Abstract photography in José Oiticica Filho (1906-1964) and Geraldo de Barros (1923-1998): a case study

Detalhes bibliográficos
Autor(a) principal: Etcheverry, Carolina Martins
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Mouseion (Canoas)
Texto Completo: https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/3552
Resumo: This article is a reflection on my doctoral thesis about the photographies of Brazilian artists Geraldo de Barros and José Oiticica Filho, created in the period between 1950 – 1964. Because of their abstract character, due to the fact that their referent isn't clearly identifiable, these photographies challenge the observer. The documentary authority of the photography is questioned by the creation of images opposing the idea of mimesis of reality. We seek to define the concept of abstract photography from various authors, as well as to insert this kind of images in a larger context of visual arts and the history of photography.
id UNILASALLE-1_70eac35ffd9506d9fa2d2fc7abf9b443
oai_identifier_str oai:ojs.revistas.unilasalle.edu.br:article/3552
network_acronym_str UNILASALLE-1
network_name_str Mouseion (Canoas)
repository_id_str
spelling Abstract photography in José Oiticica Filho (1906-1964) and Geraldo de Barros (1923-1998): a case studyA fotografia abstrata em José Oiticica Filho (1906-1964) e em Geraldo de Barros (1923-1998): um estudo de casoPhotographyVisual ArtsAbstractionFotografiaArtes VisuaisAbstraçãoHistória da Fotografia no BrasilThis article is a reflection on my doctoral thesis about the photographies of Brazilian artists Geraldo de Barros and José Oiticica Filho, created in the period between 1950 – 1964. Because of their abstract character, due to the fact that their referent isn't clearly identifiable, these photographies challenge the observer. The documentary authority of the photography is questioned by the creation of images opposing the idea of mimesis of reality. We seek to define the concept of abstract photography from various authors, as well as to insert this kind of images in a larger context of visual arts and the history of photography.Este artigo é uma síntese da minha tese de doutorado, voltada para uma reflexão sobre as fotografias dos artistas brasileiros Geraldo de Barros e José Oiticica Filho criadas entre os anos de 1950 e 1964 que, por seu caráter abstrato, devido ao seu referente não claramente identificável, constituem um desafio ao observador, tanto da época quanto o contemporâneo. A autoridade documental da fotografia é questionada através da criação de imagens que se colocam contra a ideia de mimese do real. Procuramos definir o conceito de fotografia abstrata a partir de diversos autores, bem como procuramos inserir este tipo de imagem dentro de um contexto maior das artes visuais e da própria história da fotografia.Universidade LaSalle - Unilasalle Canoas2017-04-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPesquisa Históricaapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/355210.18316/mouseion.v0i26.3552Mouseion; No. 26 (2017); p. 81-94Revista Mouseion; n. 26 (2017); p. 81-941981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/3552/pdfCopyright (c) 2017 Mouseioninfo:eu-repo/semantics/openAccessEtcheverry, Carolina Martins2022-05-25T19:24:06Zoai:ojs.revistas.unilasalle.edu.br:article/3552Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2022-05-25T19:24:06Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false
dc.title.none.fl_str_mv Abstract photography in José Oiticica Filho (1906-1964) and Geraldo de Barros (1923-1998): a case study
A fotografia abstrata em José Oiticica Filho (1906-1964) e em Geraldo de Barros (1923-1998): um estudo de caso
title Abstract photography in José Oiticica Filho (1906-1964) and Geraldo de Barros (1923-1998): a case study
spellingShingle Abstract photography in José Oiticica Filho (1906-1964) and Geraldo de Barros (1923-1998): a case study
Etcheverry, Carolina Martins
Photography
Visual Arts
Abstraction
Fotografia
Artes Visuais
Abstração
História da Fotografia no Brasil
title_short Abstract photography in José Oiticica Filho (1906-1964) and Geraldo de Barros (1923-1998): a case study
title_full Abstract photography in José Oiticica Filho (1906-1964) and Geraldo de Barros (1923-1998): a case study
title_fullStr Abstract photography in José Oiticica Filho (1906-1964) and Geraldo de Barros (1923-1998): a case study
title_full_unstemmed Abstract photography in José Oiticica Filho (1906-1964) and Geraldo de Barros (1923-1998): a case study
title_sort Abstract photography in José Oiticica Filho (1906-1964) and Geraldo de Barros (1923-1998): a case study
author Etcheverry, Carolina Martins
author_facet Etcheverry, Carolina Martins
author_role author
dc.contributor.author.fl_str_mv Etcheverry, Carolina Martins
dc.subject.por.fl_str_mv Photography
Visual Arts
Abstraction
Fotografia
Artes Visuais
Abstração
História da Fotografia no Brasil
topic Photography
Visual Arts
Abstraction
Fotografia
Artes Visuais
Abstração
História da Fotografia no Brasil
description This article is a reflection on my doctoral thesis about the photographies of Brazilian artists Geraldo de Barros and José Oiticica Filho, created in the period between 1950 – 1964. Because of their abstract character, due to the fact that their referent isn't clearly identifiable, these photographies challenge the observer. The documentary authority of the photography is questioned by the creation of images opposing the idea of mimesis of reality. We seek to define the concept of abstract photography from various authors, as well as to insert this kind of images in a larger context of visual arts and the history of photography.
publishDate 2017
dc.date.none.fl_str_mv 2017-04-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Pesquisa Histórica
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/3552
10.18316/mouseion.v0i26.3552
url https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/3552
identifier_str_mv 10.18316/mouseion.v0i26.3552
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/3552/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2017 Mouseion
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Mouseion
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
dc.source.none.fl_str_mv Mouseion; No. 26 (2017); p. 81-94
Revista Mouseion; n. 26 (2017); p. 81-94
1981-7207
reponame:Mouseion (Canoas)
instname:Centro Universitário La Salle (Unilasalle)
instacron:UNILASALLE
instname_str Centro Universitário La Salle (Unilasalle)
instacron_str UNILASALLE
institution UNILASALLE
reponame_str Mouseion (Canoas)
collection Mouseion (Canoas)
repository.name.fl_str_mv Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)
repository.mail.fl_str_mv ||revista.mouseion@unilasalle.edu.br
_version_ 1800218180812013568

Registros relacionados