REVISITING BRAZILIAN TV HEGEMONY: VIDEO STREAMING AS A DISRUPTIVE FORCE IN THE NATIONAL TELEVISION INDUSTRY
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista GEMInIS |
Texto Completo: | https://www.revistageminis.ufscar.br/index.php/geminis/article/view/786 |
Resumo: | This article analyzes the impact of video streaming on Brazilian video cultures. It considers that the dominance of TV Globo and telenovelas in Brazilian television, coupled with the limited penetration of pay TV, has generated dissatisfaction, and fueled the disruptive potential of streaming. With the popularization of video streaming services, there is evidence of the multiplication of video cultures and increased access to transnational audiovisual content, revealing limitations of the cultural proximity paradigm. It is argued that video streaming has emerged as a competitive force that led Grupo Globo to diversify its products; however, while its hegemony has been affected, the conglomerate has demonstrated the ability to adapt to the digital age. |
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REVISITING BRAZILIAN TV HEGEMONY: VIDEO STREAMING AS A DISRUPTIVE FORCE IN THE NATIONAL TELEVISION INDUSTRYRECONSIDERANDO LA HEGEMONÍA DE LA TELEVISIÓN BRASILEÑA: EL STREAMING DE VIDEO COMO UNA FUERZA DISRUPTIVA EN LA INDUSTRIA TELEVISIVA NACIONALREVENDO A HEGEMONIA DA TV BRASILEIRA: O STREAMING DE VÍDEO COMO FORÇA DISRUPTIVA NA INDÚSTRIA TELEVISIVA NACIONAL Video streamingBrazilian televisionCultural ProximityStreaming de videoTelevisión BrasileñaProximidad CulturalStreaming de vídeoTelevisão BrasileiraProximidade CulturalThis article analyzes the impact of video streaming on Brazilian video cultures. It considers that the dominance of TV Globo and telenovelas in Brazilian television, coupled with the limited penetration of pay TV, has generated dissatisfaction, and fueled the disruptive potential of streaming. With the popularization of video streaming services, there is evidence of the multiplication of video cultures and increased access to transnational audiovisual content, revealing limitations of the cultural proximity paradigm. It is argued that video streaming has emerged as a competitive force that led Grupo Globo to diversify its products; however, while its hegemony has been affected, the conglomerate has demonstrated the ability to adapt to the digital age. Este artículo examina el impacto del streaming de video en las culturas de video brasileñas. Se sostiene que el dominio de la TV Globo y de las telenovelas en la televisión brasileña, junto con la limitada penetración de la TV de pago, generan insatisfacción y alimentan el potencial disruptivo del streaming. Con la popularización de los servicios de streaming de video, se observa la proliferación de las culturas de video y el aumento del acceso a contenidos audiovisuales transnacionales, revelando limitaciones en el paradigma de la proximidad cultural. Se argumenta que el streaming de video ha surgido como una fuerza competitiva que ha llevado al Grupo Globo a diversificar sus productos, aunque su hegemonía se ha visto afectada, el conglomerado ha demostrado capacidad de adaptación a la era digital.Este artigo analisa o impacto do streaming de vídeo nas culturas de vídeo brasileiras. Considera-se que o domínio da TV Globo e da telenovela na televisão brasileira, aliado à limitada penetração da TV paga, geram insatisfação e alimentaram o potencial disruptivo do streaming. Com a popularização dos serviços de streaming de vídeo, evidencia-se a multiplicação das culturas de vídeo e o incremento do acesso aos conteúdos audiovisuais transnacionais, revelando limitações do paradigma da proximidade cultural. Argumenta-se que o streaming de vídeo emergiu como uma força competitiva que levou o Grupo Globo a diversificar seus produtos, contudo, embora sua hegemonia tenha sido impactada, o conglomerado demonstrou capacidade de adaptação à era digital.UFSCar2023-10-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/78610.53450/2179-1465.RG.2023v14i2p04-29Revista GEMInIS; v. 14 n. 2 (2023); 4-29Revista GEMInIS; Vol. 14 No. 2 (2023); 4-29Revista GEMInIS; Vol. 14 Núm. 2 (2023); 4-292179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/786/512Copyright (c) 2023 Melina Meimaridishttp://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessMeimaridis, Melina2023-10-19T19:41:01Zoai:ojs.pkp.sfu.ca:article/786Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2023-10-19T19:41:01Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.none.fl_str_mv |
REVISITING BRAZILIAN TV HEGEMONY: VIDEO STREAMING AS A DISRUPTIVE FORCE IN THE NATIONAL TELEVISION INDUSTRY RECONSIDERANDO LA HEGEMONÍA DE LA TELEVISIÓN BRASILEÑA: EL STREAMING DE VIDEO COMO UNA FUERZA DISRUPTIVA EN LA INDUSTRIA TELEVISIVA NACIONAL REVENDO A HEGEMONIA DA TV BRASILEIRA: O STREAMING DE VÍDEO COMO FORÇA DISRUPTIVA NA INDÚSTRIA TELEVISIVA NACIONAL |
title |
REVISITING BRAZILIAN TV HEGEMONY: VIDEO STREAMING AS A DISRUPTIVE FORCE IN THE NATIONAL TELEVISION INDUSTRY |
spellingShingle |
REVISITING BRAZILIAN TV HEGEMONY: VIDEO STREAMING AS A DISRUPTIVE FORCE IN THE NATIONAL TELEVISION INDUSTRY Meimaridis, Melina Video streaming Brazilian television Cultural Proximity Streaming de video Televisión Brasileña Proximidad Cultural Streaming de vídeo Televisão Brasileira Proximidade Cultural |
title_short |
REVISITING BRAZILIAN TV HEGEMONY: VIDEO STREAMING AS A DISRUPTIVE FORCE IN THE NATIONAL TELEVISION INDUSTRY |
title_full |
REVISITING BRAZILIAN TV HEGEMONY: VIDEO STREAMING AS A DISRUPTIVE FORCE IN THE NATIONAL TELEVISION INDUSTRY |
title_fullStr |
REVISITING BRAZILIAN TV HEGEMONY: VIDEO STREAMING AS A DISRUPTIVE FORCE IN THE NATIONAL TELEVISION INDUSTRY |
title_full_unstemmed |
REVISITING BRAZILIAN TV HEGEMONY: VIDEO STREAMING AS A DISRUPTIVE FORCE IN THE NATIONAL TELEVISION INDUSTRY |
title_sort |
REVISITING BRAZILIAN TV HEGEMONY: VIDEO STREAMING AS A DISRUPTIVE FORCE IN THE NATIONAL TELEVISION INDUSTRY |
author |
Meimaridis, Melina |
author_facet |
Meimaridis, Melina |
author_role |
author |
dc.contributor.author.fl_str_mv |
Meimaridis, Melina |
dc.subject.por.fl_str_mv |
Video streaming Brazilian television Cultural Proximity Streaming de video Televisión Brasileña Proximidad Cultural Streaming de vídeo Televisão Brasileira Proximidade Cultural |
topic |
Video streaming Brazilian television Cultural Proximity Streaming de video Televisión Brasileña Proximidad Cultural Streaming de vídeo Televisão Brasileira Proximidade Cultural |
description |
This article analyzes the impact of video streaming on Brazilian video cultures. It considers that the dominance of TV Globo and telenovelas in Brazilian television, coupled with the limited penetration of pay TV, has generated dissatisfaction, and fueled the disruptive potential of streaming. With the popularization of video streaming services, there is evidence of the multiplication of video cultures and increased access to transnational audiovisual content, revealing limitations of the cultural proximity paradigm. It is argued that video streaming has emerged as a competitive force that led Grupo Globo to diversify its products; however, while its hegemony has been affected, the conglomerate has demonstrated the ability to adapt to the digital age. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-10-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/786 10.53450/2179-1465.RG.2023v14i2p04-29 |
url |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/786 |
identifier_str_mv |
10.53450/2179-1465.RG.2023v14i2p04-29 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/786/512 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Melina Meimaridis http://creativecommons.org/licenses/by-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Melina Meimaridis http://creativecommons.org/licenses/by-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSCar |
publisher.none.fl_str_mv |
UFSCar |
dc.source.none.fl_str_mv |
Revista GEMInIS; v. 14 n. 2 (2023); 4-29 Revista GEMInIS; Vol. 14 No. 2 (2023); 4-29 Revista GEMInIS; Vol. 14 Núm. 2 (2023); 4-29 2179-1465 reponame:Revista GEMInIS instname:Universidade Federal de São Carlos (UFSCAR) instacron:UFSCAR |
instname_str |
Universidade Federal de São Carlos (UFSCAR) |
instacron_str |
UFSCAR |
institution |
UFSCAR |
reponame_str |
Revista GEMInIS |
collection |
Revista GEMInIS |
repository.name.fl_str_mv |
Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR) |
repository.mail.fl_str_mv |
||revista.geminisufscar@gmail.com |
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