Wittgenstein: estética e filosofia, Artistas e filósofos

Detalhes bibliográficos
Autor(a) principal: Brigido, Edimar Inocencio
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Journal of Lean Systems
Texto Completo: https://ojs.sites.ufsc.br/index.php/peri/article/view/965
Resumo: The aesthetic analysis made by Wittgenstein is not restricted to the merely theoretical field, given that what the author shows is the pragmatic dimension of the art, in which the aesthetic expression finds its place. In this perspective, that avoids the positivist appeal of emphasizing the art casual aspect and the reaction from the subject that contemplates it, Wittgenstein brings together the aesthetic procedure and the philosophical activity, putting them at the same level, at the same time in which he shows how important is to adopt the artist’s procedure to the philosopher. Only with this movement it’s possible to solve all the problems that afflict the philosophy over the tradition. The aesthetic activity is characterized by the descriptive method of the expressions that the art (and the world at large) cause the subject. It is, therefore, the appropriate behavior that brings, as a consequence, the act of overcoming the aesthetic enigmas. The research heads toward to the gestures, to the way people react to the contact with a work of art, because, according to Wittgenstein, the human body is the best image of the human soul, which doesn’t allow errors. To understand the reason, the reason of a determined reaction, is an efficient way to solve such enigmas. In short, the gesture is, according to Wittgenstein, the expression that communicates in a categorical way an impression, which can’t be verbalized correctly. That said, it’s important to note that, extending the aesthetic analysis and applying it at the philosophical activity, it’s possible to conclude that philosophy itself can be understood as a gesture that express the philosopher thought. The thinker from Vienna draws attention to this way of resolving the aesthetic enigmas and states that it is hugely important to the philosophy. This is the point which allows to bring aesthetic and philosophy closer, artists and philosophers, because the real work of art, that is a aesthetic manifestation, contributes to modify the way the world is seen, the same way the philosophical activity does.
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spelling Wittgenstein: estética e filosofia, Artistas e filósofosAesthetic. Philosophy. Artists. Philosophers. Gesture. Expression.Estética. Filosofia. Artistas. Filósofos. Gesto. ExpressãoThe aesthetic analysis made by Wittgenstein is not restricted to the merely theoretical field, given that what the author shows is the pragmatic dimension of the art, in which the aesthetic expression finds its place. In this perspective, that avoids the positivist appeal of emphasizing the art casual aspect and the reaction from the subject that contemplates it, Wittgenstein brings together the aesthetic procedure and the philosophical activity, putting them at the same level, at the same time in which he shows how important is to adopt the artist’s procedure to the philosopher. Only with this movement it’s possible to solve all the problems that afflict the philosophy over the tradition. The aesthetic activity is characterized by the descriptive method of the expressions that the art (and the world at large) cause the subject. It is, therefore, the appropriate behavior that brings, as a consequence, the act of overcoming the aesthetic enigmas. The research heads toward to the gestures, to the way people react to the contact with a work of art, because, according to Wittgenstein, the human body is the best image of the human soul, which doesn’t allow errors. To understand the reason, the reason of a determined reaction, is an efficient way to solve such enigmas. In short, the gesture is, according to Wittgenstein, the expression that communicates in a categorical way an impression, which can’t be verbalized correctly. That said, it’s important to note that, extending the aesthetic analysis and applying it at the philosophical activity, it’s possible to conclude that philosophy itself can be understood as a gesture that express the philosopher thought. The thinker from Vienna draws attention to this way of resolving the aesthetic enigmas and states that it is hugely important to the philosophy. This is the point which allows to bring aesthetic and philosophy closer, artists and philosophers, because the real work of art, that is a aesthetic manifestation, contributes to modify the way the world is seen, the same way the philosophical activity does.A análise estética elaborada por Wittgenstein não se restringe ao campo meramente teórico, uma vez que o autor pretende evidenciar a dimensão pragmática da arte, na qual a expressão estética encontra o seu lugar. Nessa perspectiva, que foge ao apelo positivista de evidenciar o aspecto causal da arte e das reações por parte do sujeito que a contempla, Wittgenstein faz aproximar do procedimento estético a atividade filosófica, equiparando ambas ao mesmo patamar, ao mesmo tempo em que demonstra o quanto é importante para o filósofo adotar o procedimento do artista. Somente com esse movimento torna-se possível solucionar todos os problemas que afligem a filosofia ao longo da tradição. A atividade estética se caracteriza pelo método descritivo das expressões que a arte (e o mundo em geral) provoca no sujeito. Trata-se, portanto, do comportamento adequado que traz como consequência a superação dos enigmas estéticos. A investigação se volta para os gestos, para a maneira como as pessoas reagem ao contato com uma obra de arte, porque, segundo Wittgenstein, o corpo humano é a melhor imagem da alma humana, o qual não permite errar. Compreender o motivo, a razão de determinada reação, é o meio eficaz para solucionar tais enigmas. Em resumo, o gesto é elevado por Wittgenstein à condição de “expressão” que comunica de forma categórica uma impressão, a qual não pode ser verbalizada de modo correto, gozando de um permanente fracasso nessa tentativa. Isso posto, é importante notar que, estendendo a análise estética e aplicando à atividade filosófica, é possível concluir que a própria filosofia pode ser entendida como um gesto que expressa o pensamento do filósofo. O pensador de Viena chama a atenção para esse modo de dissolver os enigmas estéticos e afirma que é enormemente importante para toda a filosofia. Esse é o ponto que permite aproximar estética e filosofia, artistas e filósofos, pois a verdadeira obra de arte, que é uma manifestação estética, contribui para modificar a maneira como se observa e percebe o mundo, da mesma maneira como faz a atividade filosófica. Nesse sentido, nosso objetivo repousa na intenção de investigar o papel que a estética ocupa na filosofia wittgensteiniana, bem como ambas (estética e filosofia, artistas e filósofos) se relacionam.Universidade Federal de Santa Catarina2015-03-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.sites.ufsc.br/index.php/peri/article/view/965PERI; v. 7 n. 1: Temática Sujeito e Hermenêutica - Ricoeur; p. 263-2742175-1811reponame:Journal of Lean Systemsinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://ojs.sites.ufsc.br/index.php/peri/article/view/965/450Copyright (c) 2015 Edimar Inocencio Brigidoinfo:eu-repo/semantics/openAccessBrigido, Edimar Inocencio2015-04-08T17:09:56Zoai:ojs.sites.ufsc.br:article/965Revistahttps://nexos.ufsc.br/index.php/leanPUBhttps://ojs.sites.ufsc.br/index.php/peri/oai||g.tortorella@ufsc.br2448-02662448-0266opendoar:2015-04-08T17:09:56Journal of Lean Systems - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Wittgenstein: estética e filosofia, Artistas e filósofos
title Wittgenstein: estética e filosofia, Artistas e filósofos
spellingShingle Wittgenstein: estética e filosofia, Artistas e filósofos
Brigido, Edimar Inocencio
Aesthetic. Philosophy. Artists. Philosophers. Gesture. Expression.
Estética. Filosofia. Artistas. Filósofos. Gesto. Expressão
title_short Wittgenstein: estética e filosofia, Artistas e filósofos
title_full Wittgenstein: estética e filosofia, Artistas e filósofos
title_fullStr Wittgenstein: estética e filosofia, Artistas e filósofos
title_full_unstemmed Wittgenstein: estética e filosofia, Artistas e filósofos
title_sort Wittgenstein: estética e filosofia, Artistas e filósofos
author Brigido, Edimar Inocencio
author_facet Brigido, Edimar Inocencio
author_role author
dc.contributor.author.fl_str_mv Brigido, Edimar Inocencio
dc.subject.por.fl_str_mv Aesthetic. Philosophy. Artists. Philosophers. Gesture. Expression.
Estética. Filosofia. Artistas. Filósofos. Gesto. Expressão
topic Aesthetic. Philosophy. Artists. Philosophers. Gesture. Expression.
Estética. Filosofia. Artistas. Filósofos. Gesto. Expressão
description The aesthetic analysis made by Wittgenstein is not restricted to the merely theoretical field, given that what the author shows is the pragmatic dimension of the art, in which the aesthetic expression finds its place. In this perspective, that avoids the positivist appeal of emphasizing the art casual aspect and the reaction from the subject that contemplates it, Wittgenstein brings together the aesthetic procedure and the philosophical activity, putting them at the same level, at the same time in which he shows how important is to adopt the artist’s procedure to the philosopher. Only with this movement it’s possible to solve all the problems that afflict the philosophy over the tradition. The aesthetic activity is characterized by the descriptive method of the expressions that the art (and the world at large) cause the subject. It is, therefore, the appropriate behavior that brings, as a consequence, the act of overcoming the aesthetic enigmas. The research heads toward to the gestures, to the way people react to the contact with a work of art, because, according to Wittgenstein, the human body is the best image of the human soul, which doesn’t allow errors. To understand the reason, the reason of a determined reaction, is an efficient way to solve such enigmas. In short, the gesture is, according to Wittgenstein, the expression that communicates in a categorical way an impression, which can’t be verbalized correctly. That said, it’s important to note that, extending the aesthetic analysis and applying it at the philosophical activity, it’s possible to conclude that philosophy itself can be understood as a gesture that express the philosopher thought. The thinker from Vienna draws attention to this way of resolving the aesthetic enigmas and states that it is hugely important to the philosophy. This is the point which allows to bring aesthetic and philosophy closer, artists and philosophers, because the real work of art, that is a aesthetic manifestation, contributes to modify the way the world is seen, the same way the philosophical activity does.
publishDate 2015
dc.date.none.fl_str_mv 2015-03-16
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dc.identifier.uri.fl_str_mv https://ojs.sites.ufsc.br/index.php/peri/article/view/965
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dc.relation.none.fl_str_mv https://ojs.sites.ufsc.br/index.php/peri/article/view/965/450
dc.rights.driver.fl_str_mv Copyright (c) 2015 Edimar Inocencio Brigido
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Edimar Inocencio Brigido
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dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv PERI; v. 7 n. 1: Temática Sujeito e Hermenêutica - Ricoeur; p. 263-274
2175-1811
reponame:Journal of Lean Systems
instname:Universidade Federal de Santa Catarina (UFSC)
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instacron_str UFSC
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reponame_str Journal of Lean Systems
collection Journal of Lean Systems
repository.name.fl_str_mv Journal of Lean Systems - Universidade Federal de Santa Catarina (UFSC)
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