The Lord’s Song in a Divided Land: the Engaged Music of Brazilian Protestants under Military and Religious Repression

Detalhes bibliográficos
Autor(a) principal: Mendonça, Joêzer Souza
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5205
Resumo: This paper examines a selection of socially engaged Protestant songs of the 1970s, when the cultural‐ideological polarization between “alienated” and “engaged” in the sphere of Brazilian popular music reverberated in the realm of Brazilian Christian music. Our goal is to examine the components of musical nationalism and political and social engagement of those Protestant songs, and also to analyze how those songs expressed an idealization of the future, “the days to come” predicted both by secular protest songs and Protestant hymns.
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spelling The Lord’s Song in a Divided Land: the Engaged Music of Brazilian Protestants under Military and Religious RepressionA Canção do Senhor na terra dividida: a música engajada dos protestantes brasileiros sob repressão militar e religiosaBrazilian protest songsocially engaged Protestant musicmusical nationalismreligious popular Brazilian musiccanção brasileira de protestomúsica protestante socialmente engajadanacionalismo musicalmúsica popular brasileira religiosaThis paper examines a selection of socially engaged Protestant songs of the 1970s, when the cultural‐ideological polarization between “alienated” and “engaged” in the sphere of Brazilian popular music reverberated in the realm of Brazilian Christian music. Our goal is to examine the components of musical nationalism and political and social engagement of those Protestant songs, and also to analyze how those songs expressed an idealization of the future, “the days to come” predicted both by secular protest songs and Protestant hymns.Este artigo examina uma seleção de cânticos protestantes socialmente engajados produzidos nos anos 1970, período em que a polarização culturalideológica entre “alienados” e “engajados” existente no circuito da música popular brasileira repercutiu na esfera da música cristã brasileira. O objetivo é averiguar os componentes de nacionalismo musical e engajamento social desses cânticos protestantes e também analisar como essas canções expressavam uma idealização do futuro, “o dia que virá” prognosticado tanto pelas canções de protesto seculares como também pelos cânticos protestantes.Universidade Federal de Minas Gerais (UFMG)2017-02-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/520510.1590/permusi20163405Per Musi; No. 34 (2016): General TopicsPer Musi; Núm. 34 (2016): General TopicsPer Musi; n. 34 (2016): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5205/3230Mendonça, Joêzer Souzainfo:eu-repo/semantics/openAccess2020-01-23T17:09:19Zoai:periodicos.ufmg.br:article/5205Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-01-23T17:09:19Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The Lord’s Song in a Divided Land: the Engaged Music of Brazilian Protestants under Military and Religious Repression
A Canção do Senhor na terra dividida: a música engajada dos protestantes brasileiros sob repressão militar e religiosa
title The Lord’s Song in a Divided Land: the Engaged Music of Brazilian Protestants under Military and Religious Repression
spellingShingle The Lord’s Song in a Divided Land: the Engaged Music of Brazilian Protestants under Military and Religious Repression
Mendonça, Joêzer Souza
Brazilian protest song
socially engaged Protestant music
musical nationalism
religious popular Brazilian music
canção brasileira de protesto
música protestante socialmente engajada
nacionalismo musical
música popular brasileira religiosa
title_short The Lord’s Song in a Divided Land: the Engaged Music of Brazilian Protestants under Military and Religious Repression
title_full The Lord’s Song in a Divided Land: the Engaged Music of Brazilian Protestants under Military and Religious Repression
title_fullStr The Lord’s Song in a Divided Land: the Engaged Music of Brazilian Protestants under Military and Religious Repression
title_full_unstemmed The Lord’s Song in a Divided Land: the Engaged Music of Brazilian Protestants under Military and Religious Repression
title_sort The Lord’s Song in a Divided Land: the Engaged Music of Brazilian Protestants under Military and Religious Repression
author Mendonça, Joêzer Souza
author_facet Mendonça, Joêzer Souza
author_role author
dc.contributor.author.fl_str_mv Mendonça, Joêzer Souza
dc.subject.por.fl_str_mv Brazilian protest song
socially engaged Protestant music
musical nationalism
religious popular Brazilian music
canção brasileira de protesto
música protestante socialmente engajada
nacionalismo musical
música popular brasileira religiosa
topic Brazilian protest song
socially engaged Protestant music
musical nationalism
religious popular Brazilian music
canção brasileira de protesto
música protestante socialmente engajada
nacionalismo musical
música popular brasileira religiosa
description This paper examines a selection of socially engaged Protestant songs of the 1970s, when the cultural‐ideological polarization between “alienated” and “engaged” in the sphere of Brazilian popular music reverberated in the realm of Brazilian Christian music. Our goal is to examine the components of musical nationalism and political and social engagement of those Protestant songs, and also to analyze how those songs expressed an idealization of the future, “the days to come” predicted both by secular protest songs and Protestant hymns.
publishDate 2017
dc.date.none.fl_str_mv 2017-02-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5205
10.1590/permusi20163405
url https://periodicos.ufmg.br/index.php/permusi/article/view/5205
identifier_str_mv 10.1590/permusi20163405
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5205/3230
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 34 (2016): General Topics
Per Musi; Núm. 34 (2016): General Topics
Per Musi; n. 34 (2016): General Topics
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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