Poe, between cinema and literature: an intermedial reading of The Raven

Detalhes bibliográficos
Autor(a) principal: de Medeiros Nóbrega Nunes Gomes, Caio Antônio
Data de Publicação: 2017
Outros Autores: Azeredo, Genilda
Tipo de documento: Artigo
Idioma: por
Título da fonte: Ilha do Desterro
Texto Completo: https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2017v70n1p211
Resumo: In The Raven (2012), film directed by James McTeigue, in addition to having Edgar Allan Poe as protagonist and allusions to many of his texts, the relation between cinema and literature is deepened by the presence of issues regarding the medium of literature and its materiality, sociality and economy. This article proposes an intermedial reading of The Raven, aiming to investigate the process of intermedial referencing accomplished by the cinema in relation to literature. Our analysis is supported by theoretical principles drawn especially from Rajewski (2012) and Moser (2006). Finally, two conclusions were established: i. the film, while making the literary medium opaque, concealed its own audiovisual mediality; ii. The Raven associates itself to a series of discourses concerning the contemporary relevance of the American author, contributing to the consolidation of Edgar Allan Poe as a cultural signifier. 
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spelling Poe, between cinema and literature: an intermedial reading of The RavenPoe, entre o cinema e a literatura: uma leitura intermidiática de The RavenIn The Raven (2012), film directed by James McTeigue, in addition to having Edgar Allan Poe as protagonist and allusions to many of his texts, the relation between cinema and literature is deepened by the presence of issues regarding the medium of literature and its materiality, sociality and economy. This article proposes an intermedial reading of The Raven, aiming to investigate the process of intermedial referencing accomplished by the cinema in relation to literature. Our analysis is supported by theoretical principles drawn especially from Rajewski (2012) and Moser (2006). Finally, two conclusions were established: i. the film, while making the literary medium opaque, concealed its own audiovisual mediality; ii. The Raven associates itself to a series of discourses concerning the contemporary relevance of the American author, contributing to the consolidation of Edgar Allan Poe as a cultural signifier. Em The Raven (2012), filme dirigido por James McTeigue, além de termos Edgar Allan Poe como protagonista e alusões a vários de seus textos, a relação entre cinema e literatura é ainda mais adensada a partir da presença de questões ligadas à própria materialidade, socialidade e economia da mídia literária. Neste trabalho, fundamentado especialmente nos pressupostos teóricos de Rajewski (2012) e Moser (2006), propomos uma leitura intermidiática de The Raven, em que examinamos o processo de referenciação intermidiática realizada pelo cinema em relação à literatura. Duas conclusões foram alcançadas: i. o filme, ao tornar opaca a mídia literária, procurou esconder sua própria midialidade audiovisual; ii. The Raven se articula com uma série de discursos sobre o escritor estadunidense na contemporaneidade, contribuindo para o fortalecimento da posição de significante cultural de Edgar Allan Poe. UFSC2017-01-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2017v70n1p21110.5007/2175-8026.2017v70n1p211Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 70 No. 1 (2017); 211-220Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 70 n. 1 (2017); 211-2202175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2017v70n1p211/33499Copyright (c) 2017 Caio Antônio de Medeiros Nóbrega Nunes Gomes, Genilda Azeredoinfo:eu-repo/semantics/openAccessde Medeiros Nóbrega Nunes Gomes, Caio AntônioAzeredo, Genilda2019-01-25T09:11:17Zoai:periodicos.ufsc.br:article/45570Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2019-01-25T09:11:17Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Poe, between cinema and literature: an intermedial reading of The Raven
Poe, entre o cinema e a literatura: uma leitura intermidiática de The Raven
title Poe, between cinema and literature: an intermedial reading of The Raven
spellingShingle Poe, between cinema and literature: an intermedial reading of The Raven
de Medeiros Nóbrega Nunes Gomes, Caio Antônio
title_short Poe, between cinema and literature: an intermedial reading of The Raven
title_full Poe, between cinema and literature: an intermedial reading of The Raven
title_fullStr Poe, between cinema and literature: an intermedial reading of The Raven
title_full_unstemmed Poe, between cinema and literature: an intermedial reading of The Raven
title_sort Poe, between cinema and literature: an intermedial reading of The Raven
author de Medeiros Nóbrega Nunes Gomes, Caio Antônio
author_facet de Medeiros Nóbrega Nunes Gomes, Caio Antônio
Azeredo, Genilda
author_role author
author2 Azeredo, Genilda
author2_role author
dc.contributor.author.fl_str_mv de Medeiros Nóbrega Nunes Gomes, Caio Antônio
Azeredo, Genilda
description In The Raven (2012), film directed by James McTeigue, in addition to having Edgar Allan Poe as protagonist and allusions to many of his texts, the relation between cinema and literature is deepened by the presence of issues regarding the medium of literature and its materiality, sociality and economy. This article proposes an intermedial reading of The Raven, aiming to investigate the process of intermedial referencing accomplished by the cinema in relation to literature. Our analysis is supported by theoretical principles drawn especially from Rajewski (2012) and Moser (2006). Finally, two conclusions were established: i. the film, while making the literary medium opaque, concealed its own audiovisual mediality; ii. The Raven associates itself to a series of discourses concerning the contemporary relevance of the American author, contributing to the consolidation of Edgar Allan Poe as a cultural signifier. 
publishDate 2017
dc.date.none.fl_str_mv 2017-01-27
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dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2017v70n1p211
10.5007/2175-8026.2017v70n1p211
url https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2017v70n1p211
identifier_str_mv 10.5007/2175-8026.2017v70n1p211
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2017v70n1p211/33499
dc.rights.driver.fl_str_mv Copyright (c) 2017 Caio Antônio de Medeiros Nóbrega Nunes Gomes, Genilda Azeredo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Caio Antônio de Medeiros Nóbrega Nunes Gomes, Genilda Azeredo
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv UFSC
publisher.none.fl_str_mv UFSC
dc.source.none.fl_str_mv Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 70 No. 1 (2017); 211-220
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 70 n. 1 (2017); 211-220
2175-8026
0101-4846
reponame:Ilha do Desterro
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Ilha do Desterro
collection Ilha do Desterro
repository.name.fl_str_mv Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com
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