Alternate Reality Games and Marketplace: The Why So Serious Case?

Detalhes bibliográficos
Autor(a) principal: Costa Correia, Gabriel
Data de Publicação: 2012
Outros Autores: Mesquita, Dario
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista GEMInIS
Texto Completo: https://www.revistageminis.ufscar.br/index.php/geminis/article/view/118
Resumo: The film industry has undergone transformation processes, associated with the transformations in the modes of production and consumption of contemporary capitalism, with the formation of large global conglomerates. The proposed work intends to investigate the impact of these processes on the Brazilian cinematographic production of the new century, showing examples in which local action exists not as an affirmation of the local identity, but only as a strategy of consolidation of the global in the place. In order to do so, we will examine how, in the Brazilian case, since the mid-1990s, the growing presence of global conglomerates in the production and distribution of Brazilian cinematographic content is based both on the support of a state policy (Art. 3 of the Audiovisual Law ) and the alliance with the largest local media group (the creation of Globo Filmes).
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spelling Alternate Reality Games and Marketplace: The Why So Serious Case?Alternate Reality Games e Mercado: O Caso Why So Serious?Indústria CinematográficaPolítica cinematográficaLei do AudiovisualGlobo FilmesThe film industry has undergone transformation processes, associated with the transformations in the modes of production and consumption of contemporary capitalism, with the formation of large global conglomerates. The proposed work intends to investigate the impact of these processes on the Brazilian cinematographic production of the new century, showing examples in which local action exists not as an affirmation of the local identity, but only as a strategy of consolidation of the global in the place. In order to do so, we will examine how, in the Brazilian case, since the mid-1990s, the growing presence of global conglomerates in the production and distribution of Brazilian cinematographic content is based both on the support of a state policy (Art. 3 of the Audiovisual Law ) and the alliance with the largest local media group (the creation of Globo Filmes).A indústria cinematográfica vem passando por processos de transformação, associados às transformações nos modos de produção e consumo do capitalismo contemporâneo, com a formação de grandes conglomerados globais. O trabalho proposto pretende investigar o impacto desses processos na produção cinematográfica brasileira do novo século, mostrando exemplos em que a ação local existe não como afirmação da identidade local, mas apenas como estratégia de consolidação do global no local. Para tanto, examinaremos como, no caso brasileiro, a partir de meados dos anos noventa, a crescente presença dos conglomerados globais na produção e distribuição de conteúdos cinematográficos brasileiros está calcada tanto no apoio de uma política estatal (o Art. 3º da Lei do Audiovisual) quanto na aliança com o maior grupo de mídia local (a criação da Globo Filmes).UFSCar2012-12-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/118Revista GEMInIS; v. 3 n. 2 (2012): Os arranjos contemporâneos da economia do audiovisual e da economia criativa; 154-164Revista GEMInIS; Vol. 3 No. 2 (2012): Os arranjos contemporâneos da economia do audiovisual e da economia criativa; 154-164Revista GEMInIS; Vol. 3 Núm. 2 (2012): Os arranjos contemporâneos da economia do audiovisual e da economia criativa; 154-1642179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/118/91Costa Correia, GabrielMesquita, Darioinfo:eu-repo/semantics/openAccess2020-08-10T20:12:03Zoai:ojs.pkp.sfu.ca:article/118Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2020-08-10T20:12:03Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false
dc.title.none.fl_str_mv Alternate Reality Games and Marketplace: The Why So Serious Case?
Alternate Reality Games e Mercado: O Caso Why So Serious?
title Alternate Reality Games and Marketplace: The Why So Serious Case?
spellingShingle Alternate Reality Games and Marketplace: The Why So Serious Case?
Costa Correia, Gabriel
Indústria Cinematográfica
Política cinematográfica
Lei do Audiovisual
Globo Filmes
title_short Alternate Reality Games and Marketplace: The Why So Serious Case?
title_full Alternate Reality Games and Marketplace: The Why So Serious Case?
title_fullStr Alternate Reality Games and Marketplace: The Why So Serious Case?
title_full_unstemmed Alternate Reality Games and Marketplace: The Why So Serious Case?
title_sort Alternate Reality Games and Marketplace: The Why So Serious Case?
author Costa Correia, Gabriel
author_facet Costa Correia, Gabriel
Mesquita, Dario
author_role author
author2 Mesquita, Dario
author2_role author
dc.contributor.author.fl_str_mv Costa Correia, Gabriel
Mesquita, Dario
dc.subject.por.fl_str_mv Indústria Cinematográfica
Política cinematográfica
Lei do Audiovisual
Globo Filmes
topic Indústria Cinematográfica
Política cinematográfica
Lei do Audiovisual
Globo Filmes
description The film industry has undergone transformation processes, associated with the transformations in the modes of production and consumption of contemporary capitalism, with the formation of large global conglomerates. The proposed work intends to investigate the impact of these processes on the Brazilian cinematographic production of the new century, showing examples in which local action exists not as an affirmation of the local identity, but only as a strategy of consolidation of the global in the place. In order to do so, we will examine how, in the Brazilian case, since the mid-1990s, the growing presence of global conglomerates in the production and distribution of Brazilian cinematographic content is based both on the support of a state policy (Art. 3 of the Audiovisual Law ) and the alliance with the largest local media group (the creation of Globo Filmes).
publishDate 2012
dc.date.none.fl_str_mv 2012-12-18
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dc.identifier.uri.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/118
url https://www.revistageminis.ufscar.br/index.php/geminis/article/view/118
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/118/91
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dc.publisher.none.fl_str_mv UFSCar
publisher.none.fl_str_mv UFSCar
dc.source.none.fl_str_mv Revista GEMInIS; v. 3 n. 2 (2012): Os arranjos contemporâneos da economia do audiovisual e da economia criativa; 154-164
Revista GEMInIS; Vol. 3 No. 2 (2012): Os arranjos contemporâneos da economia do audiovisual e da economia criativa; 154-164
Revista GEMInIS; Vol. 3 Núm. 2 (2012): Os arranjos contemporâneos da economia do audiovisual e da economia criativa; 154-164
2179-1465
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