Social representation of the dental surgeon from cinematographic productions: a quantitative-qualitative approach
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Research, Society and Development |
Texto Completo: | https://rsdjournal.org/index.php/rsd/article/view/32243 |
Resumo: | The present study aimed to identify the social representation of the dental surgeon from cinematographic productions in undergraduate courses on the health sciences through a quantitative-qualitative approach. The methodology consisted of the presentation of three movies that had the dentist as a character (O Homem do Ano (Conspiração Filmes and Warner Bros, 2003; Charlie and the Chocolate Factory (Warner Bros, 2005) and The Hangover I (Warner Bros., 2009)). The exhibitions took place in the classroom, at different times, for students from the Dentistry, Nursing, and Physiotherapy courses. After the movie presentation, the volunteers answered a questionnaire containing alternative and essay questions. The alternative answers were expressed as percentages, while the essay questions were grouped and expressed by common and repeated keywords. The data were grouped according to the movie presented and/or analyzed course, depending on the question addressed. 56.2% of the individuals sampled are unsatisfied with the image that the media has been conveying of the dental surgeon; however, only dental students reported that this could reflect in professional aspects. The “The Hangover I” movie was considered the one that could be the most damaging to professional class. It is concluded, therefore, that there was unsatisfaction about the image that the media in general, including movies, have been showing about dental profession. |
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Social representation of the dental surgeon from cinematographic productions: a quantitative-qualitative approachRepresentación social del cirujano dentista a partir de producciones cinematográficas: un abordaje cuantitativo-cualitativoRepresentação social do cirurgião-dentista a partir das produções cinematográficas: uma abordagem quantitativa-qualitativaFilmes CinematográficosMídia AudiovisualAculturaçãoOdontologiaSociologia médica.OdontologíaPelículas CinematográficasMedios AudiovisualesAculturaciónSociología médica.DentistryMotion picturesVideo-Audio MediaAcculturationSociologySociology, medical.The present study aimed to identify the social representation of the dental surgeon from cinematographic productions in undergraduate courses on the health sciences through a quantitative-qualitative approach. The methodology consisted of the presentation of three movies that had the dentist as a character (O Homem do Ano (Conspiração Filmes and Warner Bros, 2003; Charlie and the Chocolate Factory (Warner Bros, 2005) and The Hangover I (Warner Bros., 2009)). The exhibitions took place in the classroom, at different times, for students from the Dentistry, Nursing, and Physiotherapy courses. After the movie presentation, the volunteers answered a questionnaire containing alternative and essay questions. The alternative answers were expressed as percentages, while the essay questions were grouped and expressed by common and repeated keywords. The data were grouped according to the movie presented and/or analyzed course, depending on the question addressed. 56.2% of the individuals sampled are unsatisfied with the image that the media has been conveying of the dental surgeon; however, only dental students reported that this could reflect in professional aspects. The “The Hangover I” movie was considered the one that could be the most damaging to professional class. It is concluded, therefore, that there was unsatisfaction about the image that the media in general, including movies, have been showing about dental profession.El presente estudio tuvo como objetivo identificar la representación social del cirujano dentista a partir de producciones cinematográficas, en académicos de cursos en el campo de la salud, a través de un enfoque cuantitativo-cualitativo. La metodología consistió en la presentación de tres películas que tenían al dentista como personaje (O Homem do Ano (Conspiração Filmes and Warner Bros, 2003; Charlie and the Chocolate Factory (Warner Bros, 2005) and The Hangover I (Warner Bros, 2009)). Las exposiciones se realizaron en el aula, en diferentes horarios, para estudiantes de las carreras de Odontología, Enfermería y Fisioterapia. Después de las exposiciones, los voluntarios fueron sometidos a un cuestionario que contenía preguntas alternativas y de desarrollo. Las respuestas alternativas se expresaron en porcentaje, mientras que las preguntas de ensayo se agruparon y expresaron por palabras clave comunes y repetidas. Los datos se agruparon según la película presentada y/o según el curso analizado, según la pregunta abordada. El 56,2% de los individuos de la muestra son insatisfecho con la imagen que los medios de comunicación han estado transmitiendo del cirujano dentista, sin embargo, solo los estudiantes de odontología informaron que esto podría reflejar en aspectos profesionales. La película “The Hangover” fue reportada como la que más daño podría hacer a la clase. Se concluye, por tanto, que hubo insatisfacción con respecto a la imagen que los medios de comunicación en general, incluido el cine, han venido transmitiendo sobre la profesión odontológica.O presente estudo teve como objetivo identificar a representatividade social do cirurgião dentista a partir de produções cinematográficas, por acadêmicos de cursos do campo da saúde, por meio de uma abordagem quantitativa-qualitativa. A metodologia consistiu na apresentação de três filmes que possuíam o cirurgião-dentista como personagem: (O homem do ano (Conspiração Filmes e Warner Bros, 2003; A fantástica fábrica de chocolate (Warner Bros, 2005) e Se beber não case I (Warner Bros, 2009)). As exibições ocorreram em sala de aula, em diferentes horários, para acadêmicos dos cursos de Odontologia, Enfermagem e Fisioterapia. Após as exibições, os voluntários foram submetidos a um questionário contendo questões alternativas e dissertativas. As respostas alternativas foram expressas em forma de percentual, enquanto as questões dissertativas foram agrupadas e expressas por unitermos comuns e repetidos. Os dados foram agrupados de acordo com o filme apresentado e/ou de acordo com o curso analisado, dependendo da questão abordada. 56,2% dos indivíduos amostrados estão insatisfeitos com a imagem que a mídia vem transmitindo do cirurgião dentista; no entanto, somente os acadêmicos de odontologia relataram que isso poderia refletir em aspectos profissionais. O filme “Se beber não case” foi relatado como o que poderia produzir maiores danos à classe. Conclui-se, dessa forma, que houve uma insatisfação no que diz respeito à imagem que a mídia em geral, inclusive os filmes, vêm passando acerca da profissão odontológica.Research, Society and Development2022-07-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://rsdjournal.org/index.php/rsd/article/view/3224310.33448/rsd-v11i10.32243Research, Society and Development; Vol. 11 No. 10; e07111032243Research, Society and Development; Vol. 11 Núm. 10; e07111032243Research, Society and Development; v. 11 n. 10; e071110322432525-3409reponame:Research, Society and Developmentinstname:Universidade Federal de Itajubá (UNIFEI)instacron:UNIFEIporhttps://rsdjournal.org/index.php/rsd/article/view/32243/27764Copyright (c) 2022 Caio Sampaio; Juliana Penariol Ramos; Thayse Yumi Hosida; Ivana Maria Esteves Macielhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSampaio, CaioRamos, Juliana Penariol Hosida, Thayse YumiMaciel, Ivana Maria Esteves2022-08-12T22:23:03Zoai:ojs.pkp.sfu.ca:article/32243Revistahttps://rsdjournal.org/index.php/rsd/indexPUBhttps://rsdjournal.org/index.php/rsd/oairsd.articles@gmail.com2525-34092525-3409opendoar:2024-01-17T09:48:18.176200Research, Society and Development - Universidade Federal de Itajubá (UNIFEI)false |
dc.title.none.fl_str_mv |
Social representation of the dental surgeon from cinematographic productions: a quantitative-qualitative approach Representación social del cirujano dentista a partir de producciones cinematográficas: un abordaje cuantitativo-cualitativo Representação social do cirurgião-dentista a partir das produções cinematográficas: uma abordagem quantitativa-qualitativa |
title |
Social representation of the dental surgeon from cinematographic productions: a quantitative-qualitative approach |
spellingShingle |
Social representation of the dental surgeon from cinematographic productions: a quantitative-qualitative approach Sampaio, Caio Filmes Cinematográficos Mídia Audiovisual Aculturação Odontologia Sociologia médica. Odontología Películas Cinematográficas Medios Audiovisuales Aculturación Sociología médica. Dentistry Motion pictures Video-Audio Media Acculturation Sociology Sociology, medical. |
title_short |
Social representation of the dental surgeon from cinematographic productions: a quantitative-qualitative approach |
title_full |
Social representation of the dental surgeon from cinematographic productions: a quantitative-qualitative approach |
title_fullStr |
Social representation of the dental surgeon from cinematographic productions: a quantitative-qualitative approach |
title_full_unstemmed |
Social representation of the dental surgeon from cinematographic productions: a quantitative-qualitative approach |
title_sort |
Social representation of the dental surgeon from cinematographic productions: a quantitative-qualitative approach |
author |
Sampaio, Caio |
author_facet |
Sampaio, Caio Ramos, Juliana Penariol Hosida, Thayse Yumi Maciel, Ivana Maria Esteves |
author_role |
author |
author2 |
Ramos, Juliana Penariol Hosida, Thayse Yumi Maciel, Ivana Maria Esteves |
author2_role |
author author author |
dc.contributor.author.fl_str_mv |
Sampaio, Caio Ramos, Juliana Penariol Hosida, Thayse Yumi Maciel, Ivana Maria Esteves |
dc.subject.por.fl_str_mv |
Filmes Cinematográficos Mídia Audiovisual Aculturação Odontologia Sociologia médica. Odontología Películas Cinematográficas Medios Audiovisuales Aculturación Sociología médica. Dentistry Motion pictures Video-Audio Media Acculturation Sociology Sociology, medical. |
topic |
Filmes Cinematográficos Mídia Audiovisual Aculturação Odontologia Sociologia médica. Odontología Películas Cinematográficas Medios Audiovisuales Aculturación Sociología médica. Dentistry Motion pictures Video-Audio Media Acculturation Sociology Sociology, medical. |
description |
The present study aimed to identify the social representation of the dental surgeon from cinematographic productions in undergraduate courses on the health sciences through a quantitative-qualitative approach. The methodology consisted of the presentation of three movies that had the dentist as a character (O Homem do Ano (Conspiração Filmes and Warner Bros, 2003; Charlie and the Chocolate Factory (Warner Bros, 2005) and The Hangover I (Warner Bros., 2009)). The exhibitions took place in the classroom, at different times, for students from the Dentistry, Nursing, and Physiotherapy courses. After the movie presentation, the volunteers answered a questionnaire containing alternative and essay questions. The alternative answers were expressed as percentages, while the essay questions were grouped and expressed by common and repeated keywords. The data were grouped according to the movie presented and/or analyzed course, depending on the question addressed. 56.2% of the individuals sampled are unsatisfied with the image that the media has been conveying of the dental surgeon; however, only dental students reported that this could reflect in professional aspects. The “The Hangover I” movie was considered the one that could be the most damaging to professional class. It is concluded, therefore, that there was unsatisfaction about the image that the media in general, including movies, have been showing about dental profession. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-07-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://rsdjournal.org/index.php/rsd/article/view/32243 10.33448/rsd-v11i10.32243 |
url |
https://rsdjournal.org/index.php/rsd/article/view/32243 |
identifier_str_mv |
10.33448/rsd-v11i10.32243 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://rsdjournal.org/index.php/rsd/article/view/32243/27764 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Research, Society and Development |
publisher.none.fl_str_mv |
Research, Society and Development |
dc.source.none.fl_str_mv |
Research, Society and Development; Vol. 11 No. 10; e07111032243 Research, Society and Development; Vol. 11 Núm. 10; e07111032243 Research, Society and Development; v. 11 n. 10; e07111032243 2525-3409 reponame:Research, Society and Development instname:Universidade Federal de Itajubá (UNIFEI) instacron:UNIFEI |
instname_str |
Universidade Federal de Itajubá (UNIFEI) |
instacron_str |
UNIFEI |
institution |
UNIFEI |
reponame_str |
Research, Society and Development |
collection |
Research, Society and Development |
repository.name.fl_str_mv |
Research, Society and Development - Universidade Federal de Itajubá (UNIFEI) |
repository.mail.fl_str_mv |
rsd.articles@gmail.com |
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1797052836850171904 |