Brecht and Lars Von Trier: Hybridism and anti-illusionism in Dogville (2003)

Detalhes bibliográficos
Autor(a) principal: Cabral, Otávio
Data de Publicação: 2014
Outros Autores: Ferraz, Ana Flávia
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista GEMInIS
Texto Completo: https://www.revistageminis.ufscar.br/index.php/geminis/article/view/200
Resumo: The proposal of this article is to reflect on the Brechtian heritage in contemporary cinema, through the analysis of the film Dogville (2003), by the Danish filmmaker Lars Von Trier. Dogville (2003), inserted in the postulates of the cinematographic movement Dogma 95, is an example of artistic hybridity or a "fusion cinema", as the director prefers. Von Trier's cinema denies Hollywood, just as the theater of Brecht denies the Aristotelian catharsis, being marked, decidedly, as proposals that have in common, among other characteristics, the anti-illusion.
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spelling Brecht and Lars Von Trier: Hybridism and anti-illusionism in Dogville (2003)Brecht e Lars Von Trier: Hibridismo e anti-ilusionismo em Dogville (2003)Anti-ilusionismoDistanciamentoHibridismoThe proposal of this article is to reflect on the Brechtian heritage in contemporary cinema, through the analysis of the film Dogville (2003), by the Danish filmmaker Lars Von Trier. Dogville (2003), inserted in the postulates of the cinematographic movement Dogma 95, is an example of artistic hybridity or a "fusion cinema", as the director prefers. Von Trier's cinema denies Hollywood, just as the theater of Brecht denies the Aristotelian catharsis, being marked, decidedly, as proposals that have in common, among other characteristics, the anti-illusion.A proposta do presente artigo é refletir acerca da herança brechtiana no cinema contemporâneo, atravésda análise do filme Dogville (2003), do cineasta dinamarquês Lars Von Trier. Dogville (2003), inseridonos postulados do movimento cinematográfico Dogma 95, é um exemplo de hibridez artística ou um“cinema de fusão”, como prefere o diretor. O cinema de Von Trier nega Hollywood, assim como o teatrode Brecht nega a catarse aristotélica, marcando-se, decididamente, como propostas que têm em comum,entre outras características, a anti-ilusão.UFSCar2014-12-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/200Revista GEMInIS; v. 5 n. 3 (2014): Jornada Internacional GEMInIS (JIG 2014): Entretenimento Transmídia; 06-18Revista GEMInIS; Vol. 5 No. 3 (2014): Jornada Internacional GEMInIS (JIG 2014): Entretenimento Transmídia; 06-18Revista GEMInIS; Vol. 5 Núm. 3 (2014): Jornada Internacional GEMInIS (JIG 2014): Entretenimento Transmídia; 06-182179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/200/170Cabral, OtávioFerraz, Ana Fláviainfo:eu-repo/semantics/openAccess2020-08-10T20:11:17Zoai:ojs.pkp.sfu.ca:article/200Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2020-08-10T20:11:17Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false
dc.title.none.fl_str_mv Brecht and Lars Von Trier: Hybridism and anti-illusionism in Dogville (2003)
Brecht e Lars Von Trier: Hibridismo e anti-ilusionismo em Dogville (2003)
title Brecht and Lars Von Trier: Hybridism and anti-illusionism in Dogville (2003)
spellingShingle Brecht and Lars Von Trier: Hybridism and anti-illusionism in Dogville (2003)
Cabral, Otávio
Anti-ilusionismo
Distanciamento
Hibridismo
title_short Brecht and Lars Von Trier: Hybridism and anti-illusionism in Dogville (2003)
title_full Brecht and Lars Von Trier: Hybridism and anti-illusionism in Dogville (2003)
title_fullStr Brecht and Lars Von Trier: Hybridism and anti-illusionism in Dogville (2003)
title_full_unstemmed Brecht and Lars Von Trier: Hybridism and anti-illusionism in Dogville (2003)
title_sort Brecht and Lars Von Trier: Hybridism and anti-illusionism in Dogville (2003)
author Cabral, Otávio
author_facet Cabral, Otávio
Ferraz, Ana Flávia
author_role author
author2 Ferraz, Ana Flávia
author2_role author
dc.contributor.author.fl_str_mv Cabral, Otávio
Ferraz, Ana Flávia
dc.subject.por.fl_str_mv Anti-ilusionismo
Distanciamento
Hibridismo
topic Anti-ilusionismo
Distanciamento
Hibridismo
description The proposal of this article is to reflect on the Brechtian heritage in contemporary cinema, through the analysis of the film Dogville (2003), by the Danish filmmaker Lars Von Trier. Dogville (2003), inserted in the postulates of the cinematographic movement Dogma 95, is an example of artistic hybridity or a "fusion cinema", as the director prefers. Von Trier's cinema denies Hollywood, just as the theater of Brecht denies the Aristotelian catharsis, being marked, decidedly, as proposals that have in common, among other characteristics, the anti-illusion.
publishDate 2014
dc.date.none.fl_str_mv 2014-12-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/200
url https://www.revistageminis.ufscar.br/index.php/geminis/article/view/200
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/200/170
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSCar
publisher.none.fl_str_mv UFSCar
dc.source.none.fl_str_mv Revista GEMInIS; v. 5 n. 3 (2014): Jornada Internacional GEMInIS (JIG 2014): Entretenimento Transmídia; 06-18
Revista GEMInIS; Vol. 5 No. 3 (2014): Jornada Internacional GEMInIS (JIG 2014): Entretenimento Transmídia; 06-18
Revista GEMInIS; Vol. 5 Núm. 3 (2014): Jornada Internacional GEMInIS (JIG 2014): Entretenimento Transmídia; 06-18
2179-1465
reponame:Revista GEMInIS
instname:Universidade Federal de São Carlos (UFSCAR)
instacron:UFSCAR
instname_str Universidade Federal de São Carlos (UFSCAR)
instacron_str UFSCAR
institution UFSCAR
reponame_str Revista GEMInIS
collection Revista GEMInIS
repository.name.fl_str_mv Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)
repository.mail.fl_str_mv ||revista.geminisufscar@gmail.com
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