Pan Pan Theatre Aesthetics
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/37294 |
Resumo: | This paper aims to elucidate Pan Pan Theatre’s aesthetics through an instance of their rehearsal process, especially in terms of their performance mode, which cannot be dissociated from their manifest intention to create a specific atmosphere. This paper explores Michael Kirby’s continuum between non-matrixed performance and complex acting, with regard to Pan Pan Theatre’s performance style, which enhances a particular conception of time and space as metonymic. |
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Revista Brasileira de Estudos da Presença |
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Pan Pan Theatre AestheticsL’Esthétique de la Compagnie Pan Pan ThéâtreA Estética da Pan Pan TheatreContemporary TheatrePostdramatic TheatreCreative ProcessesCompany AnalysisGenetics of PerformanceTeatro ContemporâneoTeatro Pós-DramáticoProcessos CriativosAnálise de CompanhiaGenética da PerformanceThéâtre ContemporainThéâtre PostdramatiqueProcessus de CréationAnalyse de CompagnieGénétique de la PerformanceThis paper aims to elucidate Pan Pan Theatre’s aesthetics through an instance of their rehearsal process, especially in terms of their performance mode, which cannot be dissociated from their manifest intention to create a specific atmosphere. This paper explores Michael Kirby’s continuum between non-matrixed performance and complex acting, with regard to Pan Pan Theatre’s performance style, which enhances a particular conception of time and space as metonymic.Cet article cherche à appréhender l’esthétique de la compagnie Pan Pan Théâtre à partir de l’observation de son processus de création. Il s’attache plus particulièrement à son type de performance qui ne peut pas être dissocié d’une intention manifeste de créer une atmosphère assez particulière. Pour ce faire, l’auteur explore le continuum de Michael Kirby, entre la performance non matricielle et le jeu complexe, ainsi que le concept de Lehmann sur le temps et l’espace métonymiques.Este artigo visa elucidar a estética da Pan Pan Theatre através de uma instância do seu processo de ensaio, especialmente nos termos de seu tipo de performance, que não pode ser dissociado de sua intenção manifesta de criar uma atmosfera bastante específica. Para tal, o texto explora o continuum de Michael Kirby entre a performance não-matricial e a atuação complexa, assim como conceito de Lehmann sobre o tempo e espaço como metonímicos.Universidade Federal do Rio Grande do Sul2022-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/37294Brazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 447-457Révue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 447-457Révue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 447-457Revista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 447-4572237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/37294/50968Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessRuiz (University College Dublin – Dublin, Irlanda), Noelia2022-10-16T21:37:10Zoai:seer.ufrgs.br:article/37294Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-16T21:37:10Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Pan Pan Theatre Aesthetics L’Esthétique de la Compagnie Pan Pan Théâtre A Estética da Pan Pan Theatre |
title |
Pan Pan Theatre Aesthetics |
spellingShingle |
Pan Pan Theatre Aesthetics Ruiz (University College Dublin – Dublin, Irlanda), Noelia Contemporary Theatre Postdramatic Theatre Creative Processes Company Analysis Genetics of Performance Teatro Contemporâneo Teatro Pós-Dramático Processos Criativos Análise de Companhia Genética da Performance Théâtre Contemporain Théâtre Postdramatique Processus de Création Analyse de Compagnie Génétique de la Performance |
title_short |
Pan Pan Theatre Aesthetics |
title_full |
Pan Pan Theatre Aesthetics |
title_fullStr |
Pan Pan Theatre Aesthetics |
title_full_unstemmed |
Pan Pan Theatre Aesthetics |
title_sort |
Pan Pan Theatre Aesthetics |
author |
Ruiz (University College Dublin – Dublin, Irlanda), Noelia |
author_facet |
Ruiz (University College Dublin – Dublin, Irlanda), Noelia |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ruiz (University College Dublin – Dublin, Irlanda), Noelia |
dc.subject.por.fl_str_mv |
Contemporary Theatre Postdramatic Theatre Creative Processes Company Analysis Genetics of Performance Teatro Contemporâneo Teatro Pós-Dramático Processos Criativos Análise de Companhia Genética da Performance Théâtre Contemporain Théâtre Postdramatique Processus de Création Analyse de Compagnie Génétique de la Performance |
topic |
Contemporary Theatre Postdramatic Theatre Creative Processes Company Analysis Genetics of Performance Teatro Contemporâneo Teatro Pós-Dramático Processos Criativos Análise de Companhia Genética da Performance Théâtre Contemporain Théâtre Postdramatique Processus de Création Analyse de Compagnie Génétique de la Performance |
description |
This paper aims to elucidate Pan Pan Theatre’s aesthetics through an instance of their rehearsal process, especially in terms of their performance mode, which cannot be dissociated from their manifest intention to create a specific atmosphere. This paper explores Michael Kirby’s continuum between non-matrixed performance and complex acting, with regard to Pan Pan Theatre’s performance style, which enhances a particular conception of time and space as metonymic. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/37294 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/37294 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/37294/50968 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 3 No. 2 (2013): maio/ago. 2013; 447-457 Révue Brésilienne d'Études de la Présence; Vol. 3 No. 2 (2013): maio/ago. 2013; 447-457 Révue Brésilienne d'Études de la Présence; Vol. 3 No 2 (2013): maio/ago. 2013; 447-457 Revista Brasileira de Estudos da Presença; v. 3 n. 2 (2013): maio/ago. 2013; 447-457 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
_version_ |
1799766307157049344 |