Memory and Survival in L’Image Manquante
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Intexto (Porto Alegre) |
Texto Completo: | https://seer.ufrgs.br/index.php/intexto/article/view/85209 |
Resumo: | The article seeks to invest in the representation of the heinous and (in) translatability of representations of the genocide from the discussions around the film L'Image Manquante. It uses, as main methodology, filmic analysis in the context of the production of the cinematographic discourses and in the narrative of the author, Rithy Panh, in its process of constructing images elaborated by the unusual figurations. In the film, such developments establish a relationship with the issue of memory, drawing on the animation to follow the horror narrative in the Khmer camps and at the same time describe the individual experience of an autobiography on concentration detention. As main results obtained, the following notes stand out from the film analysis: (a) inseparability between the filmic flow and traumatic event; (b) cinematographic experience and personal narrative; (c) narrative construction and importance of the criticality of the image in the filmmaker's cinema. |
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Memory and Survival in L’Image ManquanteMemória e sobrevivência em L’Image ManquanteMemória. Cinema. Documentário.Memory. Cinema. Documentary.The article seeks to invest in the representation of the heinous and (in) translatability of representations of the genocide from the discussions around the film L'Image Manquante. It uses, as main methodology, filmic analysis in the context of the production of the cinematographic discourses and in the narrative of the author, Rithy Panh, in its process of constructing images elaborated by the unusual figurations. In the film, such developments establish a relationship with the issue of memory, drawing on the animation to follow the horror narrative in the Khmer camps and at the same time describe the individual experience of an autobiography on concentration detention. As main results obtained, the following notes stand out from the film analysis: (a) inseparability between the filmic flow and traumatic event; (b) cinematographic experience and personal narrative; (c) narrative construction and importance of the criticality of the image in the filmmaker's cinema.O artigo procura investir sobre a representação do hediondo e a (in)traduzibilidade das representações do genocídio a partir das discussões em torno do filme L’Image Manquante. Utiliza, como metodologia principal, análise fílmica narrativa e estilística, observada no contexto da produção dos discursos cinematográficos e na narrativa do autor, Rithy Panh, em seu processo de construir imagens elaboradas por figurações do incomum. No filme, tais desenvolvimentos estabelecem uma relação com a questão da memória, valendo-se da animação para acompanhar a narrativa sobre o horror nos campos Khmerianos e, ao mesmo tempo, narrar a experiência individual sobre a detenção concentracionária. Como principais resultados obtidos, destaca-se, a partir da análise fílmica, os seguintes apontamentos: (a) indissociabilidade entre o fluxo fílmico e evento traumático; (b) experiência cinematográfica e narrativa pessoal; (c) construção autobiográfica e importância da criticidade da imagem no cinema do cineasta. Universidade Federal do Rio Grande do Sul2019-08-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/8520910.19132/1807-8583201947.89-103Intexto; n. 47, set./dez. 2019; 89-103Intexto; n. 47, set./dez. 2019; 89-103Intexto; n. 47, set./dez. 2019; 89-103Intexto; n. 47, set./dez. 2019; 89-103Intexto; n. 47, set./dez. 2019; 89-1031807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/85209/52419Copyright (c) 2019 Rafael Tassi Teixeirahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessTassi Teixeira, Rafael2023-11-23T15:38:54Zoai:seer.ufrgs.br:article/85209Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-11-23T15:38:54Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Memory and Survival in L’Image Manquante Memória e sobrevivência em L’Image Manquante |
title |
Memory and Survival in L’Image Manquante |
spellingShingle |
Memory and Survival in L’Image Manquante Tassi Teixeira, Rafael Memória. Cinema. Documentário. Memory. Cinema. Documentary. |
title_short |
Memory and Survival in L’Image Manquante |
title_full |
Memory and Survival in L’Image Manquante |
title_fullStr |
Memory and Survival in L’Image Manquante |
title_full_unstemmed |
Memory and Survival in L’Image Manquante |
title_sort |
Memory and Survival in L’Image Manquante |
author |
Tassi Teixeira, Rafael |
author_facet |
Tassi Teixeira, Rafael |
author_role |
author |
dc.contributor.author.fl_str_mv |
Tassi Teixeira, Rafael |
dc.subject.por.fl_str_mv |
Memória. Cinema. Documentário. Memory. Cinema. Documentary. |
topic |
Memória. Cinema. Documentário. Memory. Cinema. Documentary. |
description |
The article seeks to invest in the representation of the heinous and (in) translatability of representations of the genocide from the discussions around the film L'Image Manquante. It uses, as main methodology, filmic analysis in the context of the production of the cinematographic discourses and in the narrative of the author, Rithy Panh, in its process of constructing images elaborated by the unusual figurations. In the film, such developments establish a relationship with the issue of memory, drawing on the animation to follow the horror narrative in the Khmer camps and at the same time describe the individual experience of an autobiography on concentration detention. As main results obtained, the following notes stand out from the film analysis: (a) inseparability between the filmic flow and traumatic event; (b) cinematographic experience and personal narrative; (c) narrative construction and importance of the criticality of the image in the filmmaker's cinema. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-08-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/85209 10.19132/1807-8583201947.89-103 |
url |
https://seer.ufrgs.br/index.php/intexto/article/view/85209 |
identifier_str_mv |
10.19132/1807-8583201947.89-103 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/85209/52419 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Rafael Tassi Teixeira https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Rafael Tassi Teixeira https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Intexto; n. 47, set./dez. 2019; 89-103 Intexto; n. 47, set./dez. 2019; 89-103 Intexto; n. 47, set./dez. 2019; 89-103 Intexto; n. 47, set./dez. 2019; 89-103 Intexto; n. 47, set./dez. 2019; 89-103 1807-8583 reponame:Intexto (Porto Alegre) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Intexto (Porto Alegre) |
collection |
Intexto (Porto Alegre) |
repository.name.fl_str_mv |
Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||intexto@ufrgs.br |
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1799766110365548544 |