic artifacts: masculinities and femininities
title_full Gender in ceramic artifacts: masculinities and femininities
title_fullStr Gender in ceramic artifacts: masculinities and femininities
title_full_unstemmed Gender in ceramic artifacts: masculinities and femininities
title_sort Gender in ceramic artifacts: masculinities and femininities
author Matos, Sônia Missagia de
author_facet Matos, Sônia Missagia de
author_role author
dc.contributor.author.fl_str_mv Matos, Sônia Missagia de
description This is a gender study on the artistic production of ceramic in some communities of Jequitinhonha Valley, Minas Gerais, Brazil. Traditionally only women, who were called ‘potters’, produced this kind of craft in that region and it used to be taught from mothers to daughters. As ceramic artifacts became an alternative source of income, men decided to produce them. The entrance of men in the craft caused some re-elaboration of gender relations in those communities, and allowed us to detect gender not as a set of fixed corporifications, but as something under constant construction. A very important point here is that, although transmitted by women and a result of feminine activity, the production of ceramic incorporated male values. When men gained access to a traditionally defined feminine activity, they were able to draw from the craft symbolic resources for the representation of masculinity.
publishDate 2001
dc.date.none.fl_str_mv 2001-01-01
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dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2001000100004
10.1590/S0104-026X2001000100004
url https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2001000100004
identifier_str_mv 10.1590/S0104-026X2001000100004
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2001000100004/8893
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Estudos Feministas
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Estudos Feministas
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Revista Estudos Feministas; Vol. 9 No. 1 (2001); 56
Revista Estudos Feministas; Vol. 9 Núm. 1 (2001); 56
Revista Estudos Feministas; v. 9 n. 1 (2001); 56
1806-9584
0104-026X
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