Is there love in wonderland? : the discursive suject, the digital and the city

Detalhes bibliográficos
Autor(a) principal: Souza, Lucília Maria Abrahão e
Data de Publicação: 2021
Outros Autores: Herculino, Bruno Monteiro
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rua (Campinas. Online)
Texto Completo: https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8667739
Resumo: The present article intends to approach the concept of the discursive subject within our contemporaneity immersed in a technological era and in a cyberculture. For what, using the subject in the weaving of the Discourse Analysis and the lacanian psychoanalysis, undertaking a theoretical path in which the subject’s conception was thought in articulation with the concept of cyberspace, the authors adopted the literary work “Alice in wonderland” by Lewis Carroll, as a metaphor to think about the subject within the meshes of the digital and how this digitalization is inscribed in the city. Taking into account an analysis gesture of a new version of the song “There is not love in SP” launched in the Covid-19 pandemic in 2020, it was possible to accomplish an analytical gesture in which the subject of the discourse appears as an effect of a denunciation.
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spelling Is there love in wonderland? : the discursive suject, the digital and the cityExiste amor no país das maravilhas? o sujeito discursivo, o digital e a cidadeSujeitoCiberculturaDiscursoPandemiaSubjectCybercultureDiscoursePandemicThe present article intends to approach the concept of the discursive subject within our contemporaneity immersed in a technological era and in a cyberculture. For what, using the subject in the weaving of the Discourse Analysis and the lacanian psychoanalysis, undertaking a theoretical path in which the subject’s conception was thought in articulation with the concept of cyberspace, the authors adopted the literary work “Alice in wonderland” by Lewis Carroll, as a metaphor to think about the subject within the meshes of the digital and how this digitalization is inscribed in the city. Taking into account an analysis gesture of a new version of the song “There is not love in SP” launched in the Covid-19 pandemic in 2020, it was possible to accomplish an analytical gesture in which the subject of the discourse appears as an effect of a denunciation.Intenta-se com este escrito, abordar o conceito de sujeito discursivo em nossa contemporaneidade imersa da era tecnológica e na cibercultura. Assim, tomando o sujeito na urdidura da Análise do Discurso e da psicanálise lacaniana, empreendeu-se um percurso teórico onde a noção de sujeito foi pensada em articulação com o conceito de ciberespaço e, à vista disso, os autores tomaram a obra literária “Alice no país das maravilhas” de Lewis Carroll, como materialidade metafórica para pensar o sujeito nas malhas do digital e na digitalização inscrita na cidade. A partir de um gesto de análise de uma nova versão da música “Não existe amor em SP” lançada na pandemia de Covid-19 em 2020, foi possível realizar em um gesto analítico em que o sujeito do discurso comparece enquanto um efeito de uma denúncia.Universidade Estadual de Campinas2021-11-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/866773910.20396/rua.v27i2.8667739RUA; Vol. 27 No. 2 (2021): nov; 357-374RUA; v. 27 n. 2 (2021): nov; 357-3742179-99111413-2109reponame:Rua (Campinas. Online)instname:Universidade Estadual de Campinas (Unicamp)instacron:UNICAMPporhttps://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8667739/27622Brazil; ContemporaryBrasil; ContemporâneoCopyright (c) 2021 RUAhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSouza, Lucília Maria Abrahão e Herculino, Bruno Monteiro2022-02-21T18:47:57Zoai:ojs.periodicos.sbu.unicamp.br:article/8667739Revistahttps://periodicos.sbu.unicamp.br/ojs/index.php/ruaPUBhttps://periodicos.sbu.unicamp.br/ojs/index.php/rua/oaipublabe@unicamp.br2179-99111413-2109opendoar:2022-02-21T18:47:57Rua (Campinas. Online) - Universidade Estadual de Campinas (Unicamp)false
dc.title.none.fl_str_mv Is there love in wonderland? : the discursive suject, the digital and the city
Existe amor no país das maravilhas? o sujeito discursivo, o digital e a cidade
title Is there love in wonderland? : the discursive suject, the digital and the city
spellingShingle Is there love in wonderland? : the discursive suject, the digital and the city
Souza, Lucília Maria Abrahão e
Sujeito
Cibercultura
Discurso
Pandemia
Subject
Cyberculture
Discourse
Pandemic
title_short Is there love in wonderland? : the discursive suject, the digital and the city
title_full Is there love in wonderland? : the discursive suject, the digital and the city
title_fullStr Is there love in wonderland? : the discursive suject, the digital and the city
title_full_unstemmed Is there love in wonderland? : the discursive suject, the digital and the city
title_sort Is there love in wonderland? : the discursive suject, the digital and the city
author Souza, Lucília Maria Abrahão e
author_facet Souza, Lucília Maria Abrahão e
Herculino, Bruno Monteiro
author_role author
author2 Herculino, Bruno Monteiro
author2_role author
dc.contributor.author.fl_str_mv Souza, Lucília Maria Abrahão e
Herculino, Bruno Monteiro
dc.subject.por.fl_str_mv Sujeito
Cibercultura
Discurso
Pandemia
Subject
Cyberculture
Discourse
Pandemic
topic Sujeito
Cibercultura
Discurso
Pandemia
Subject
Cyberculture
Discourse
Pandemic
description The present article intends to approach the concept of the discursive subject within our contemporaneity immersed in a technological era and in a cyberculture. For what, using the subject in the weaving of the Discourse Analysis and the lacanian psychoanalysis, undertaking a theoretical path in which the subject’s conception was thought in articulation with the concept of cyberspace, the authors adopted the literary work “Alice in wonderland” by Lewis Carroll, as a metaphor to think about the subject within the meshes of the digital and how this digitalization is inscribed in the city. Taking into account an analysis gesture of a new version of the song “There is not love in SP” launched in the Covid-19 pandemic in 2020, it was possible to accomplish an analytical gesture in which the subject of the discourse appears as an effect of a denunciation.
publishDate 2021
dc.date.none.fl_str_mv 2021-11-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8667739
10.20396/rua.v27i2.8667739
url https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8667739
identifier_str_mv 10.20396/rua.v27i2.8667739
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8667739/27622
dc.rights.driver.fl_str_mv Copyright (c) 2021 RUA
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 RUA
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.coverage.none.fl_str_mv Brazil; Contemporary
Brasil; Contemporâneo
dc.publisher.none.fl_str_mv Universidade Estadual de Campinas
publisher.none.fl_str_mv Universidade Estadual de Campinas
dc.source.none.fl_str_mv RUA; Vol. 27 No. 2 (2021): nov; 357-374
RUA; v. 27 n. 2 (2021): nov; 357-374
2179-9911
1413-2109
reponame:Rua (Campinas. Online)
instname:Universidade Estadual de Campinas (Unicamp)
instacron:UNICAMP
instname_str Universidade Estadual de Campinas (Unicamp)
instacron_str UNICAMP
institution UNICAMP
reponame_str Rua (Campinas. Online)
collection Rua (Campinas. Online)
repository.name.fl_str_mv Rua (Campinas. Online) - Universidade Estadual de Campinas (Unicamp)
repository.mail.fl_str_mv publabe@unicamp.br
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