For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Estilos da Clínica (Online) |
Texto Completo: | https://www.revistas.usp.br/estic/article/view/162191 |
Resumo: | The body was the central theme of this psychoanalytic investigation, mainly referenced in Freud, Lacan and Dolto, whose proposal was to dialogue with art, more specifically, contemporary dance. The objective was to investigate how the resonance between bodies is processed in the context of the language’s own misunderstandings and its unrepresentable remnants. Through the investigation of the body perspectives learned in the context of psychoanalysis and contemporary dance, it was presented that both theoretical and practical fields were responsible for deconstruction operations of the imaginary body individuality, indicating that the body should not be taken as something hermetically closed but as a paradoxical space for contemporary dance, and as a pulsional body for psychoanalysis. In this sense, the body is not confused with anatomy nor is it bounded by the skin or range of movement, it must be approached from its relational dimension, as something constructed and renewed in the dynamic space of the Other. In this space, psychoanalysis evokes words and subtle perceptions, and contemporary dance evokes gesture, as a means by which it is possible to recognize the establishment of a rhythm, constructed and captured by bodies that are in a state of living presence, open to the imaginary that articulates to the symbolic and to the real. Thus, our thesis was that the resonance between bodies refers to the instauration of a rhythm that is processed by subtle means, that range from prosody to the evocation of senses present in gestures, when addressed to the Other. |
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For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dancePor una rítmica de los cuerpos parlantes: resonancias entre psicoanálisis y danza contemporáneaPor uma rítmica dos corpos falantes: ressonâncias entre a psicanálise e a dança contemporâneacorpopsicanálisedança contemporâneagestoritmoThe body was the central theme of this psychoanalytic investigation, mainly referenced in Freud, Lacan and Dolto, whose proposal was to dialogue with art, more specifically, contemporary dance. The objective was to investigate how the resonance between bodies is processed in the context of the language’s own misunderstandings and its unrepresentable remnants. Through the investigation of the body perspectives learned in the context of psychoanalysis and contemporary dance, it was presented that both theoretical and practical fields were responsible for deconstruction operations of the imaginary body individuality, indicating that the body should not be taken as something hermetically closed but as a paradoxical space for contemporary dance, and as a pulsional body for psychoanalysis. In this sense, the body is not confused with anatomy nor is it bounded by the skin or range of movement, it must be approached from its relational dimension, as something constructed and renewed in the dynamic space of the Other. In this space, psychoanalysis evokes words and subtle perceptions, and contemporary dance evokes gesture, as a means by which it is possible to recognize the establishment of a rhythm, constructed and captured by bodies that are in a state of living presence, open to the imaginary that articulates to the symbolic and to the real. Thus, our thesis was that the resonance between bodies refers to the instauration of a rhythm that is processed by subtle means, that range from prosody to the evocation of senses present in gestures, when addressed to the Other.O corpo foi o tema central desta investigação psicanalítica, principalmente referenciada em Freud, Lacan e Dolto, que se propôs a dialogar com a arte, especificamente, a dança contemporânea. O objetivo foi investigar como se processa a ressonância entre corpos que acontece no contexto de desentendimentos próprios à linguagem e a seus restos irrepresentáveis. Por meio da investigação das perspectivas de corpo apreendidas no âmbito da psicanálise e da dança contemporânea, apresentou-se que ambos os campos teórico-práticos foram responsáveis por operações de desconstrução da individualidade corporal imaginária, indicando que o corpo não deve ser tomado como algo hermeticamente fechado sobre si mesmo, mas como espaço paradoxal para a dança contemporânea e como corpo pulsional para a psicanálise. Nesse sentido, o corpo não se confunde com a anatomia e nem se delimita pela pele ou pelo alcance dos movimentos, mas deve ser abordado a partir de sua dimensão relacional, como algo que se constrói e se atualiza no espaço dinâmico do Outro. Nesse espaço, a psicanálise evoca as palavras e as percepções sutis, e a dança contemporânea evoca o gesto, como meios pelos quais se argumentou ser possível reconhecer a instauração de um ritmo, construído e captado pelos corpos que estejam num estado de presença viva, aberto ao imaginário que se articula ao simbólico e ao real. Assim, esta tese propôs que a ressonância entre corpos diz respeito à instauração de uma rítmica que se processa por meios sutis, que vão desde a prosódia da voz à evocação de sentidos presentes nos gestos, quando endereçados ao Outro.Universidade de São Paulo2019-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionResumo de teseapplication/pdfhttps://www.revistas.usp.br/estic/article/view/16219110.11606/issn.1981-1624.v24i2p378-379Estilos da Clinica; v. 24 n. 2 (2019): Sándor Ferenczi e a criança nos adultos; 378-379Estilos da Clinica; ##issue.vol## 24 ##issue.no## 2 (2019): Sándor Ferenczi e a criança nos adultos; 378-379Stili della clinica. Rivista sui destini dell'infanzia; V. 24 N. 2 (2019): Sándor Ferenczi e a criança nos adultos; 378-379Clinical Styles. The Journal on the vicissitudes of childhood; Vol. 24 No. 2 (2019): Sándor Ferenczi e a criança nos adultos; 378-379Styles de la Clinique. Revue sur les vicissitudes de l'enfance; Vol. 24 No 2 (2019): Sándor Ferenczi et l'enfant chez les adultes; 378-379Estilos de la Clínica. Revista sobre las vicisitudes de la infancia; Vol. 24 Núm. 2 (2019): Sándor Ferenczi y el niño en los adultos; 378-3791981-16241415-7128reponame:Estilos da Clínica (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/estic/article/view/162191/156595Borges, Fabíola Graciele Abadiainfo:eu-repo/semantics/openAccess2020-09-02T03:56:14Zoai:revistas.usp.br:article/162191Revistahttps://www.revistas.usp.br/estic/indexPUBhttps://www.revistas.usp.br/estic/oairevistaestilosdaclinica@usp.br1981-16241415-7128opendoar:2020-09-02T03:56:14Estilos da Clínica (Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance Por una rítmica de los cuerpos parlantes: resonancias entre psicoanálisis y danza contemporánea Por uma rítmica dos corpos falantes: ressonâncias entre a psicanálise e a dança contemporânea |
title |
For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance |
spellingShingle |
For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance Borges, Fabíola Graciele Abadia corpo psicanálise dança contemporânea gesto ritmo |
title_short |
For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance |
title_full |
For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance |
title_fullStr |
For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance |
title_full_unstemmed |
For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance |
title_sort |
For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance |
author |
Borges, Fabíola Graciele Abadia |
author_facet |
Borges, Fabíola Graciele Abadia |
author_role |
author |
dc.contributor.author.fl_str_mv |
Borges, Fabíola Graciele Abadia |
dc.subject.por.fl_str_mv |
corpo psicanálise dança contemporânea gesto ritmo |
topic |
corpo psicanálise dança contemporânea gesto ritmo |
description |
The body was the central theme of this psychoanalytic investigation, mainly referenced in Freud, Lacan and Dolto, whose proposal was to dialogue with art, more specifically, contemporary dance. The objective was to investigate how the resonance between bodies is processed in the context of the language’s own misunderstandings and its unrepresentable remnants. Through the investigation of the body perspectives learned in the context of psychoanalysis and contemporary dance, it was presented that both theoretical and practical fields were responsible for deconstruction operations of the imaginary body individuality, indicating that the body should not be taken as something hermetically closed but as a paradoxical space for contemporary dance, and as a pulsional body for psychoanalysis. In this sense, the body is not confused with anatomy nor is it bounded by the skin or range of movement, it must be approached from its relational dimension, as something constructed and renewed in the dynamic space of the Other. In this space, psychoanalysis evokes words and subtle perceptions, and contemporary dance evokes gesture, as a means by which it is possible to recognize the establishment of a rhythm, constructed and captured by bodies that are in a state of living presence, open to the imaginary that articulates to the symbolic and to the real. Thus, our thesis was that the resonance between bodies refers to the instauration of a rhythm that is processed by subtle means, that range from prosody to the evocation of senses present in gestures, when addressed to the Other. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-08-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Resumo de tese |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/estic/article/view/162191 10.11606/issn.1981-1624.v24i2p378-379 |
url |
https://www.revistas.usp.br/estic/article/view/162191 |
identifier_str_mv |
10.11606/issn.1981-1624.v24i2p378-379 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/estic/article/view/162191/156595 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo |
publisher.none.fl_str_mv |
Universidade de São Paulo |
dc.source.none.fl_str_mv |
Estilos da Clinica; v. 24 n. 2 (2019): Sándor Ferenczi e a criança nos adultos; 378-379 Estilos da Clinica; ##issue.vol## 24 ##issue.no## 2 (2019): Sándor Ferenczi e a criança nos adultos; 378-379 Stili della clinica. Rivista sui destini dell'infanzia; V. 24 N. 2 (2019): Sándor Ferenczi e a criança nos adultos; 378-379 Clinical Styles. The Journal on the vicissitudes of childhood; Vol. 24 No. 2 (2019): Sándor Ferenczi e a criança nos adultos; 378-379 Styles de la Clinique. Revue sur les vicissitudes de l'enfance; Vol. 24 No 2 (2019): Sándor Ferenczi et l'enfant chez les adultes; 378-379 Estilos de la Clínica. Revista sobre las vicisitudes de la infancia; Vol. 24 Núm. 2 (2019): Sándor Ferenczi y el niño en los adultos; 378-379 1981-1624 1415-7128 reponame:Estilos da Clínica (Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Estilos da Clínica (Online) |
collection |
Estilos da Clínica (Online) |
repository.name.fl_str_mv |
Estilos da Clínica (Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
revistaestilosdaclinica@usp.br |
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1797067496389345280 |