(Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Estudos Feministas |
Texto Completo: | https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2014000100009 |
Resumo: | This article underlines the place of (obs)cene into which female desire is persistently displaced. It sets up a dialogue between pictorial and literary language, taking account of the compositional economy in Gustav Klimt’s “The three ages of the woman” and of Clarice Lispector’s short story “Ruído de passos” (Sound of steps). It contemplates the horizons of senses, aggregated by the circulation and reception of both objects, especially when it comes to the autonomy of the detail in Klimt’s painting. The discussion further suggests effects of gender-specific displacements in contemporary cultural criticism, in view of open-ended agendas on inclusion. It is sustained that gender perspectives shed decisive light upon the interpretive act and prove crucial to the development of notorious philosophical contributions by discourse theoreticians like Bakhtin. |
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(Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector(Obs)cena: o lugar do desejo feminino em Gustav Klimt e Clarice LispectorThis article underlines the place of (obs)cene into which female desire is persistently displaced. It sets up a dialogue between pictorial and literary language, taking account of the compositional economy in Gustav Klimt’s “The three ages of the woman” and of Clarice Lispector’s short story “Ruído de passos” (Sound of steps). It contemplates the horizons of senses, aggregated by the circulation and reception of both objects, especially when it comes to the autonomy of the detail in Klimt’s painting. The discussion further suggests effects of gender-specific displacements in contemporary cultural criticism, in view of open-ended agendas on inclusion. It is sustained that gender perspectives shed decisive light upon the interpretive act and prove crucial to the development of notorious philosophical contributions by discourse theoreticians like Bakhtin.Este artigo sublinha o lugar da (obs)cena para onde se desloca persistentemente o desejo feminino. Põe em diálogo a linguagem pictórica e a literária, voltando-se para a economia composicional da tela de Klimt “As três idades da mulher” e do conto clariceano “Ruído de passos”. Considera os horizontes de sentidos agregados pela circulação e recepção de ambos os objetos, especialmente no que diz respeito à autonomia do detalhe na tela de Klimt. A discussão sugere ainda efeitos do deslocamento da crítica específica de gênero à luz da crítica cultural contemporânea, voltada para agendas mais diluídas sobre inclusão. Sustentase, finalmente, que a perspectiva de gênero ilumina decisivamente o ato interpretativo e se prova crucial no enriquecimento de contribuições filosóficas notórias de teóricos do discurso como Bakhtin.Universidade Federal de Santa Catarina2014-05-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X201400010000910.1590/S0104-026X2014000100009Revista Estudos Feministas; Vol. 22 No. 1 (2014); 151-171Revista Estudos Feministas; Vol. 22 Núm. 1 (2014); 151-171Revista Estudos Feministas; v. 22 n. 1 (2014); 151-1711806-95840104-026Xreponame:Revista Estudos Feministasinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2014000100009/26805Copyright (c) 2018 Revista Estudos Feministasinfo:eu-repo/semantics/openAccessRosito, Valeria2018-08-14T16:15:40Zoai:periodicos.ufsc.br:article/33718Revistahttps://periodicos.ufsc.br/index.php/ref/indexPUBhttps://periodicos.ufsc.br/index.php/ref/oai||ref@cfh.ufsc.br1806-95840104-026Xopendoar:2022-11-21T11:38:19.881215Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)true |
dc.title.none.fl_str_mv |
(Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector (Obs)cena: o lugar do desejo feminino em Gustav Klimt e Clarice Lispector |
title |
(Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector |
spellingShingle |
(Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector Rosito, Valeria |
title_short |
(Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector |
title_full |
(Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector |
title_fullStr |
(Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector |
title_full_unstemmed |
(Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector |
title_sort |
(Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector |
author |
Rosito, Valeria |
author_facet |
Rosito, Valeria |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rosito, Valeria |
description |
This article underlines the place of (obs)cene into which female desire is persistently displaced. It sets up a dialogue between pictorial and literary language, taking account of the compositional economy in Gustav Klimt’s “The three ages of the woman” and of Clarice Lispector’s short story “Ruído de passos” (Sound of steps). It contemplates the horizons of senses, aggregated by the circulation and reception of both objects, especially when it comes to the autonomy of the detail in Klimt’s painting. The discussion further suggests effects of gender-specific displacements in contemporary cultural criticism, in view of open-ended agendas on inclusion. It is sustained that gender perspectives shed decisive light upon the interpretive act and prove crucial to the development of notorious philosophical contributions by discourse theoreticians like Bakhtin. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-05-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2014000100009 10.1590/S0104-026X2014000100009 |
url |
https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2014000100009 |
identifier_str_mv |
10.1590/S0104-026X2014000100009 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2014000100009/26805 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Revista Estudos Feministas info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Revista Estudos Feministas |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Estudos Feministas; Vol. 22 No. 1 (2014); 151-171 Revista Estudos Feministas; Vol. 22 Núm. 1 (2014); 151-171 Revista Estudos Feministas; v. 22 n. 1 (2014); 151-171 1806-9584 0104-026X reponame:Revista Estudos Feministas instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Revista Estudos Feministas |
collection |
Revista Estudos Feministas |
repository.name.fl_str_mv |
Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
||ref@cfh.ufsc.br |
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1789435250759172096 |