Interpretive Repertoires on the Creative Economy in the City of Uberlândia: The Music Market from the Perspective of the Orange Ecosystem
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | , , |
Tipo de documento: | Artigo |
Idioma: | eng por |
Título da fonte: | Revista brasileira de gestão e desenvolvimento regional |
Texto Completo: | https://www.rbgdr.net/revista/index.php/rbgdr/article/view/6544 |
Resumo: | Creative Economy can be understood as an asset of economic, cultural and social aspects that interact with technology, intellectual property and tourism. This article aims to analyze the creative sector in the city of Uberlândia from the perspective of music professionals. As a starting point, the framework of Ecology Naranja was used. For data collection, the procedure of in-depth interviews with music experts was adopted. Each subject was interviewed using three distinct and complementary techniques: episodic and narrative interview and projective technique. The potential of music in Uberlândia was seen beyond the economic point of view, highlighting the social promotion and appreciation of local culture. The results made it possible to make considerations about: (a) creation, in the musician's action in face of the standardization of the “right way to behave” in the music market; (b) joy, in the virtual adaptation of a “right style”; and, (c) the environment, in the relationship between forgotten regions and the various institutions and public policies linked to culture. The academic contribution goes in the sense that the current work filled a gap in studies on the subject, with regard to Uberlândia, in addition to showing the use of remote data collection techniques, in compliance with the social isolation regime in the fight against the pandemic of Covid-19. |
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Interpretive Repertoires on the Creative Economy in the City of Uberlândia: The Music Market from the Perspective of the Orange EcosystemRepertorios interpretativos sobre la economía creativa en la ciudad de Uberlândia: El mercado de la música desde la perspectiva del ecosistema naranjaREPERTÓRIOS INTERPRETATIVOS SOBRE A ECONOMIA CRIATIVA NA CIDADE DE UBERLÂNDIA: O MERCADO DA MÚSICA NA ÓTICA DO ECOSSISTEMA LARANJAEconomía creativaCiudad CreativaEcología NaranjaMúsicaUberlandiaEconomia CriativaCidade CriativaEcologia NaranjaMúsicaUberlândiaCreative EconomyCreative CityNaranja EcologyMusicUberlândiaCreative Economy can be understood as an asset of economic, cultural and social aspects that interact with technology, intellectual property and tourism. This article aims to analyze the creative sector in the city of Uberlândia from the perspective of music professionals. As a starting point, the framework of Ecology Naranja was used. For data collection, the procedure of in-depth interviews with music experts was adopted. Each subject was interviewed using three distinct and complementary techniques: episodic and narrative interview and projective technique. The potential of music in Uberlândia was seen beyond the economic point of view, highlighting the social promotion and appreciation of local culture. The results made it possible to make considerations about: (a) creation, in the musician's action in face of the standardization of the “right way to behave” in the music market; (b) joy, in the virtual adaptation of a “right style”; and, (c) the environment, in the relationship between forgotten regions and the various institutions and public policies linked to culture. The academic contribution goes in the sense that the current work filled a gap in studies on the subject, with regard to Uberlândia, in addition to showing the use of remote data collection techniques, in compliance with the social isolation regime in the fight against the pandemic of Covid-19.La Economía Creativa puede entenderse como un activo de los aspectos económicos, culturales y sociales que interactúan con la tecnología, la propiedad intelectual y los objetivos turísticos. Este artículo tiene como objetivo analizar el sector creativo en la ciudad de Uberlândia desde la perspectiva de los profesionales de la música. Como punto de partida se utilizó el marco de Ecología Naranja. Para la recolección de datos se adoptó el procedimiento de entrevistas en profundidad con expertos. Cada sujeto fue entrevistado utilizando tres técnicas distintas y complementarias: entrevista episódica, técnica narrativa y proyectiva. El potencial de la música en Uberlândia se vio más allá del punto de vista económico, destacando la promoción social y la valoración de la cultura local. Los resultados permitieron hacer reflexiones sobre: (a) la creación, en la acción del músico ante la estandarización del “buen comportamiento” en el mercado musical; (b) alegría, en la adaptación virtual de un “estilo correcto”, evitando lo que te molesta; y, (c) el medio ambiente, en la relación entre las regiones olvidadas y las diversas instituciones y políticas públicas vinculadas a la cultura. El aporte académico va en el sentido de que el trabajo actual llenó un vacío en los estudios sobre el tema, con respecto a Uberlândia, además de mostrar el uso de técnicas de recolección de datos a distancia, en cumplimiento del régimen de aislamiento social en la lucha contra la pandemia. de Covid-19.A Economia Criativa pode ser entendida como um ativo de aspectos econômicos, culturais e sociais que interagem com objetivos de tecnologia, propriedade intelectual e turismo. Este artigo tem como objetivo analisar o setor criativo na cidade de Uberlândia na perspectiva dos profissionais da música. Como ponto de partida foi utilizado o framework da Ecologia Naranja. Para a coleta de dados adotou-se o procedimento de entrevistas em profundidade com especialistas. Cada sujeito foi entrevistado por meio de três técnicas distintas, e complementares: entrevista episódica, narrativa e técnica projetiva. O potencial da música em Uberlândia foi visto para além do ponto de vista econômico, destacando a promoção social e valorização da cultura local. Os resultados tornaram possível fazer considerações sobre: (a) a criação, na ação do músico diante da padronização do “jeito certo de se portar” diante do mercado da música; (b) a alegria, na adaptação virtual de um “estilo certo”, evitando o que lhe incomoda; e, (c) o entorno, na relação existente entre as regiões esquecidas e as diversas instituições e políticas públicas ligadas à cultura. A contribuição acadêmica vai no sentido de que o atual trabalho preencheu uma lacuna nos estudos sobre o tema, no que concerne a Uberlândia, além de mostrar o uso de técnicas de coleta remota dos dados, em observância ao regime de isolamento social no combate à pandemia do Covid-19.Universidade de Taubaté2023-03-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.rbgdr.net/revista/index.php/rbgdr/article/view/654410.54399/rbgdr.v19i1.6544Revista Brasileira de Gestão e Desenvolvimento Regional; Vol. 19 No. 1 (2023)RBGDR; Vol. 19 Núm. 1 (2023)Revista Brasileira de Gestão e Desenvolvimento Regional; v. 19 n. 1 (2023)1809-239X10.54399/rbgdr.v19i1reponame:Revista brasileira de gestão e desenvolvimento regionalinstname:Universidade de Taubaté (UNITAU)instacron:UNITAUengporhttps://www.rbgdr.net/revista/index.php/rbgdr/article/view/6544/1251https://www.rbgdr.net/revista/index.php/rbgdr/article/view/6544/1252Copyright (c) 2023 Revista Brasileira de Gestão e Desenvolvimento Regionalhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessVictor de Sousa Ferreira, Daniel Alves Pinhal, VanessaLuiz do Amaral Moretti, SérgioFrancisco Alcântara Fagundes, André2023-05-31T13:05:47Zoai:ojs2.rbgdr.net:article/6544Revistahttps://www.rbgdr.net/revista/index.php/rbgdrPUBhttps://www.rbgdr.net/revista/index.php/rbgdr/oai||monicafcarniello@gmail.com1809-239X1809-239Xopendoar:2023-05-31T13:05:47Revista brasileira de gestão e desenvolvimento regional - Universidade de Taubaté (UNITAU)false |
dc.title.none.fl_str_mv |
Interpretive Repertoires on the Creative Economy in the City of Uberlândia: The Music Market from the Perspective of the Orange Ecosystem Repertorios interpretativos sobre la economía creativa en la ciudad de Uberlândia: El mercado de la música desde la perspectiva del ecosistema naranja REPERTÓRIOS INTERPRETATIVOS SOBRE A ECONOMIA CRIATIVA NA CIDADE DE UBERLÂNDIA: O MERCADO DA MÚSICA NA ÓTICA DO ECOSSISTEMA LARANJA |
title |
Interpretive Repertoires on the Creative Economy in the City of Uberlândia: The Music Market from the Perspective of the Orange Ecosystem |
spellingShingle |
Interpretive Repertoires on the Creative Economy in the City of Uberlândia: The Music Market from the Perspective of the Orange Ecosystem Victor de Sousa Ferreira, Daniel Economía creativa Ciudad Creativa Ecología Naranja Música Uberlandia Economia Criativa Cidade Criativa Ecologia Naranja Música Uberlândia Creative Economy Creative City Naranja Ecology Music Uberlândia |
title_short |
Interpretive Repertoires on the Creative Economy in the City of Uberlândia: The Music Market from the Perspective of the Orange Ecosystem |
title_full |
Interpretive Repertoires on the Creative Economy in the City of Uberlândia: The Music Market from the Perspective of the Orange Ecosystem |
title_fullStr |
Interpretive Repertoires on the Creative Economy in the City of Uberlândia: The Music Market from the Perspective of the Orange Ecosystem |
title_full_unstemmed |
Interpretive Repertoires on the Creative Economy in the City of Uberlândia: The Music Market from the Perspective of the Orange Ecosystem |
title_sort |
Interpretive Repertoires on the Creative Economy in the City of Uberlândia: The Music Market from the Perspective of the Orange Ecosystem |
author |
Victor de Sousa Ferreira, Daniel |
author_facet |
Victor de Sousa Ferreira, Daniel Alves Pinhal, Vanessa Luiz do Amaral Moretti, Sérgio Francisco Alcântara Fagundes, André |
author_role |
author |
author2 |
Alves Pinhal, Vanessa Luiz do Amaral Moretti, Sérgio Francisco Alcântara Fagundes, André |
author2_role |
author author author |
dc.contributor.author.fl_str_mv |
Victor de Sousa Ferreira, Daniel Alves Pinhal, Vanessa Luiz do Amaral Moretti, Sérgio Francisco Alcântara Fagundes, André |
dc.subject.por.fl_str_mv |
Economía creativa Ciudad Creativa Ecología Naranja Música Uberlandia Economia Criativa Cidade Criativa Ecologia Naranja Música Uberlândia Creative Economy Creative City Naranja Ecology Music Uberlândia |
topic |
Economía creativa Ciudad Creativa Ecología Naranja Música Uberlandia Economia Criativa Cidade Criativa Ecologia Naranja Música Uberlândia Creative Economy Creative City Naranja Ecology Music Uberlândia |
description |
Creative Economy can be understood as an asset of economic, cultural and social aspects that interact with technology, intellectual property and tourism. This article aims to analyze the creative sector in the city of Uberlândia from the perspective of music professionals. As a starting point, the framework of Ecology Naranja was used. For data collection, the procedure of in-depth interviews with music experts was adopted. Each subject was interviewed using three distinct and complementary techniques: episodic and narrative interview and projective technique. The potential of music in Uberlândia was seen beyond the economic point of view, highlighting the social promotion and appreciation of local culture. The results made it possible to make considerations about: (a) creation, in the musician's action in face of the standardization of the “right way to behave” in the music market; (b) joy, in the virtual adaptation of a “right style”; and, (c) the environment, in the relationship between forgotten regions and the various institutions and public policies linked to culture. The academic contribution goes in the sense that the current work filled a gap in studies on the subject, with regard to Uberlândia, in addition to showing the use of remote data collection techniques, in compliance with the social isolation regime in the fight against the pandemic of Covid-19. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-03-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.rbgdr.net/revista/index.php/rbgdr/article/view/6544 10.54399/rbgdr.v19i1.6544 |
url |
https://www.rbgdr.net/revista/index.php/rbgdr/article/view/6544 |
identifier_str_mv |
10.54399/rbgdr.v19i1.6544 |
dc.language.iso.fl_str_mv |
eng por |
language |
eng por |
dc.relation.none.fl_str_mv |
https://www.rbgdr.net/revista/index.php/rbgdr/article/view/6544/1251 https://www.rbgdr.net/revista/index.php/rbgdr/article/view/6544/1252 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Revista Brasileira de Gestão e Desenvolvimento Regional https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Revista Brasileira de Gestão e Desenvolvimento Regional https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de Taubaté |
publisher.none.fl_str_mv |
Universidade de Taubaté |
dc.source.none.fl_str_mv |
Revista Brasileira de Gestão e Desenvolvimento Regional; Vol. 19 No. 1 (2023) RBGDR; Vol. 19 Núm. 1 (2023) Revista Brasileira de Gestão e Desenvolvimento Regional; v. 19 n. 1 (2023) 1809-239X 10.54399/rbgdr.v19i1 reponame:Revista brasileira de gestão e desenvolvimento regional instname:Universidade de Taubaté (UNITAU) instacron:UNITAU |
instname_str |
Universidade de Taubaté (UNITAU) |
instacron_str |
UNITAU |
institution |
UNITAU |
reponame_str |
Revista brasileira de gestão e desenvolvimento regional |
collection |
Revista brasileira de gestão e desenvolvimento regional |
repository.name.fl_str_mv |
Revista brasileira de gestão e desenvolvimento regional - Universidade de Taubaté (UNITAU) |
repository.mail.fl_str_mv |
||monicafcarniello@gmail.com |
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1800220471265853440 |