White out, black in, sound dispute: Black atlantic as a way of listening

Detalhes bibliográficos
Autor(a) principal: Del-Vecchio Bogado, Maria
Data de Publicação: 2024
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rebeca (São Paulo)
Texto Completo: https://rebeca.socine.org.br/1/article/view/1104
Resumo: In the year that marks a decade since the release of this seminal film, this article promotes a reading of Branco sai, preto fica (2014), by Adirley Queirós in connection with reflections on diasporic musical counterculture, which distinguishes itself from the modern episteme Western, present in the thought of Paul Gilroy. On the one hand, the contact of reflections with the author helps to understand the political content of the film. On the other hand, the legacy of Brazilian thought surrounding the work helps to complexify the notion of a black Atlantic, proposed by the author, pointing to a black South Atlantic.
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spelling White out, black in, sound dispute: Black atlantic as a way of listeningEl Blanco Afuera, El Negro Adentro, disputa sonora: Para escuchar en diálogo con el Atlántico negroBranco sai, preto fica, disputa sonora: Por uma escuta em diálogo com o Atlântico negroAdirley QueirósCinema Brasileiro ContemporâneoPaul GilroyAtlântico NegroAdirley QueirósContemporary Brazilian CinemaPaul GilroyBlack AtlanticAdirley QueirósCine Brasileño ContemporáneoPablo GilroyAtlántico NegroIn the year that marks a decade since the release of this seminal film, this article promotes a reading of Branco sai, preto fica (2014), by Adirley Queirós in connection with reflections on diasporic musical counterculture, which distinguishes itself from the modern episteme Western, present in the thought of Paul Gilroy. On the one hand, the contact of reflections with the author helps to understand the political content of the film. On the other hand, the legacy of Brazilian thought surrounding the work helps to complexify the notion of a black Atlantic, proposed by the author, pointing to a black South Atlantic.En el año que se cumple una década desde el estreno de esta película fundamental, este artículo promueve una lectura de Branco sai, preto fica (2014), de Adirley Queirós, en conexión con reflexiones sobre la contracultura musical diaspórica, que se distingue de la episteme occidental moderna, presente en el pensamiento de Paul Gilroy. Por un lado, el contacto de reflexiones con el autor ayuda a comprender el contenido político de la película. Por otro lado, el legado del pensamiento brasileño que rodea la obra ayuda a complejizar la noción de Atlántico negro, propuesta por el autor, apuntando a un Atlántico Sur negro.No ano em que se completa uma década do lançamento deste filme seminal, o presente artigo promove uma leitura de Branco sai, preto fica (2014), de Adirley Queirós, em conexão com as reflexões sobre a contracultura musical diaspórica, que se distingue da episteme moderna ocidental, presente no pensamento de Paul Gilroy. Por um lado, o contato com as reflexões do autor ajuda a compreender o conteúdo político do filme. Por outro lado, o legado do pensamento brasileiro em torno da obra ajuda a complexificar a noção de Atlântico Negro, proposta pelo autor, apontando para um Atlântico Sul Negro.Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual2024-07-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://rebeca.socine.org.br/1/article/view/110410.22475/rebeca.v13n1.1104Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 13 No. 1 (2024): Rebeca 25Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 13 Núm. 1 (2024): Rebeca 25Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 13 No 1 (2024): Rebeca 25Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 13 n. 1 (2024): Rebeca 252316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/1104/634Copyright (c) 2024 Maria Del-Vecchio Bogadohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDel-Vecchio Bogado, Maria2024-07-02T23:33:26Zoai:ojs.emnuvens.com.br:article/1104Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2024-07-02T23:33:26Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false
dc.title.none.fl_str_mv White out, black in, sound dispute: Black atlantic as a way of listening
El Blanco Afuera, El Negro Adentro, disputa sonora: Para escuchar en diálogo con el Atlántico negro
Branco sai, preto fica, disputa sonora: Por uma escuta em diálogo com o Atlântico negro
title White out, black in, sound dispute: Black atlantic as a way of listening
spellingShingle White out, black in, sound dispute: Black atlantic as a way of listening
Del-Vecchio Bogado, Maria
Adirley Queirós
Cinema Brasileiro Contemporâneo
Paul Gilroy
Atlântico Negro
Adirley Queirós
Contemporary Brazilian Cinema
Paul Gilroy
Black Atlantic
Adirley Queirós
Cine Brasileño Contemporáneo
Pablo Gilroy
Atlántico Negro
title_short White out, black in, sound dispute: Black atlantic as a way of listening
title_full White out, black in, sound dispute: Black atlantic as a way of listening
title_fullStr White out, black in, sound dispute: Black atlantic as a way of listening
title_full_unstemmed White out, black in, sound dispute: Black atlantic as a way of listening
title_sort White out, black in, sound dispute: Black atlantic as a way of listening
author Del-Vecchio Bogado, Maria
author_facet Del-Vecchio Bogado, Maria
author_role author
dc.contributor.author.fl_str_mv Del-Vecchio Bogado, Maria
dc.subject.por.fl_str_mv Adirley Queirós
Cinema Brasileiro Contemporâneo
Paul Gilroy
Atlântico Negro
Adirley Queirós
Contemporary Brazilian Cinema
Paul Gilroy
Black Atlantic
Adirley Queirós
Cine Brasileño Contemporáneo
Pablo Gilroy
Atlántico Negro
topic Adirley Queirós
Cinema Brasileiro Contemporâneo
Paul Gilroy
Atlântico Negro
Adirley Queirós
Contemporary Brazilian Cinema
Paul Gilroy
Black Atlantic
Adirley Queirós
Cine Brasileño Contemporáneo
Pablo Gilroy
Atlántico Negro
description In the year that marks a decade since the release of this seminal film, this article promotes a reading of Branco sai, preto fica (2014), by Adirley Queirós in connection with reflections on diasporic musical counterculture, which distinguishes itself from the modern episteme Western, present in the thought of Paul Gilroy. On the one hand, the contact of reflections with the author helps to understand the political content of the film. On the other hand, the legacy of Brazilian thought surrounding the work helps to complexify the notion of a black Atlantic, proposed by the author, pointing to a black South Atlantic.
publishDate 2024
dc.date.none.fl_str_mv 2024-07-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rebeca.socine.org.br/1/article/view/1104
10.22475/rebeca.v13n1.1104
url https://rebeca.socine.org.br/1/article/view/1104
identifier_str_mv 10.22475/rebeca.v13n1.1104
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://rebeca.socine.org.br/1/article/view/1104/634
dc.rights.driver.fl_str_mv Copyright (c) 2024 Maria Del-Vecchio Bogado
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Maria Del-Vecchio Bogado
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
dc.source.none.fl_str_mv Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 13 No. 1 (2024): Rebeca 25
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 13 Núm. 1 (2024): Rebeca 25
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 13 No 1 (2024): Rebeca 25
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 13 n. 1 (2024): Rebeca 25
2316-9230
reponame:Rebeca (São Paulo)
instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron:SOCINE
instname_str Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron_str SOCINE
institution SOCINE
reponame_str Rebeca (São Paulo)
collection Rebeca (São Paulo)
repository.name.fl_str_mv Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
repository.mail.fl_str_mv rebeca@socine.org.br
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