Theater space, city, and politics: possible dialogues
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | ArtCultura (Online) |
Texto Completo: | https://seer.ufu.br/index.php/artcultura/article/view/47244 |
Resumo: | To attest the possibility of a dialogue between theatre, city, and politics, this article looks at three events of diverse nature, at different moments in Brazilian history: the adaptatio, during the military dictatorship,of Brecht´s In the jungle of cities (1969), by Zé Celso,head of the Oficina Group, focusing the city of São Paulo; the plays The gunshot that changed history and Tiradentes(1992), directed by Aderbal Freire-Filho,that highlight Rio de Janeiro´s historical and listed spaces; and the play BR3, a true socio-political manifesto staged in São Paulo by the VertigemTheater Group (2006), and directed by AntônioAraújo. In this analysis, the city is presented either as a representation, as a support for the scene or as the dramaturgy itself, based on concepts formulated by Patrice Pavis, Christine Boyer and Marc Augé. keywords: city; politics, alternative theatrical spaces. |
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Theater space, city, and politics: possible dialoguesO espaço do teatro, a cidade e a política: diálogos possíveisTo attest the possibility of a dialogue between theatre, city, and politics, this article looks at three events of diverse nature, at different moments in Brazilian history: the adaptatio, during the military dictatorship,of Brecht´s In the jungle of cities (1969), by Zé Celso,head of the Oficina Group, focusing the city of São Paulo; the plays The gunshot that changed history and Tiradentes(1992), directed by Aderbal Freire-Filho,that highlight Rio de Janeiro´s historical and listed spaces; and the play BR3, a true socio-political manifesto staged in São Paulo by the VertigemTheater Group (2006), and directed by AntônioAraújo. In this analysis, the city is presented either as a representation, as a support for the scene or as the dramaturgy itself, based on concepts formulated by Patrice Pavis, Christine Boyer and Marc Augé. keywords: city; politics, alternative theatrical spaces.Para atestar a possibilidade de diálogo entre o teatro, a cidade e a política, este artigo analisa três eventos de natureza distinta, em diferentes momentos da história brasileira: a adaptação, durante a ditadura militar, de Na selva das cidades (1969), de Brecht, por Zé Celso, à frente do Grupo Oficina, focando a cidade de São Paulo; os espetáculos O tiro que mudou a história e Tiradentes (1992), dirigidos por Aderbal Freire-Filho, que valorizam o teatro em espaços históricos e tombados da cidade do Rio de Janeiro; e a peça BR3, verdadeiro manifesto sociopolítico, encenada em São Paulo pelo Teatro da Vertigem (2006) e dirigida por Antônio Araújo. Nesta análise, a cidade se apresenta ora como representação, ora como suporte da cena ou como a própria dramaturgia, tendo como base conceitos formulados por Patrice Pavis, Christine Boyer e Marc Augé. palavras-chave: cidade; política; espaços teatrais alternativos.Universidade Federal de Uberlândia2018-12-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/4724410.14393/artc-v20-n37-2018-47244ArtCultura; Vol. 20 No. 37 (2018): ArtCultura; 113 - 127ArtCultura; Vol. 20 Núm. 37 (2018): ArtCultura; 113 - 127ArtCultura; v. 20 n. 37 (2018): ArtCultura; 113 - 1272178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/47244/25570Lima, Evelyn Furquim Werneckinfo:eu-repo/semantics/openAccess2022-05-27T16:16:49Zoai:ojs.www.seer.ufu.br:article/47244Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:16:49ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false |
dc.title.none.fl_str_mv |
Theater space, city, and politics: possible dialogues O espaço do teatro, a cidade e a política: diálogos possíveis |
title |
Theater space, city, and politics: possible dialogues |
spellingShingle |
Theater space, city, and politics: possible dialogues Lima, Evelyn Furquim Werneck |
title_short |
Theater space, city, and politics: possible dialogues |
title_full |
Theater space, city, and politics: possible dialogues |
title_fullStr |
Theater space, city, and politics: possible dialogues |
title_full_unstemmed |
Theater space, city, and politics: possible dialogues |
title_sort |
Theater space, city, and politics: possible dialogues |
author |
Lima, Evelyn Furquim Werneck |
author_facet |
Lima, Evelyn Furquim Werneck |
author_role |
author |
dc.contributor.author.fl_str_mv |
Lima, Evelyn Furquim Werneck |
description |
To attest the possibility of a dialogue between theatre, city, and politics, this article looks at three events of diverse nature, at different moments in Brazilian history: the adaptatio, during the military dictatorship,of Brecht´s In the jungle of cities (1969), by Zé Celso,head of the Oficina Group, focusing the city of São Paulo; the plays The gunshot that changed history and Tiradentes(1992), directed by Aderbal Freire-Filho,that highlight Rio de Janeiro´s historical and listed spaces; and the play BR3, a true socio-political manifesto staged in São Paulo by the VertigemTheater Group (2006), and directed by AntônioAraújo. In this analysis, the city is presented either as a representation, as a support for the scene or as the dramaturgy itself, based on concepts formulated by Patrice Pavis, Christine Boyer and Marc Augé. keywords: city; politics, alternative theatrical spaces. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-12-12 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/47244 10.14393/artc-v20-n37-2018-47244 |
url |
https://seer.ufu.br/index.php/artcultura/article/view/47244 |
identifier_str_mv |
10.14393/artc-v20-n37-2018-47244 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/47244/25570 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
dc.source.none.fl_str_mv |
ArtCultura; Vol. 20 No. 37 (2018): ArtCultura; 113 - 127 ArtCultura; Vol. 20 Núm. 37 (2018): ArtCultura; 113 - 127 ArtCultura; v. 20 n. 37 (2018): ArtCultura; 113 - 127 2178-3845 reponame:ArtCultura (Online) instname:Universidade Federal de Uberlândia (UFU) instacron:UFU |
instname_str |
Universidade Federal de Uberlândia (UFU) |
instacron_str |
UFU |
institution |
UFU |
reponame_str |
ArtCultura (Online) |
collection |
ArtCultura (Online) |
repository.name.fl_str_mv |
ArtCultura (Online) - Universidade Federal de Uberlândia (UFU) |
repository.mail.fl_str_mv |
akparanhos@uol.com.br|| |
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1797069142412492800 |