For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance

Detalhes bibliográficos
Autor(a) principal: Borges, Fabíola Graciele Abadia
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Estilos da Clínica (Online)
Texto Completo: https://www.revistas.usp.br/estic/article/view/162191
Resumo: The body was the central theme of this psychoanalytic investigation, mainly referenced in Freud, Lacan and Dolto, whose proposal was to dialogue with art, more specifically, contemporary dance. The objective was to investigate how the resonance between bodies is processed in the context of the language’s own misunderstandings and its unrepresentable remnants. Through the investigation of the body perspectives learned in the context of psychoanalysis and contemporary dance, it was presented that both theoretical and practical fields were responsible for deconstruction operations of the imaginary body individuality, indicating that the body should not be taken as something hermetically closed but as a paradoxical space for contemporary dance, and as a pulsional body for psychoanalysis. In this sense, the body is not confused with anatomy nor is it bounded by the skin or range of movement, it must be approached from its relational dimension, as something constructed and renewed in the dynamic space of the Other. In this space, psychoanalysis evokes words and subtle perceptions, and contemporary dance evokes gesture, as a means by which it is possible to recognize the establishment of a rhythm, constructed and captured by bodies that are in a state of living presence, open to the imaginary that articulates to the symbolic and to the real. Thus, our thesis was that the resonance between bodies refers to the instauration of a rhythm that is processed by subtle means, that range from prosody to the evocation of senses present in gestures, when addressed to the Other.
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spelling For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dancePor una rítmica de los cuerpos parlantes: resonancias entre psicoanálisis y danza contemporáneaPor uma rítmica dos corpos falantes: ressonâncias entre a psicanálise e a dança contemporâneacorpopsicanálisedança contemporâneagestoritmoThe body was the central theme of this psychoanalytic investigation, mainly referenced in Freud, Lacan and Dolto, whose proposal was to dialogue with art, more specifically, contemporary dance. The objective was to investigate how the resonance between bodies is processed in the context of the language’s own misunderstandings and its unrepresentable remnants. Through the investigation of the body perspectives learned in the context of psychoanalysis and contemporary dance, it was presented that both theoretical and practical fields were responsible for deconstruction operations of the imaginary body individuality, indicating that the body should not be taken as something hermetically closed but as a paradoxical space for contemporary dance, and as a pulsional body for psychoanalysis. In this sense, the body is not confused with anatomy nor is it bounded by the skin or range of movement, it must be approached from its relational dimension, as something constructed and renewed in the dynamic space of the Other. In this space, psychoanalysis evokes words and subtle perceptions, and contemporary dance evokes gesture, as a means by which it is possible to recognize the establishment of a rhythm, constructed and captured by bodies that are in a state of living presence, open to the imaginary that articulates to the symbolic and to the real. Thus, our thesis was that the resonance between bodies refers to the instauration of a rhythm that is processed by subtle means, that range from prosody to the evocation of senses present in gestures, when addressed to the Other.O corpo foi o tema central desta investigação psicanalítica, principalmente referenciada em Freud, Lacan e Dolto, que se propôs a dialogar com a arte, especificamente, a dança contemporânea. O objetivo foi investigar como se processa a ressonância entre corpos que acontece no contexto de desentendimentos próprios à linguagem e a seus restos irrepresentáveis. Por meio da investigação das perspectivas de corpo apreendidas no âmbito da psicanálise e da dança contemporânea, apresentou-se que ambos os campos teórico-práticos foram responsáveis por operações de desconstrução da individualidade corporal imaginária, indicando que o corpo não deve ser tomado como algo hermeticamente fechado sobre si mesmo, mas como espaço paradoxal para a dança contemporânea e como corpo pulsional para a psicanálise. Nesse sentido, o corpo não se confunde com a anatomia e nem se delimita pela pele ou pelo alcance dos movimentos, mas deve ser abordado a partir de sua dimensão relacional, como algo que se constrói e se atualiza no espaço dinâmico do Outro. Nesse espaço, a psicanálise evoca as palavras e as percepções sutis, e a dança contemporânea evoca o gesto, como meios pelos quais se argumentou ser possível reconhecer a instauração de um ritmo, construído e captado pelos corpos que estejam num estado de presença viva, aberto ao imaginário que se articula ao simbólico e ao real. Assim, esta tese propôs que a ressonância entre corpos diz respeito à instauração de uma rítmica que se processa por meios sutis, que vão desde a prosódia da voz à evocação de sentidos presentes nos gestos, quando endereçados ao Outro.Universidade de São Paulo2019-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionResumo de teseapplication/pdfhttps://www.revistas.usp.br/estic/article/view/16219110.11606/issn.1981-1624.v24i2p378-379Estilos da Clinica; v. 24 n. 2 (2019): Sándor Ferenczi e a criança nos adultos; 378-379Estilos da Clinica; ##issue.vol## 24 ##issue.no## 2 (2019): Sándor Ferenczi e a criança nos adultos; 378-379Stili della clinica. Rivista sui destini dell'infanzia; V. 24 N. 2 (2019): Sándor Ferenczi e a criança nos adultos; 378-379Clinical Styles. The Journal on the vicissitudes of childhood; Vol. 24 No. 2 (2019): Sándor Ferenczi e a criança nos adultos; 378-379Styles de la Clinique. Revue sur les vicissitudes de l'enfance; Vol. 24 No 2 (2019): Sándor Ferenczi et l'enfant chez les adultes; 378-379Estilos de la Clínica. Revista sobre las vicisitudes de la infancia; Vol. 24 Núm. 2 (2019): Sándor Ferenczi y el niño en los adultos; 378-3791981-16241415-7128reponame:Estilos da Clínica (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/estic/article/view/162191/156595Borges, Fabíola Graciele Abadiainfo:eu-repo/semantics/openAccess2020-09-02T03:56:14Zoai:revistas.usp.br:article/162191Revistahttps://www.revistas.usp.br/estic/indexPUBhttps://www.revistas.usp.br/estic/oairevistaestilosdaclinica@usp.br1981-16241415-7128opendoar:2020-09-02T03:56:14Estilos da Clínica (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance
Por una rítmica de los cuerpos parlantes: resonancias entre psicoanálisis y danza contemporánea
Por uma rítmica dos corpos falantes: ressonâncias entre a psicanálise e a dança contemporânea
title For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance
spellingShingle For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance
Borges, Fabíola Graciele Abadia
corpo
psicanálise
dança contemporânea
gesto
ritmo
title_short For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance
title_full For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance
title_fullStr For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance
title_full_unstemmed For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance
title_sort For a rhythmic of the talking bodies: resonances between psychoanalysis and contemporary dance
author Borges, Fabíola Graciele Abadia
author_facet Borges, Fabíola Graciele Abadia
author_role author
dc.contributor.author.fl_str_mv Borges, Fabíola Graciele Abadia
dc.subject.por.fl_str_mv corpo
psicanálise
dança contemporânea
gesto
ritmo
topic corpo
psicanálise
dança contemporânea
gesto
ritmo
description The body was the central theme of this psychoanalytic investigation, mainly referenced in Freud, Lacan and Dolto, whose proposal was to dialogue with art, more specifically, contemporary dance. The objective was to investigate how the resonance between bodies is processed in the context of the language’s own misunderstandings and its unrepresentable remnants. Through the investigation of the body perspectives learned in the context of psychoanalysis and contemporary dance, it was presented that both theoretical and practical fields were responsible for deconstruction operations of the imaginary body individuality, indicating that the body should not be taken as something hermetically closed but as a paradoxical space for contemporary dance, and as a pulsional body for psychoanalysis. In this sense, the body is not confused with anatomy nor is it bounded by the skin or range of movement, it must be approached from its relational dimension, as something constructed and renewed in the dynamic space of the Other. In this space, psychoanalysis evokes words and subtle perceptions, and contemporary dance evokes gesture, as a means by which it is possible to recognize the establishment of a rhythm, constructed and captured by bodies that are in a state of living presence, open to the imaginary that articulates to the symbolic and to the real. Thus, our thesis was that the resonance between bodies refers to the instauration of a rhythm that is processed by subtle means, that range from prosody to the evocation of senses present in gestures, when addressed to the Other.
publishDate 2019
dc.date.none.fl_str_mv 2019-08-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Resumo de tese
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/estic/article/view/162191
10.11606/issn.1981-1624.v24i2p378-379
url https://www.revistas.usp.br/estic/article/view/162191
identifier_str_mv 10.11606/issn.1981-1624.v24i2p378-379
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/estic/article/view/162191/156595
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo
publisher.none.fl_str_mv Universidade de São Paulo
dc.source.none.fl_str_mv Estilos da Clinica; v. 24 n. 2 (2019): Sándor Ferenczi e a criança nos adultos; 378-379
Estilos da Clinica; ##issue.vol## 24 ##issue.no## 2 (2019): Sándor Ferenczi e a criança nos adultos; 378-379
Stili della clinica. Rivista sui destini dell'infanzia; V. 24 N. 2 (2019): Sándor Ferenczi e a criança nos adultos; 378-379
Clinical Styles. The Journal on the vicissitudes of childhood; Vol. 24 No. 2 (2019): Sándor Ferenczi e a criança nos adultos; 378-379
Styles de la Clinique. Revue sur les vicissitudes de l'enfance; Vol. 24 No 2 (2019): Sándor Ferenczi et l'enfant chez les adultes; 378-379
Estilos de la Clínica. Revista sobre las vicisitudes de la infancia; Vol. 24 Núm. 2 (2019): Sándor Ferenczi y el niño en los adultos; 378-379
1981-1624
1415-7128
reponame:Estilos da Clínica (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Estilos da Clínica (Online)
collection Estilos da Clínica (Online)
repository.name.fl_str_mv Estilos da Clínica (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv revistaestilosdaclinica@usp.br
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