(Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector

Detalhes bibliográficos
Autor(a) principal: Rosito, Valeria
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Estudos Feministas
Texto Completo: https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2014000100009
Resumo: This article underlines the place of (obs)cene into which female desire is persistently displaced. It sets up a dialogue between pictorial and literary language, taking account of the compositional economy in Gustav Klimt’s “The three ages of the woman” and of Clarice Lispector’s short story “Ruído de passos” (Sound of steps). It contemplates the horizons of senses, aggregated by the circulation and reception of both objects, especially when it comes to the autonomy of the detail in Klimt’s painting. The discussion further suggests effects of gender-specific displacements in contemporary cultural criticism, in view of open-ended agendas on inclusion. It is sustained that gender perspectives shed decisive light upon the interpretive act and prove crucial to the development of notorious philosophical contributions by discourse theoreticians like Bakhtin.
id UFSC-11_ca111b6c958d9844dab96f02812987d7
oai_identifier_str oai:periodicos.ufsc.br:article/33718
network_acronym_str UFSC-11
network_name_str Revista Estudos Feministas
repository_id_str
spelling (Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector(Obs)cena: o lugar do desejo feminino em Gustav Klimt e Clarice LispectorThis article underlines the place of (obs)cene into which female desire is persistently displaced. It sets up a dialogue between pictorial and literary language, taking account of the compositional economy in Gustav Klimt’s “The three ages of the woman” and of Clarice Lispector’s short story “Ruído de passos” (Sound of steps). It contemplates the horizons of senses, aggregated by the circulation and reception of both objects, especially when it comes to the autonomy of the detail in Klimt’s painting. The discussion further suggests effects of gender-specific displacements in contemporary cultural criticism, in view of open-ended agendas on inclusion. It is sustained that gender perspectives shed decisive light upon the interpretive act and prove crucial to the development of notorious philosophical contributions by discourse theoreticians like Bakhtin.Este artigo sublinha o lugar da (obs)cena para onde se desloca persistentemente o desejo feminino. Põe em diálogo a linguagem pictórica e a literária, voltando-se para a economia composicional da tela de Klimt “As três idades da mulher” e do conto clariceano “Ruído de passos”. Considera os horizontes de sentidos agregados pela circulação e recepção de ambos os objetos, especialmente no que diz respeito à autonomia do detalhe na tela de Klimt. A discussão sugere ainda efeitos do deslocamento da crítica específica de gênero à luz da crítica cultural contemporânea, voltada para agendas mais diluídas sobre inclusão. Sustentase, finalmente, que a perspectiva de gênero ilumina decisivamente o ato interpretativo e se prova crucial no enriquecimento de contribuições filosóficas notórias de teóricos do discurso como Bakhtin.Universidade Federal de Santa Catarina2014-05-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X201400010000910.1590/S0104-026X2014000100009Revista Estudos Feministas; Vol. 22 No. 1 (2014); 151-171Revista Estudos Feministas; Vol. 22 Núm. 1 (2014); 151-171Revista Estudos Feministas; v. 22 n. 1 (2014); 151-1711806-95840104-026Xreponame:Revista Estudos Feministasinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2014000100009/26805Copyright (c) 2018 Revista Estudos Feministasinfo:eu-repo/semantics/openAccessRosito, Valeria2018-08-14T16:15:40Zoai:periodicos.ufsc.br:article/33718Revistahttps://periodicos.ufsc.br/index.php/ref/indexPUBhttps://periodicos.ufsc.br/index.php/ref/oai||ref@cfh.ufsc.br1806-95840104-026Xopendoar:2022-11-21T11:38:19.881215Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)true
dc.title.none.fl_str_mv (Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector
(Obs)cena: o lugar do desejo feminino em Gustav Klimt e Clarice Lispector
title (Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector
spellingShingle (Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector
Rosito, Valeria
title_short (Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector
title_full (Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector
title_fullStr (Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector
title_full_unstemmed (Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector
title_sort (Obs)Cene: the Place for Female Desire in Gustav Klimt and Clarice Lispector
author Rosito, Valeria
author_facet Rosito, Valeria
author_role author
dc.contributor.author.fl_str_mv Rosito, Valeria
description This article underlines the place of (obs)cene into which female desire is persistently displaced. It sets up a dialogue between pictorial and literary language, taking account of the compositional economy in Gustav Klimt’s “The three ages of the woman” and of Clarice Lispector’s short story “Ruído de passos” (Sound of steps). It contemplates the horizons of senses, aggregated by the circulation and reception of both objects, especially when it comes to the autonomy of the detail in Klimt’s painting. The discussion further suggests effects of gender-specific displacements in contemporary cultural criticism, in view of open-ended agendas on inclusion. It is sustained that gender perspectives shed decisive light upon the interpretive act and prove crucial to the development of notorious philosophical contributions by discourse theoreticians like Bakhtin.
publishDate 2014
dc.date.none.fl_str_mv 2014-05-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2014000100009
10.1590/S0104-026X2014000100009
url https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2014000100009
identifier_str_mv 10.1590/S0104-026X2014000100009
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2014000100009/26805
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Estudos Feministas
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Estudos Feministas
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Revista Estudos Feministas; Vol. 22 No. 1 (2014); 151-171
Revista Estudos Feministas; Vol. 22 Núm. 1 (2014); 151-171
Revista Estudos Feministas; v. 22 n. 1 (2014); 151-171
1806-9584
0104-026X
reponame:Revista Estudos Feministas
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Revista Estudos Feministas
collection Revista Estudos Feministas
repository.name.fl_str_mv Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ||ref@cfh.ufsc.br
_version_ 1789435250759172096