Pan Pan Theatre Aesthetics

Detalhes bibliográficos
Autor(a) principal: Ruiz (University College Dublin – Dublin, Irlanda), Noelia
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/37294
Resumo: This paper aims to elucidate Pan Pan Theatre’s aesthetics through an instance of their rehearsal process, especially in terms of their performance mode, which cannot be dissociated from their manifest intention to create a specific atmosphere. This paper explores Michael Kirby’s continuum between non-matrixed performance and complex acting, with regard to Pan Pan Theatre’s performance style, which enhances a particular conception of time and space as metonymic.
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spelling Pan Pan Theatre AestheticsL’Esthétique de la Compagnie Pan Pan ThéâtreA Estética da Pan Pan TheatreContemporary TheatrePostdramatic TheatreCreative ProcessesCompany AnalysisGenetics of PerformanceTeatro ContemporâneoTeatro Pós-DramáticoProcessos CriativosAnálise de CompanhiaGenética da PerformanceThéâtre ContemporainThéâtre PostdramatiqueProcessus de CréationAnalyse de CompagnieGénétique de la PerformanceThis paper aims to elucidate Pan Pan Theatre’s aesthetics through an instance of their rehearsal process, especially in terms of their performance mode, which cannot be dissociated from their manifest intention to create a specific atmosphere. This paper explores Michael Kirby’s continuum between non-matrixed performance and complex acting, with regard to Pan Pan Theatre’s performance style, which enhances a particular conception of time and space as metonymic.Cet article cherche à appréhender l’esthétique de la compagnie Pan Pan Théâtre à partir de l’observation de son processus de création. Il s’attache plus particulièrement à son type de performance qui ne peut pas être dissocié d’une intention manifeste de créer une atmosphère assez particulière. Pour ce faire, l’auteur explore le continuum de Michael Kirby, entre la performance non matricielle et le jeu complexe, ainsi que le concept de Lehmann sur le temps et l’espace métonymiques.Este artigo visa elucidar a estética da Pan Pan Theatre através de uma instância do seu processo de ensaio, especialmente nos termos de seu tipo de performance, que não pode ser dissociado de sua intenção manifesta de criar uma atmosfera bastante específica. Para tal, o texto explora o continuum de Michael Kirby entre a performance não-matricial e a atuação complexa, assim como conceito de Lehmann sobre o tempo e espaço como metonímicos.Universidade Federal do Rio Grande do Sul2022-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/37294Brazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 447-457Révue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 447-457Révue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 447-457Revista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 447-4572237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/37294/50968Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessRuiz (University College Dublin – Dublin, Irlanda), Noelia2022-10-16T21:37:10Zoai:seer.ufrgs.br:article/37294Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-16T21:37:10Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Pan Pan Theatre Aesthetics
L’Esthétique de la Compagnie Pan Pan Théâtre
A Estética da Pan Pan Theatre
title Pan Pan Theatre Aesthetics
spellingShingle Pan Pan Theatre Aesthetics
Ruiz (University College Dublin – Dublin, Irlanda), Noelia
Contemporary Theatre
Postdramatic Theatre
Creative Processes
Company Analysis
Genetics of Performance
Teatro Contemporâneo
Teatro Pós-Dramático
Processos Criativos
Análise de Companhia
Genética da Performance
Théâtre Contemporain
Théâtre Postdramatique
Processus de Création
Analyse de Compagnie
Génétique de la Performance
title_short Pan Pan Theatre Aesthetics
title_full Pan Pan Theatre Aesthetics
title_fullStr Pan Pan Theatre Aesthetics
title_full_unstemmed Pan Pan Theatre Aesthetics
title_sort Pan Pan Theatre Aesthetics
author Ruiz (University College Dublin – Dublin, Irlanda), Noelia
author_facet Ruiz (University College Dublin – Dublin, Irlanda), Noelia
author_role author
dc.contributor.author.fl_str_mv Ruiz (University College Dublin – Dublin, Irlanda), Noelia
dc.subject.por.fl_str_mv Contemporary Theatre
Postdramatic Theatre
Creative Processes
Company Analysis
Genetics of Performance
Teatro Contemporâneo
Teatro Pós-Dramático
Processos Criativos
Análise de Companhia
Genética da Performance
Théâtre Contemporain
Théâtre Postdramatique
Processus de Création
Analyse de Compagnie
Génétique de la Performance
topic Contemporary Theatre
Postdramatic Theatre
Creative Processes
Company Analysis
Genetics of Performance
Teatro Contemporâneo
Teatro Pós-Dramático
Processos Criativos
Análise de Companhia
Genética da Performance
Théâtre Contemporain
Théâtre Postdramatique
Processus de Création
Analyse de Compagnie
Génétique de la Performance
description This paper aims to elucidate Pan Pan Theatre’s aesthetics through an instance of their rehearsal process, especially in terms of their performance mode, which cannot be dissociated from their manifest intention to create a specific atmosphere. This paper explores Michael Kirby’s continuum between non-matrixed performance and complex acting, with regard to Pan Pan Theatre’s performance style, which enhances a particular conception of time and space as metonymic.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/37294
url https://seer.ufrgs.br/index.php/presenca/article/view/37294
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/37294/50968
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 447-457
Révue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 447-457
Révue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 447-457
Revista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 447-457
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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