Netflix as a digital and audiovisual tool in approaching gender, race and racism in the Hollywood series and the Most Beautiful Thing
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | , , , , , , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Research, Society and Development |
Texto Completo: | https://rsdjournal.org/index.php/rsd/article/view/25906 |
Resumo: | The article discusses the representation of women in society in the first half of the 20th century in the Hollywood and Coisa Mais Linda series, broadcast over the internet on the Netflix streaming channel, set respectively in Los Angeles (USA) in the 1940s and Rio de Janeiro (BRA) in the 1950s-60s. The article aims to discuss gender, race and racism violence, using as methodology the analysis of productions from streaming channels that address topics that the mainstream media considers taboo. The role of the internet as a technology that assists in the dissemination of the possibilities for discussing a range of topics that would otherwise not be possible is indisputable. The woman is represented in the series of varied prisms, she is white, black, poor, rich. However, they have something in common: they are women and therefore suffer the same violence, both physical and symbolic. Gender and race violence are latent in the series. Discarding the concept of “truth”, the content of the works was used to talk about the foundations of colonialism and patriarchy (women as the property of men). The ideology that the woman belongs to the man supports this man's supposed right to decide whether the woman lives or dies when she no longer wants to live with him. Netflix's performance has enabled the discussion of diversity and individual rights in open dialogue with the general public. It is hoped that the article will contribute to broadening the discussion on gender and race equity in the educational and social field. |
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Netflix as a digital and audiovisual tool in approaching gender, race and racism in the Hollywood series and the Most Beautiful ThingNetflix como herramienta digital y audiovisual en el abordaje de género, raza y racismo en la serie Hollywood y Lo Más HermosoA Netflix como ferramenta digital e audiovisual na abordagem de gênero, raça e racismo nas séries Hollywood e Coisa Mais Linda Cine y MujerLegislaciónViolenciaRepresentaciones socialesStreaming y Internet.Cinema e MulherLegislaçãoViolênciaRepresentações sociaisStreaming e internet.Cinema and WomenLegislationViolenceSocial representationsStreaming and internet.The article discusses the representation of women in society in the first half of the 20th century in the Hollywood and Coisa Mais Linda series, broadcast over the internet on the Netflix streaming channel, set respectively in Los Angeles (USA) in the 1940s and Rio de Janeiro (BRA) in the 1950s-60s. The article aims to discuss gender, race and racism violence, using as methodology the analysis of productions from streaming channels that address topics that the mainstream media considers taboo. The role of the internet as a technology that assists in the dissemination of the possibilities for discussing a range of topics that would otherwise not be possible is indisputable. The woman is represented in the series of varied prisms, she is white, black, poor, rich. However, they have something in common: they are women and therefore suffer the same violence, both physical and symbolic. Gender and race violence are latent in the series. Discarding the concept of “truth”, the content of the works was used to talk about the foundations of colonialism and patriarchy (women as the property of men). The ideology that the woman belongs to the man supports this man's supposed right to decide whether the woman lives or dies when she no longer wants to live with him. Netflix's performance has enabled the discussion of diversity and individual rights in open dialogue with the general public. It is hoped that the article will contribute to broadening the discussion on gender and race equity in the educational and social field.El artículo analiza la representación de la mujer en la sociedad en la primera mitad del siglo XX en las series Hollywood y Coisa Mais Linda, retransmitidas por Internet en el canal de streaming de Netflix, ambientadas respectivamente en Los Ángeles (EE. UU.) En los años 40 y en Rio de Janeiro (BRA) en las décadas de 1950 y 1960. El artículo tiene como objetivo discutir la violencia de género, raza y racismo, utilizando como metodología el análisis de producciones de canales de streaming que abordan temas que los grandes medios de comunicación consideran tabú. Es indiscutible el papel de Internet como tecnología que ayuda a difundir las posibilidades de debatir una variedad de temas que de otro modo no serían posibles. La mujer está representada en la serie de prismas variados, es blanca, negra, pobre, rica. Sin embargo, tienen algo en común: son mujeres y por tanto sufren la misma violencia, tanto física como simbólica. La violencia de género y raza está latente en la serie. Descartando el concepto de “verdad”, el contenido de las obras se utilizó para hablar de los fundamentos del colonialismo y el patriarcado (la mujer como propiedad de los hombres). La ideología de que la mujer pertenece al hombre apoya el supuesto derecho de este hombre a decidir si la mujer vive o muere cuando ya no quiere vivir con él. La actuación de Netflix ha permitido la discusión de la diversidad y los derechos individuales en un diálogo abierto con el público en general. Se espera que el artículo contribuya a ampliar la discusión sobre la equidad de género y raza en el campo educativo y social.O artigo discute a representação da mulher na sociedade na primeira metade do século XX nas séries Hollywood e Coisa Mais Linda, transmitidas pela internet no canal de streaming Netflix, ambientadas respectivamente, em Los Angeles (USA) nos anos 1940 e Rio de Janeiro (BRA) nos anos de 1950-60. O artigo objetiva discutir violência de gênero, de raça e de racismo, utilizando como metodologia a análise de produções dos canais de streaming que abordam temas que a grande mídia considera tabu. É indiscutível o papel da internet como tecnologia que auxilia na difusão das possibilidades de discussão de uma gama de temas que de outra forma não seria possível. A mulher está representada nas séries de variados prismas, é branca, negra, pobre, rica. Contudo, têm algo em comum: são mulheres e por isso, sofrem as mesmas violências, tanto físicas quanto simbólicas. A violência de gênero e de raça é latente nas séries. Descartando o conceito de “verdade”, utilizou-se o conteúdo das obras para dissertar sobre os fundamentos do colonialismo e do patriarcalismo (a mulher como propriedade do homem). A ideologia de que a mulher pertence ao homem sustenta o suposto direito deste homem de decidir se a mulher vive ou morre quando ela não quer mais viver com ele. A atuação da Netflix tem possibilitado a discussão sobre diversidade e direitos individuais em diálogo aberto com o grande público. Espera-se que o artigo contribua para ampliar a discussão sobre a equidade de gênero e raça no campo educacional e social.Research, Society and Development2022-03-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://rsdjournal.org/index.php/rsd/article/view/2590610.33448/rsd-v11i3.25906Research, Society and Development; Vol. 11 No. 3; e51911325906Research, Society and Development; Vol. 11 Núm. 3; e51911325906Research, Society and Development; v. 11 n. 3; e519113259062525-3409reponame:Research, Society and Developmentinstname:Universidade Federal de Itajubá (UNIFEI)instacron:UNIFEIporhttps://rsdjournal.org/index.php/rsd/article/view/25906/23506Copyright (c) 2022 Walter Rodrigues Marques; Francisca Maria Lopes Menezes Nascimento; Tassiane Sousa Correa Branco; Zélia Maria Vieira Aranha; Luis Félix de Barros Vieira Rocha; Nara Santos Ferrão Coêlho; Rafaella Cristina de Oliveira Lima ; Maria Neuraildes Gomes Viana; Francisca Maria Rodrigues Marqueshttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMarques, Walter RodriguesNascimento, Francisca Maria Lopes Menezes Branco, Tassiane Sousa Correa Aranha, Zélia Maria Vieira Rocha, Luis Félix de Barros VieiraCoêlho, Nara Santos Ferrão Lima , Rafaella Cristina de Oliveira Viana, Maria Neuraildes Gomes Marques, Francisca Maria Rodrigues 2022-03-09T13:44:38Zoai:ojs.pkp.sfu.ca:article/25906Revistahttps://rsdjournal.org/index.php/rsd/indexPUBhttps://rsdjournal.org/index.php/rsd/oairsd.articles@gmail.com2525-34092525-3409opendoar:2024-01-17T09:44:04.557356Research, Society and Development - Universidade Federal de Itajubá (UNIFEI)false |
dc.title.none.fl_str_mv |
Netflix as a digital and audiovisual tool in approaching gender, race and racism in the Hollywood series and the Most Beautiful Thing Netflix como herramienta digital y audiovisual en el abordaje de género, raza y racismo en la serie Hollywood y Lo Más Hermoso A Netflix como ferramenta digital e audiovisual na abordagem de gênero, raça e racismo nas séries Hollywood e Coisa Mais Linda |
title |
Netflix as a digital and audiovisual tool in approaching gender, race and racism in the Hollywood series and the Most Beautiful Thing |
spellingShingle |
Netflix as a digital and audiovisual tool in approaching gender, race and racism in the Hollywood series and the Most Beautiful Thing Marques, Walter Rodrigues Cine y Mujer Legislación Violencia Representaciones sociales Streaming y Internet. Cinema e Mulher Legislação Violência Representações sociais Streaming e internet. Cinema and Women Legislation Violence Social representations Streaming and internet. |
title_short |
Netflix as a digital and audiovisual tool in approaching gender, race and racism in the Hollywood series and the Most Beautiful Thing |
title_full |
Netflix as a digital and audiovisual tool in approaching gender, race and racism in the Hollywood series and the Most Beautiful Thing |
title_fullStr |
Netflix as a digital and audiovisual tool in approaching gender, race and racism in the Hollywood series and the Most Beautiful Thing |
title_full_unstemmed |
Netflix as a digital and audiovisual tool in approaching gender, race and racism in the Hollywood series and the Most Beautiful Thing |
title_sort |
Netflix as a digital and audiovisual tool in approaching gender, race and racism in the Hollywood series and the Most Beautiful Thing |
author |
Marques, Walter Rodrigues |
author_facet |
Marques, Walter Rodrigues Nascimento, Francisca Maria Lopes Menezes Branco, Tassiane Sousa Correa Aranha, Zélia Maria Vieira Rocha, Luis Félix de Barros Vieira Coêlho, Nara Santos Ferrão Lima , Rafaella Cristina de Oliveira Viana, Maria Neuraildes Gomes Marques, Francisca Maria Rodrigues |
author_role |
author |
author2 |
Nascimento, Francisca Maria Lopes Menezes Branco, Tassiane Sousa Correa Aranha, Zélia Maria Vieira Rocha, Luis Félix de Barros Vieira Coêlho, Nara Santos Ferrão Lima , Rafaella Cristina de Oliveira Viana, Maria Neuraildes Gomes Marques, Francisca Maria Rodrigues |
author2_role |
author author author author author author author author |
dc.contributor.author.fl_str_mv |
Marques, Walter Rodrigues Nascimento, Francisca Maria Lopes Menezes Branco, Tassiane Sousa Correa Aranha, Zélia Maria Vieira Rocha, Luis Félix de Barros Vieira Coêlho, Nara Santos Ferrão Lima , Rafaella Cristina de Oliveira Viana, Maria Neuraildes Gomes Marques, Francisca Maria Rodrigues |
dc.subject.por.fl_str_mv |
Cine y Mujer Legislación Violencia Representaciones sociales Streaming y Internet. Cinema e Mulher Legislação Violência Representações sociais Streaming e internet. Cinema and Women Legislation Violence Social representations Streaming and internet. |
topic |
Cine y Mujer Legislación Violencia Representaciones sociales Streaming y Internet. Cinema e Mulher Legislação Violência Representações sociais Streaming e internet. Cinema and Women Legislation Violence Social representations Streaming and internet. |
description |
The article discusses the representation of women in society in the first half of the 20th century in the Hollywood and Coisa Mais Linda series, broadcast over the internet on the Netflix streaming channel, set respectively in Los Angeles (USA) in the 1940s and Rio de Janeiro (BRA) in the 1950s-60s. The article aims to discuss gender, race and racism violence, using as methodology the analysis of productions from streaming channels that address topics that the mainstream media considers taboo. The role of the internet as a technology that assists in the dissemination of the possibilities for discussing a range of topics that would otherwise not be possible is indisputable. The woman is represented in the series of varied prisms, she is white, black, poor, rich. However, they have something in common: they are women and therefore suffer the same violence, both physical and symbolic. Gender and race violence are latent in the series. Discarding the concept of “truth”, the content of the works was used to talk about the foundations of colonialism and patriarchy (women as the property of men). The ideology that the woman belongs to the man supports this man's supposed right to decide whether the woman lives or dies when she no longer wants to live with him. Netflix's performance has enabled the discussion of diversity and individual rights in open dialogue with the general public. It is hoped that the article will contribute to broadening the discussion on gender and race equity in the educational and social field. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-03-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://rsdjournal.org/index.php/rsd/article/view/25906 10.33448/rsd-v11i3.25906 |
url |
https://rsdjournal.org/index.php/rsd/article/view/25906 |
identifier_str_mv |
10.33448/rsd-v11i3.25906 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://rsdjournal.org/index.php/rsd/article/view/25906/23506 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Research, Society and Development |
publisher.none.fl_str_mv |
Research, Society and Development |
dc.source.none.fl_str_mv |
Research, Society and Development; Vol. 11 No. 3; e51911325906 Research, Society and Development; Vol. 11 Núm. 3; e51911325906 Research, Society and Development; v. 11 n. 3; e51911325906 2525-3409 reponame:Research, Society and Development instname:Universidade Federal de Itajubá (UNIFEI) instacron:UNIFEI |
instname_str |
Universidade Federal de Itajubá (UNIFEI) |
instacron_str |
UNIFEI |
institution |
UNIFEI |
reponame_str |
Research, Society and Development |
collection |
Research, Society and Development |
repository.name.fl_str_mv |
Research, Society and Development - Universidade Federal de Itajubá (UNIFEI) |
repository.mail.fl_str_mv |
rsd.articles@gmail.com |
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1797052703850889216 |