Reflections on visual language in the process of artifact formgiving

Detalhes bibliográficos
Autor(a) principal: SIlveira, Nathalie Barros da Mota
Data de Publicação: 2021
Outros Autores: Cavalcante, Virginia Pereira
Tipo de documento: Artigo
Idioma: por
Título da fonte: DATJournal
Texto Completo: https://datjournal.anhembi.br/dat/article/view/439
Resumo: This paper presents the academic and professional paths taken by the author, together with the results and reflections concerning the research he carried out. Starting from the studies which began with the Project and Collection “Olhar, Olhares” (“Look, Looks”) in 2002 and continuing until the present moment, other inquiries on the education and role of the designer in society take place; all the stages that led to the SEE BEYOND method (2016), created during his doctorate, are described. This method has also triggered and oriented other views on undergraduate education and product development in the field of fashion, in a dialogue between Design and Neuroscience.
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spelling Reflections on visual language in the process of artifact formgivingReflexiones acerca del lenguaje visual en el proceso de configuración de los artefactosReflexões sobre a linguagem visual no processo de configuração dos artefatosDesign de artefatosLinguagem VisualConfiguraçãoArtifact designVisual LanguageFormgivingDiseño de artefactosLenguaje visualConfiguraciónThis paper presents the academic and professional paths taken by the author, together with the results and reflections concerning the research he carried out. Starting from the studies which began with the Project and Collection “Olhar, Olhares” (“Look, Looks”) in 2002 and continuing until the present moment, other inquiries on the education and role of the designer in society take place; all the stages that led to the SEE BEYOND method (2016), created during his doctorate, are described. This method has also triggered and oriented other views on undergraduate education and product development in the field of fashion, in a dialogue between Design and Neuroscience.Este artículo presenta un recorte de una investigación de doctorado realizada en la Universidad Federal de Pernambuco. El fragmento que aquí se presenta resal-ta el descompaso entre práctica proyectual y pensamiento visual, en el proceso de configuración de los artefactos materiales tridimensionales, decurrente, prin-cipalmente, de la necesidad del enfoque del contenido del lenguaje visual en el ámbito del diseño de producto. Los estudios sobre el lenguaje visual son adopta-dos como fundamentos básicos para la formación de los diseñadores desde su surgimiento en Bauhaus. A pesar de su importancia y de la constante retomada de ese contenido, se observa que las discusiones ocurren sustancialmente con relación a las ocurrencias bidimensionales. Surge entonces el presupuesto de que la falta de reflexiones acerca de la aplicación de esos conceptos en el diseño tri-dimensional produce impactos en el proceso de incorporación de repertorio vi-sual, así como en la calidad de generación de conceptos formales en la práctica proyectual. El objetivo de este texto es expandir la visión sobre la problemática destacando la relevancia de la ampliación de los debates relativos a esa cues-tión. Los resultados ofrecen, de manera breve, instrumentos que posibilitan com-prender los matices de la composición visual tridimensional.Este artigo apresenta um recorte da pesquisa de doutoramento realizada na Uni-versidade Federal de Pernambuco. O fragmento aqui apresentado ressalta o des-compasso entre prática projetual e pensamento visual no processo de configura-ção dos artefatos materiais tridimensionais decorrentes, principalmente, da ca-rência da abordagem do conteúdo da linguagem visual no âmbito do design de produto. Os estudos sobre linguagem visual são adotados como fundamentos básicos para formação dos designers desde o seu surgimento na Bauhaus. Apesar de sua importância e da constante retomada desse conteúdo, observa-se que as discussões acontecem substancialmente em relação às ocorrências bidimensio-nais. Surge então o pressuposto de que a falta de reflexões sobre a aplicação des-ses conceitos no design tridimensional produz impactos no processo de incorpo-ração de repertório visual e na qualidade da geração de conceitos formais na prá-tica projetual. O objetivo do texto é expandir a visão sobre a problemática desta-cando a relevância da ampliação dos debates relativos à essa questão. Os resulta-dos oferecem, de maneira breve, instrumentos que possibilitam compreender as nuances da composição visual tridimensional.Universidade Anhambi Murumbi2021-10-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/43910.29147/dat.v6i3.439DAT Journal; Vol. 6 No. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 87-104DAT Journal; Vol. 6 Núm. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 87-104DAT Journal; v. 6 n. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 87-1042526-178910.29147/dat.v6i3reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/439/318https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSIlveira, Nathalie Barros da MotaCavalcante, Virginia Pereira2022-03-29T12:24:42Zoai:ojs.datjournal.anhembi.br:article/439Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-03-29T12:24:42DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false
dc.title.none.fl_str_mv Reflections on visual language in the process of artifact formgiving
Reflexiones acerca del lenguaje visual en el proceso de configuración de los artefactos
Reflexões sobre a linguagem visual no processo de configuração dos artefatos
title Reflections on visual language in the process of artifact formgiving
spellingShingle Reflections on visual language in the process of artifact formgiving
SIlveira, Nathalie Barros da Mota
Design de artefatos
Linguagem Visual
Configuração
Artifact design
Visual Language
Formgiving
Diseño de artefactos
Lenguaje visual
Configuración
title_short Reflections on visual language in the process of artifact formgiving
title_full Reflections on visual language in the process of artifact formgiving
title_fullStr Reflections on visual language in the process of artifact formgiving
title_full_unstemmed Reflections on visual language in the process of artifact formgiving
title_sort Reflections on visual language in the process of artifact formgiving
author SIlveira, Nathalie Barros da Mota
author_facet SIlveira, Nathalie Barros da Mota
Cavalcante, Virginia Pereira
author_role author
author2 Cavalcante, Virginia Pereira
author2_role author
dc.contributor.author.fl_str_mv SIlveira, Nathalie Barros da Mota
Cavalcante, Virginia Pereira
dc.subject.por.fl_str_mv Design de artefatos
Linguagem Visual
Configuração
Artifact design
Visual Language
Formgiving
Diseño de artefactos
Lenguaje visual
Configuración
topic Design de artefatos
Linguagem Visual
Configuração
Artifact design
Visual Language
Formgiving
Diseño de artefactos
Lenguaje visual
Configuración
description This paper presents the academic and professional paths taken by the author, together with the results and reflections concerning the research he carried out. Starting from the studies which began with the Project and Collection “Olhar, Olhares” (“Look, Looks”) in 2002 and continuing until the present moment, other inquiries on the education and role of the designer in society take place; all the stages that led to the SEE BEYOND method (2016), created during his doctorate, are described. This method has also triggered and oriented other views on undergraduate education and product development in the field of fashion, in a dialogue between Design and Neuroscience.
publishDate 2021
dc.date.none.fl_str_mv 2021-10-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://datjournal.anhembi.br/dat/article/view/439
10.29147/dat.v6i3.439
url https://datjournal.anhembi.br/dat/article/view/439
identifier_str_mv 10.29147/dat.v6i3.439
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://datjournal.anhembi.br/dat/article/view/439/318
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Anhambi Murumbi
publisher.none.fl_str_mv Universidade Anhambi Murumbi
dc.source.none.fl_str_mv DAT Journal; Vol. 6 No. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 87-104
DAT Journal; Vol. 6 Núm. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 87-104
DAT Journal; v. 6 n. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 87-104
2526-1789
10.29147/dat.v6i3
reponame:DATJournal
instname:Universidade Anhembi Morumbi (ANHEMBI)
instacron:ANHEMBI
instname_str Universidade Anhembi Morumbi (ANHEMBI)
instacron_str ANHEMBI
institution ANHEMBI
reponame_str DATJournal
collection DATJournal
repository.name.fl_str_mv DATJournal - Universidade Anhembi Morumbi (ANHEMBI)
repository.mail.fl_str_mv ||ppgdesign@anhembi.br
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