Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985
Autor(a) principal: | |
---|---|
Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Rebeca (São Paulo) |
Texto Completo: | https://rebeca.socine.org.br/1/article/view/849 |
Resumo: | In the present article, we seek to approach how the film programming of the cinema theater Lima Barreto, at Centro Cultural São Paulo, in its first three years (1982-1985), reflects the existing institutional relations between the Fundação Cinemateca Brasileira and the Municipality of São Paulo, through then newly created Municipal Department of Culture. In this fashion, we intend to outline a better understanding of why the Cinemateca was, in an initial moment, so involved with the cultural center's film programming, though it soon distanced itself from the latter. We are also interested in analysing the content of this programming and the cultural context involving the cinematographic exhibition circuit at that time in the city of São Paulo, in order to try to understand the paths taken by the film programming sector of the Centro Cultural, beginning with its distancing from the Cinemateca Brasileira. |
id |
SOCINE-1_a87281a3065373637880d23a33ce958c |
---|---|
oai_identifier_str |
oai:ojs.emnuvens.com.br:article/849 |
network_acronym_str |
SOCINE-1 |
network_name_str |
Rebeca (São Paulo) |
repository_id_str |
|
spelling |
Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985 Relaciones institucionales y programación cinematográfica: el caso del Centro Cultural São Paulo y de la Cinemateca Brasileira entre 1982 y 1985Relações institucionais e programação de filmes: o caso do Centro Cultural São Paulo e da Cinemateca Brasileira entre os anos de 1982 e 1985Programação cinematográficaPolítica públicaPreservação audiovisualExibição cinematográficaFilm programmingPublic policyFilm preservationFilm exhibition Programación cinematográficaPolítica públicaPreservación audiovisualExhibición cinematográficaIn the present article, we seek to approach how the film programming of the cinema theater Lima Barreto, at Centro Cultural São Paulo, in its first three years (1982-1985), reflects the existing institutional relations between the Fundação Cinemateca Brasileira and the Municipality of São Paulo, through then newly created Municipal Department of Culture. In this fashion, we intend to outline a better understanding of why the Cinemateca was, in an initial moment, so involved with the cultural center's film programming, though it soon distanced itself from the latter. We are also interested in analysing the content of this programming and the cultural context involving the cinematographic exhibition circuit at that time in the city of São Paulo, in order to try to understand the paths taken by the film programming sector of the Centro Cultural, beginning with its distancing from the Cinemateca Brasileira.En este artículo, buscamos abordar cómo la programación de la sala de cine Lima Barreto, en el Centro Cultural São Paulo, en sus primeros tres años (1982-1985), refleja las relaciones institucionales entre la Fundação Cinemateca Brasileira y la Municipalidad de São Paulo, a través de la recién creada Secretaría Municipal de Cultura. De esta manera, pretendemos esbozar una mejor comprensión de por qué la Cinemateca estuvo, en un primer período, en el que estuvo muy involucrada con la programación del centro cultural, pero que pronto terminó alejándose. También nos interesa tratar aquí el contenido de este programa y el contexto cultural que rodeaba el circuito de exhibición cinematográfica de la época en la ciudad de São Paulo, a fin de comprender los caminos recorridos por el sector de la programación cinematográfica del Centro Cultural, desde su distancia de la Cinemateca Brasileira.No presente artigo, procuramos abordar de que maneira a programação da sala de cinema Lima Barreto, no Centro Cultural São Paulo, em seus três primeiros anos (1982-1985), reflete as relações institucionais existentes entre a Fundação Cinemateca Brasileira e a Prefeitura de São Paulo, por meio da então recém-criada Secretaria Municipal de Cultura. Dessa maneira, pretendemos esboçar uma melhor compreensão sobre por que a Cinemateca esteve, num primeiro período, tão envolvida com a programação do centro cultural, mas logo acabou se afastando. Também nos interessa tratar aqui do conteúdo dessa programação e do contexto cultural envolvendo o circuito de exibição cinematográfico naquele momento na cidade de São Paulo, a fim de tentar entender os caminhos tomados pelo setor de programação de cinema do Centro Cultural, a partir de seu distanciamento da Cinemateca Brasileira.Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual2023-01-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://rebeca.socine.org.br/1/article/view/84910.22475/rebeca.v11n2.849Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 11 No. 2 (2022): Rebeca 22Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 11 Núm. 2 (2022): Rebeca 22Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 11 No 2 (2022): Rebeca 22Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 11 n. 2 (2022): Rebeca 222316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/849/523Copyright (c) 2023 Liciane Timoteo de Mamedehttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTimoteo de Mamede, Liciane2023-01-30T16:26:08Zoai:ojs.emnuvens.com.br:article/849Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2023-01-30T16:26:08Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false |
dc.title.none.fl_str_mv |
Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985 Relaciones institucionales y programación cinematográfica: el caso del Centro Cultural São Paulo y de la Cinemateca Brasileira entre 1982 y 1985 Relações institucionais e programação de filmes: o caso do Centro Cultural São Paulo e da Cinemateca Brasileira entre os anos de 1982 e 1985 |
title |
Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985 |
spellingShingle |
Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985 Timoteo de Mamede, Liciane Programação cinematográfica Política pública Preservação audiovisual Exibição cinematográfica Film programming Public policy Film preservation Film exhibition Programación cinematográfica Política pública Preservación audiovisual Exhibición cinematográfica |
title_short |
Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985 |
title_full |
Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985 |
title_fullStr |
Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985 |
title_full_unstemmed |
Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985 |
title_sort |
Institutional relations and film programming: the case of Centro Cultural São Paulo and Cinemateca Brasileira between 1982 and 1985 |
author |
Timoteo de Mamede, Liciane |
author_facet |
Timoteo de Mamede, Liciane |
author_role |
author |
dc.contributor.author.fl_str_mv |
Timoteo de Mamede, Liciane |
dc.subject.por.fl_str_mv |
Programação cinematográfica Política pública Preservação audiovisual Exibição cinematográfica Film programming Public policy Film preservation Film exhibition Programación cinematográfica Política pública Preservación audiovisual Exhibición cinematográfica |
topic |
Programação cinematográfica Política pública Preservação audiovisual Exibição cinematográfica Film programming Public policy Film preservation Film exhibition Programación cinematográfica Política pública Preservación audiovisual Exhibición cinematográfica |
description |
In the present article, we seek to approach how the film programming of the cinema theater Lima Barreto, at Centro Cultural São Paulo, in its first three years (1982-1985), reflects the existing institutional relations between the Fundação Cinemateca Brasileira and the Municipality of São Paulo, through then newly created Municipal Department of Culture. In this fashion, we intend to outline a better understanding of why the Cinemateca was, in an initial moment, so involved with the cultural center's film programming, though it soon distanced itself from the latter. We are also interested in analysing the content of this programming and the cultural context involving the cinematographic exhibition circuit at that time in the city of São Paulo, in order to try to understand the paths taken by the film programming sector of the Centro Cultural, beginning with its distancing from the Cinemateca Brasileira. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-01-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://rebeca.socine.org.br/1/article/view/849 10.22475/rebeca.v11n2.849 |
url |
https://rebeca.socine.org.br/1/article/view/849 |
identifier_str_mv |
10.22475/rebeca.v11n2.849 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://rebeca.socine.org.br/1/article/view/849/523 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Liciane Timoteo de Mamede http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Liciane Timoteo de Mamede http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual |
publisher.none.fl_str_mv |
Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual |
dc.source.none.fl_str_mv |
Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 11 No. 2 (2022): Rebeca 22 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 11 Núm. 2 (2022): Rebeca 22 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 11 No 2 (2022): Rebeca 22 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 11 n. 2 (2022): Rebeca 22 2316-9230 reponame:Rebeca (São Paulo) instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) instacron:SOCINE |
instname_str |
Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) |
instacron_str |
SOCINE |
institution |
SOCINE |
reponame_str |
Rebeca (São Paulo) |
collection |
Rebeca (São Paulo) |
repository.name.fl_str_mv |
Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) |
repository.mail.fl_str_mv |
rebeca@socine.org.br |
_version_ |
1809730937854885888 |