The influence of digital transformation on the music industry

Detalhes bibliográficos
Autor(a) principal: Adam, Léna Morgane
Data de Publicação: 2020
Tipo de documento: Dissertação
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10071/21925
Resumo: The music industry includes a large number of players, segmented by the publishing, recording, distributing and live organizations. Traditionally driven by physical sales of record music, the music industry’s ecosystem has been disrupted by digital transformation these last years, thus transforming music business models and activities as well as relations among players. This dissertation addresses the transformation of the music industry. The value of music has evolved through innovation and is now offered as an immediate and interconnected service, supported by the progress of ICT. Since 2018, streaming represents the main source of record music revenues. That is why, understanding these evolutions and transformations is critical to correctly understand how music is marketed. As a result, seven propositions have been formulated as lines of investigation. The main purpose of this research is to understand the offer point of view. Complemented with quantitative analysis of market data and literature review, an in-depth qualitative research was conducted towards music professionals following an interview guide. From the analysis, it was possible to understand that, despite the adoption of the digital business model, there still are several limitations. Under the influence of external factors, and in particular the sanitary context of this year, the study suggests the influence and promising trend of technological innovation in the evolution of the music industry business model. The study also reveals the growing active participation of consumers, which contributes to the artistic success and the music market.
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spelling The influence of digital transformation on the music industryBusiness modelDigital transformationMusic industryRecord musicModelo de negócioTransformação digitalIndústria musicalMúsica gravadaThe music industry includes a large number of players, segmented by the publishing, recording, distributing and live organizations. Traditionally driven by physical sales of record music, the music industry’s ecosystem has been disrupted by digital transformation these last years, thus transforming music business models and activities as well as relations among players. This dissertation addresses the transformation of the music industry. The value of music has evolved through innovation and is now offered as an immediate and interconnected service, supported by the progress of ICT. Since 2018, streaming represents the main source of record music revenues. That is why, understanding these evolutions and transformations is critical to correctly understand how music is marketed. As a result, seven propositions have been formulated as lines of investigation. The main purpose of this research is to understand the offer point of view. Complemented with quantitative analysis of market data and literature review, an in-depth qualitative research was conducted towards music professionals following an interview guide. From the analysis, it was possible to understand that, despite the adoption of the digital business model, there still are several limitations. Under the influence of external factors, and in particular the sanitary context of this year, the study suggests the influence and promising trend of technological innovation in the evolution of the music industry business model. The study also reveals the growing active participation of consumers, which contributes to the artistic success and the music market.A indústria musical incluindo vasto leque de profissionais, segmenta-se nas indústrias que gravam, publicam, distribuem e organizam concertos ao vivo. Tradicionalmente impulsionada pela venda física de música gravada, esta indústria viu o seu ecossistema transformar-se pela tecnologia digital nos últimos anos, que trouxe inovação disruptiva a modelos de negócio, atividades e relacionamentos entre os seus agentes. Esta dissertação analisa a transformação da indústria da música. O valor da música evoluiu com a inovação, sendo hoje percebido como um serviço de oferta imediata associado ao progresso das TIC, pelo que é crucial compreender a evolução e tendência do mercado musical. Desde 2018, o streaming representa a principal fonte de receita do segmento da música gravada. Em resultado, sete proposições são formuladas enquanto linhas de investigação. O principal objectivo desta dissertação é compreender o ponto de vista dos profissionais, relativamente à tendência e correta comercialização da música. Complementada com a análise quantitativa de dados do mercado e da revisão de literatura, foi realizada uma pesquisa qualitativa aprofundada junto dos profissionais de música, seguindo um guião de entrevista. Pela análise, compreende-se que, apesar da adopção do modelo de negócio digital, ainda se constatam várias limitações. Pela influência de actuais factores externos, em particular do contexto de pandemia viral, esta pesquisa evidencia a influência e promissora tendência da inovação tecnológica na evolução do modelo de negócio da indústria da música. O estudo revela, ainda, o papel de participante ativo do consumidor, o qual contribui para o sucesso artístico e do mercado musical.2021-02-04T15:28:28Z2020-09-25T00:00:00Z2020-09-252020-09info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10071/21925TID:202608603engAdam, Léna Morganeinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-09T17:31:02Zoai:repositorio.iscte-iul.pt:10071/21925Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:13:56.696660Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The influence of digital transformation on the music industry
title The influence of digital transformation on the music industry
spellingShingle The influence of digital transformation on the music industry
Adam, Léna Morgane
Business model
Digital transformation
Music industry
Record music
Modelo de negócio
Transformação digital
Indústria musical
Música gravada
title_short The influence of digital transformation on the music industry
title_full The influence of digital transformation on the music industry
title_fullStr The influence of digital transformation on the music industry
title_full_unstemmed The influence of digital transformation on the music industry
title_sort The influence of digital transformation on the music industry
author Adam, Léna Morgane
author_facet Adam, Léna Morgane
author_role author
dc.contributor.author.fl_str_mv Adam, Léna Morgane
dc.subject.por.fl_str_mv Business model
Digital transformation
Music industry
Record music
Modelo de negócio
Transformação digital
Indústria musical
Música gravada
topic Business model
Digital transformation
Music industry
Record music
Modelo de negócio
Transformação digital
Indústria musical
Música gravada
description The music industry includes a large number of players, segmented by the publishing, recording, distributing and live organizations. Traditionally driven by physical sales of record music, the music industry’s ecosystem has been disrupted by digital transformation these last years, thus transforming music business models and activities as well as relations among players. This dissertation addresses the transformation of the music industry. The value of music has evolved through innovation and is now offered as an immediate and interconnected service, supported by the progress of ICT. Since 2018, streaming represents the main source of record music revenues. That is why, understanding these evolutions and transformations is critical to correctly understand how music is marketed. As a result, seven propositions have been formulated as lines of investigation. The main purpose of this research is to understand the offer point of view. Complemented with quantitative analysis of market data and literature review, an in-depth qualitative research was conducted towards music professionals following an interview guide. From the analysis, it was possible to understand that, despite the adoption of the digital business model, there still are several limitations. Under the influence of external factors, and in particular the sanitary context of this year, the study suggests the influence and promising trend of technological innovation in the evolution of the music industry business model. The study also reveals the growing active participation of consumers, which contributes to the artistic success and the music market.
publishDate 2020
dc.date.none.fl_str_mv 2020-09-25T00:00:00Z
2020-09-25
2020-09
2021-02-04T15:28:28Z
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instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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