Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985

Detalhes bibliográficos
Autor(a) principal: Timoteo de Mamede, Liciane
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rebeca (São Paulo)
Texto Completo: https://rebeca.socine.org.br/1/article/view/849
Resumo: In the present article, we seek to approach how the film programming of the cinema theater Lima Barreto, at Centro Cultural São Paulo, in its first three years (1982-1985), reflects the existing institutional relations between the Fundação Cinemateca Brasileira and the Municipality of São Paulo, through then newly created Municipal Department of Culture. In this fashion, we intend to outline a better understanding of why the Cinemateca was, in an initial moment, so involved with the cultural center's film programming, though it soon distanced itself from the latter. We are also interested in analysing the content of this programming and the cultural context involving the cinematographic exhibition circuit at that time in the city of São Paulo, in order to try to understand the paths taken by the film programming sector of the Centro Cultural, beginning with its distancing from the Cinemateca Brasileira.
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spelling Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985 Relaciones institucionales y programación cinematográfica: el caso del Centro Cultural São Paulo y de la Cinemateca Brasileira entre 1982 y 1985Relações institucionais e programação de filmes: o caso do Centro Cultural São Paulo e da Cinemateca Brasileira entre os anos de 1982 e 1985Programação cinematográficaPolítica públicaPreservação audiovisualExibição cinematográficaFilm programmingPublic policyFilm preservationFilm exhibition Programación cinematográficaPolítica públicaPreservación audiovisualExhibición cinematográficaIn the present article, we seek to approach how the film programming of the cinema theater Lima Barreto, at Centro Cultural São Paulo, in its first three years (1982-1985), reflects the existing institutional relations between the Fundação Cinemateca Brasileira and the Municipality of São Paulo, through then newly created Municipal Department of Culture. In this fashion, we intend to outline a better understanding of why the Cinemateca was, in an initial moment, so involved with the cultural center's film programming, though it soon distanced itself from the latter. We are also interested in analysing the content of this programming and the cultural context involving the cinematographic exhibition circuit at that time in the city of São Paulo, in order to try to understand the paths taken by the film programming sector of the Centro Cultural, beginning with its distancing from the Cinemateca Brasileira.En este artículo, buscamos abordar cómo la programación de la sala de cine Lima Barreto, en el Centro Cultural São Paulo, en sus primeros tres años (1982-1985), refleja las relaciones institucionales entre la Fundação Cinemateca Brasileira y la Municipalidad de São Paulo, a través de la recién creada Secretaría Municipal de Cultura. De esta manera, pretendemos esbozar una mejor comprensión de por qué la Cinemateca estuvo, en un primer período, en el que estuvo muy involucrada con la programación del centro cultural, pero que pronto terminó alejándose. También nos interesa tratar aquí el contenido de este programa y el contexto cultural que rodeaba el circuito de exhibición cinematográfica de la época en la ciudad de São Paulo, a fin de comprender los caminos recorridos por el sector de la programación cinematográfica del Centro Cultural, desde su distancia de la Cinemateca Brasileira.No presente artigo, procuramos abordar de que maneira a programação da sala de cinema Lima Barreto, no Centro Cultural São Paulo, em seus três primeiros anos (1982-1985), reflete as relações institucionais existentes entre a Fundação Cinemateca Brasileira e a Prefeitura de São Paulo, por meio da então recém-criada Secretaria Municipal de Cultura. Dessa maneira, pretendemos esboçar uma melhor compreensão sobre por que a Cinemateca esteve, num primeiro período, tão envolvida com a programação do centro cultural, mas logo acabou se afastando. Também nos interessa tratar aqui do conteúdo dessa programação e do contexto cultural envolvendo o circuito de exibição cinematográfico naquele momento na cidade de São Paulo, a fim de tentar entender os caminhos tomados pelo setor de programação de cinema do Centro Cultural, a partir de seu distanciamento da Cinemateca Brasileira.Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual2023-01-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://rebeca.socine.org.br/1/article/view/84910.22475/rebeca.v11n2.849Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 11 No. 2 (2022): Rebeca 22Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 11 Núm. 2 (2022): Rebeca 22Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 11 No 2 (2022): Rebeca 22Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 11 n. 2 (2022): Rebeca 222316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/849/523Copyright (c) 2023 Liciane Timoteo de Mamedehttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTimoteo de Mamede, Liciane2023-01-30T16:26:08Zoai:ojs.emnuvens.com.br:article/849Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2023-01-30T16:26:08Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false
dc.title.none.fl_str_mv Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985
Relaciones institucionales y programación cinematográfica: el caso del Centro Cultural São Paulo y de la Cinemateca Brasileira entre 1982 y 1985
Relações institucionais e programação de filmes: o caso do Centro Cultural São Paulo e da Cinemateca Brasileira entre os anos de 1982 e 1985
title Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985
spellingShingle Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985
Timoteo de Mamede, Liciane
Programação cinematográfica
Política pública
Preservação audiovisual
Exibição cinematográfica
Film programming
Public policy
Film preservation
Film exhibition
Programación cinematográfica
Política pública
Preservación audiovisual
Exhibición cinematográfica
title_short Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985
title_full Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985
title_fullStr Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985
title_full_unstemmed Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985
title_sort Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985
author Timoteo de Mamede, Liciane
author_facet Timoteo de Mamede, Liciane
author_role author
dc.contributor.author.fl_str_mv Timoteo de Mamede, Liciane
dc.subject.por.fl_str_mv Programação cinematográfica
Política pública
Preservação audiovisual
Exibição cinematográfica
Film programming
Public policy
Film preservation
Film exhibition
Programación cinematográfica
Política pública
Preservación audiovisual
Exhibición cinematográfica
topic Programação cinematográfica
Política pública
Preservação audiovisual
Exibição cinematográfica
Film programming
Public policy
Film preservation
Film exhibition
Programación cinematográfica
Política pública
Preservación audiovisual
Exhibición cinematográfica
description In the present article, we seek to approach how the film programming of the cinema theater Lima Barreto, at Centro Cultural São Paulo, in its first three years (1982-1985), reflects the existing institutional relations between the Fundação Cinemateca Brasileira and the Municipality of São Paulo, through then newly created Municipal Department of Culture. In this fashion, we intend to outline a better understanding of why the Cinemateca was, in an initial moment, so involved with the cultural center's film programming, though it soon distanced itself from the latter. We are also interested in analysing the content of this programming and the cultural context involving the cinematographic exhibition circuit at that time in the city of São Paulo, in order to try to understand the paths taken by the film programming sector of the Centro Cultural, beginning with its distancing from the Cinemateca Brasileira.
publishDate 2023
dc.date.none.fl_str_mv 2023-01-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rebeca.socine.org.br/1/article/view/849
10.22475/rebeca.v11n2.849
url https://rebeca.socine.org.br/1/article/view/849
identifier_str_mv 10.22475/rebeca.v11n2.849
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://rebeca.socine.org.br/1/article/view/849/523
dc.rights.driver.fl_str_mv Copyright (c) 2023 Liciane Timoteo de Mamede
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Liciane Timoteo de Mamede
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
dc.source.none.fl_str_mv Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 11 No. 2 (2022): Rebeca 22
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 11 Núm. 2 (2022): Rebeca 22
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 11 No 2 (2022): Rebeca 22
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 11 n. 2 (2022): Rebeca 22
2316-9230
reponame:Rebeca (São Paulo)
instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron:SOCINE
instname_str Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron_str SOCINE
institution SOCINE
reponame_str Rebeca (São Paulo)
collection Rebeca (São Paulo)
repository.name.fl_str_mv Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
repository.mail.fl_str_mv rebeca@socine.org.br
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