Epistemological totalitarianism vs sensitive knowledge at school from the film Druk
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Linhas Críticas (Online) |
Texto Completo: | https://periodicos.unb.br/index.php/linhascriticas/article/view/41203 |
Resumo: | This essay aims to develop an aesthetical-critical discussion about the epistemological totalitarianism of instrumental reason present in a fictional school represented in the film Druk - Another Round (Vinterberg, 2020). Emphasizing the lack of sensitive knowledge, we dedicated ourselves to scrutinize the cinematographic work soundly and imagetically, using the methodology of film analysis and having as theoretical framework authors of Critical Theory. We conclude that despite the inaugural circumstances in the Danish school leading us to the construction of apparently innovative knowledge, at its core they preserved opacity and submission to traditional and totalitarian epistemologies. |
id |
UNB-32_791b0b4b4db33577e722c61daba1be44 |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/41203 |
network_acronym_str |
UNB-32 |
network_name_str |
Linhas Críticas (Online) |
repository_id_str |
|
spelling |
Epistemological totalitarianism vs sensitive knowledge at school from the film DrukTotalitarismo epistemológico vs conocimiento sensible en la escuela desde la película DrukTotalitarismo epistemológico vs saber sensível na escola a partir do filme DrukEpistemologiaTeoria CríticaEscolaCinemaEpistemologíaTeoría CríticaEscuelaCineEpistemologyCritical TheorySchoolCinemaThis essay aims to develop an aesthetical-critical discussion about the epistemological totalitarianism of instrumental reason present in a fictional school represented in the film Druk - Another Round (Vinterberg, 2020). Emphasizing the lack of sensitive knowledge, we dedicated ourselves to scrutinize the cinematographic work soundly and imagetically, using the methodology of film analysis and having as theoretical framework authors of Critical Theory. We conclude that despite the inaugural circumstances in the Danish school leading us to the construction of apparently innovative knowledge, at its core they preserved opacity and submission to traditional and totalitarian epistemologies.Este ensayo busca desarrollar una discusión estético-crítica sobre el totalitarismo epistemológico de la razón instrumental presente en una escuela de ficción representada en la película Druk - Una ronda más (Vinterberg, 2020). Enfatizando la falta de conocimiento sensible en el ámbito educativo en cuestión, nos dedicamos a escudriñar la obra cinematográfica, sus sonidos e imágenes, con base en la metodología del análisis cinematográfico, teniendo como marco teórico los autores de la Teoría Crítica. Concluimos que a pesar de las circunstancias inaugurales en la escuela danesa que nos llevaron a la construcción de saberes aparentemente innovadores, en su núcleo conservaron la opacidad y el sometimiento a epistemologías tradicionales y totalitarias.Este ensaio busca desenvolver uma discussão estético-crítica acerca do totalitarismo epistemológico da razão instrumental presente em uma escola ficcional representada no filme Druk - Mais uma rodada (Vinterberg, 2020). Enfatizando a falta de saberes sensíveis no âmbito educativo em questão, dedicamo-nos a perscrutar sonora e imageticamente a obra cinematográfica, a partir da metodologia da análise fílmica, tendo como arcabouço teórico autores da Teoria Crítica. Concluímos que, apesar das circunstâncias inaugurais na escola dinamarquesa nos remeterem à construção de saberes aparentemente inovadores, em seu cerne conservavam opacidade e submissão a epistemologias tradicionais e totalitárias.Faculdade de Educação - Universidade de Brasília2022-03-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://periodicos.unb.br/index.php/linhascriticas/article/view/4120310.26512/lc28202241203Linhas Críticas; Vol. 28 (2022): Linhas Críticas, volume 28, year 2022 (jan-dec); e41203Linhas Críticas; Vol. 28 (2022): Linhas Críticas, volumen 28, año 2022 (jan-dic); e41203Linhas Críticas; v. 28 (2022): Linhas Críticas, volume 28, ano 2022 (jan-dez); e412031981-04311516-489610.26512/lc.v28ireponame:Linhas Críticas (Online)instname:Universidade de Brasília (UnB)instacron:UnBporhttps://periodicos.unb.br/index.php/linhascriticas/article/view/41203/32829https://periodicos.unb.br/index.php/linhascriticas/article/view/41203/32830Copyright (c) 2022 Thaís Lobosque Aquino, Keyla Andrea Santiago Oliveirahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAquino, Thaís LobosqueOliveira, Keyla Andrea Santiago2022-03-17T18:02:06Zoai:ojs.pkp.sfu.ca:article/41203Revistahttps://periodicos.unb.br/index.php/linhascriticas/PUBhttps://periodicos.unb.br/index.php/linhascriticas/oairvlinhas@unb.br1981-04311516-4896opendoar:2022-03-17T18:02:06Linhas Críticas (Online) - Universidade de Brasília (UnB)false |
dc.title.none.fl_str_mv |
Epistemological totalitarianism vs sensitive knowledge at school from the film Druk Totalitarismo epistemológico vs conocimiento sensible en la escuela desde la película Druk Totalitarismo epistemológico vs saber sensível na escola a partir do filme Druk |
title |
Epistemological totalitarianism vs sensitive knowledge at school from the film Druk |
spellingShingle |
Epistemological totalitarianism vs sensitive knowledge at school from the film Druk Aquino, Thaís Lobosque Epistemologia Teoria Crítica Escola Cinema Epistemología Teoría Crítica Escuela Cine Epistemology Critical Theory School Cinema |
title_short |
Epistemological totalitarianism vs sensitive knowledge at school from the film Druk |
title_full |
Epistemological totalitarianism vs sensitive knowledge at school from the film Druk |
title_fullStr |
Epistemological totalitarianism vs sensitive knowledge at school from the film Druk |
title_full_unstemmed |
Epistemological totalitarianism vs sensitive knowledge at school from the film Druk |
title_sort |
Epistemological totalitarianism vs sensitive knowledge at school from the film Druk |
author |
Aquino, Thaís Lobosque |
author_facet |
Aquino, Thaís Lobosque Oliveira, Keyla Andrea Santiago |
author_role |
author |
author2 |
Oliveira, Keyla Andrea Santiago |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Aquino, Thaís Lobosque Oliveira, Keyla Andrea Santiago |
dc.subject.por.fl_str_mv |
Epistemologia Teoria Crítica Escola Cinema Epistemología Teoría Crítica Escuela Cine Epistemology Critical Theory School Cinema |
topic |
Epistemologia Teoria Crítica Escola Cinema Epistemología Teoría Crítica Escuela Cine Epistemology Critical Theory School Cinema |
description |
This essay aims to develop an aesthetical-critical discussion about the epistemological totalitarianism of instrumental reason present in a fictional school represented in the film Druk - Another Round (Vinterberg, 2020). Emphasizing the lack of sensitive knowledge, we dedicated ourselves to scrutinize the cinematographic work soundly and imagetically, using the methodology of film analysis and having as theoretical framework authors of Critical Theory. We conclude that despite the inaugural circumstances in the Danish school leading us to the construction of apparently innovative knowledge, at its core they preserved opacity and submission to traditional and totalitarian epistemologies. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-03-17 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.unb.br/index.php/linhascriticas/article/view/41203 10.26512/lc28202241203 |
url |
https://periodicos.unb.br/index.php/linhascriticas/article/view/41203 |
identifier_str_mv |
10.26512/lc28202241203 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.unb.br/index.php/linhascriticas/article/view/41203/32829 https://periodicos.unb.br/index.php/linhascriticas/article/view/41203/32830 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Thaís Lobosque Aquino, Keyla Andrea Santiago Oliveira https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Thaís Lobosque Aquino, Keyla Andrea Santiago Oliveira https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html |
dc.publisher.none.fl_str_mv |
Faculdade de Educação - Universidade de Brasília |
publisher.none.fl_str_mv |
Faculdade de Educação - Universidade de Brasília |
dc.source.none.fl_str_mv |
Linhas Críticas; Vol. 28 (2022): Linhas Críticas, volume 28, year 2022 (jan-dec); e41203 Linhas Críticas; Vol. 28 (2022): Linhas Críticas, volumen 28, año 2022 (jan-dic); e41203 Linhas Críticas; v. 28 (2022): Linhas Críticas, volume 28, ano 2022 (jan-dez); e41203 1981-0431 1516-4896 10.26512/lc.v28i reponame:Linhas Críticas (Online) instname:Universidade de Brasília (UnB) instacron:UnB |
instname_str |
Universidade de Brasília (UnB) |
instacron_str |
UnB |
institution |
UnB |
reponame_str |
Linhas Críticas (Online) |
collection |
Linhas Críticas (Online) |
repository.name.fl_str_mv |
Linhas Críticas (Online) - Universidade de Brasília (UnB) |
repository.mail.fl_str_mv |
rvlinhas@unb.br |
_version_ |
1805309288550236160 |